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Posts Tagged ‘feminism and romance’

I am back on campus after sick leave. I was AWOL for over a month but all good now. This has put back my PhD project timetable unfortunately.

I thought I’d provide an update on the romance survey. It is still running but I will close it off at the end of May as that is when I am scheduled to deliver my confirmation seminar and be confirmed in my PhD. It’s a formality I have to go through. Then I’ll be starting the interviews. So if you are interested in completing the survey you still have time as a reader or a writer. Links below.

Looking at Survey Monkey today I have received 682 responses from romance readers. That is absolutely fantastic. It’s an international survey and I’ve received responses from Europe, USA, Canada, New Zealand, Australia, UK etc. Brilliant. I’m so thrilled.

The number of skips. Skip are where respondents abandon a survey or skip questions or miss questions. I haven’t done the analysis yet on which questions were skipped so I’m only giving total numbers here. The skips for readers vary from 14 to over two hundred and some questions it’s about 184 skips. From a quick scan a lot of the responses that required the reader to type a response had the highest number of skips. Overall I don’t have a problem with the skipping. Romance readers have been very generous with their answers and there’s very little abandoning the survey before finishing it.

However, if you are a respondent on the reader survey and would like to send me your thoughts on the survey and any issues you had then they would be most welcome. Overall, it’s an amazing response. Either reply or send me an email through the contact page or use Twitter or Facebook.

Survey responses from writers so far are 377, which is also amazing and I’m very grateful for these. Also international and that’s been mind blowing really. Writers though appear to have difficulty with the survey with a very high number of skips and people leaving the survey.

From what I can see about 136 people just stopped the survey just after the start and I don’t know why. The rate of skips is fairly consistent so the real response rate is closer to 241.

Early reports from respondents indicated that they had tried to use the survey on the phone and had technical issues. Some of those skipping have come back in and completed the survey but as I’m no tech guru I don’t know.

If there was a reason you as a romance writer dropped out of the survey please let me know if you can. It will help me to understand what issues there were and if I can answer your questions then you still have time to participate if you want. The survey can be completed anonymously. I only ask for contact details if you want to be included in follow up interviews. I will not be interviewing that many people so I can’t say who will be interviewed as yet.

The first part of the survey contains the compulsory questions I must include as this is an authorised survey through the University of Canberra, complete with ethics approval. You need to agree to me using the data you provide or you will be exited from the survey at the beginning. All data will be kept in accordance with the University of Canberra’s data retention and privacy requirements. I will not be using any email addresses or contact details other than contacting those volunteering to be interviewed. The only info I see is the IP address, which I’m no guru so I wouldn’t know how to identify you. No unselling or stuff like that. This is entirely aboveboard. There is even a complaints process outlined in the information materials.

So help out if you can.

Let’s see if we can get the overall response over 1000! Come on. We can do it!

Romance READER survey  link to Survey Monkey. Here.

Romance WRITER survey link to Survey Monkey. Here.

 

Couple Love Beach Romance Togetherness Concept

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It is coming up on the first six months of my PhD. A friend said that studying/researching for a PhD is an apprenticeship. It’s about learning to be an academic. Once the PhD is achieved there’s more work ahead if academia is the choice of occupation. Or more accurately, if one is lucky enough to get to work in academia afterwards. The message I get here at Uni is there is little work for PhD candidates after awarding of the degree and what jobs there are go to those who are known etc. Mine PhD is in creative writing so year… This is rather depressing really.

Coming from the public sector where in principle jobs are gained on merit, I can’t help react to the idea that it’s not the same outside of the APS. However, I try not to think about it and just get on with the work. Maybe that’s a skewed point of view. Anyway, I enjoy the work, or the research if you please. Perhaps I have faith in people. Perhaps I don’t know what my long term plans are. Perhaps I don’t believe what people say…

So, I have probably rabbited on about this paper I’ve been working on for months now. Yes, it has dragged on and on and on until I think I’m going to go insane or that the paper development, commentary/edits etc will never end. Not doing things right the first time feeds into my internal ‘I’m not good enough motif’. Lucky for me I’m also very persistent and somewhat driven. I have an excellent supervisor who doesn’t let me off the hook. Finally I think there is sunshine on my horizon.

My paper started off with everything I’d found to date about my topic. All shoved in there with big waving banners. Nothing given too much depth. Like a bit of jumping up and down at the beach and saying look at this castle I made before the wave comes in and washes it all away. That sort of thing…

Then my supervisor comments on the paper. In fact it’s an infestation of comment boxes. There’s something not quite right with my structure, he says. Perhaps I should thin it out a bit… so something along those lines.

I chuck out bits of the paper like flicking lint across the table and watching them fly off into the wind. Next go, mmm still not quite right with the structure. Perhaps I should just talk about three or four books in more detail. Perhaps I should reread them…do deeper textual analysis. (I then read some papers on textual analysis). This time I get the scissors and cut the paper like a string of paper dolls, a concertina of vague shapes snapping back and forth. I have to build it up again. I’m told not to throw anything out but start a new document. All that stuff is good, just not in this one paper.

I return to my key texts and start the process of really examining them, taking notes and figuring out how they work and how the issues are discussed within them. It takes heaps of time.  I’ve also continued researching books and journal articles, adding more and more to the critique of romance and feminist critique of romance and anything else that I find interesting about romance. I read  books, thank you Laura Vivanco and Pamela Regis.

Then I find I have a big, huge, lengthy paper that is well over my maximum word limit. I’m struggling with the structure. I’m working late on the paper at uni without even realizing it.  Crazy!

So I know I have to restructure the damn thing. It’s too long and definitely unwieldy.

My supervisor is not available for structure rescuing and nor should he be. I know I can do it. I need distance. I read a paper on Untamed by Jodi McAlister and the structure is so straight forward, bam, bam, bam. I look at my paper. I stop wailing and pulling my hair and think-you can do that. It’s possible. Go with your gut instinct.

I take the paper home with me on the weekend but I don’t look at it. I need space. I go to a funeral and find I’m not up for working on it. All good I say. Distance and thinking is what is required. I talk to my daughter about the paper and about structure generally. Then I go into uni on Tuesday and just do it. The need to cut helps me. I cut things and try to keep it focused. I rearrange, put funny headings everywhere, try to make it flow into a new form. To me I think I’ve done it. I’ve improved it. I’ve focused it. I’m getting the idea.

I realise I am learning. I have been told by the other PhD candidates here at Uni that the first paper is the worst. It’s my first attempt at putting the research, part of it at least, into words and for others to see it. I feel my mind shifting gears. It doesn’t mean I won’t have structure issues again, but I probably won’t quail as much as  I did this first time.

So yesterday I sent the paper off to my supervisor again. It will need a careful read and some tweaking but… My supervisor said the structure was better…I got positive vibes!!! I’m so excited by this. It’s not world domination (there are no spreadsheets involved) and it’s not the cure for cancer but it’s my paper….yay!

Okay so maybe I should calm down…but I am an apprentice. The apprenticeship grind is long. But maybe there is a small improvement in me right now.me with glasses

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A fun part of my PhD is reading romances. Mostly I’m concentrating on retros–1970s and 1980s but I want to read up to and including current titles.

The President of the Australian Romance Readers Association (ARRA), Debbie Phillips, gave me four boxes of books. These were mostly Harlequin Silhouette novels from the late 1980s and early 1990s. I’ve read two so far.

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Then I unpacked the books!

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And then I didn’t have the heart to put them back in the box so I bought some bookshelves for them. (I’m not supposed to be doing that being frugal. Alas, the savings were attacked!)

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I’ve read one cowboy romance by Lass Small called No Trespassers Allowed and I enjoyed that a lot. I even sniffled a bit at the end. It wasn’t feminist but it did discuss gender roles and was almost entirely told from the male perspective. I noticed I have about 5 more of Lass Small’s titles. She’s deceased now but published a lot in her life time.

Cherokee Thunder by Rachel Lee was published in 1992/93 and is from the Silhouette Jasmine imprint. It appears to be slightly longer than the traditional category romance. I’m sure someone can tell me all about that line. I’ve not read Rachel Lee or heard of her before. A quick look on line tells me she is still writing and is using the same setting, Conard County. And she’s won awards etc. I’m not surprised.

For someone reading with an eye for feminist or social issues in these book like I am, there was heaps in this book to interest me. It’s main theme is domestic violence and the secondary theme is racism. There was also some discussion about being a working woman, being independent, being a wife and mother and liking housework. The kind of book this is-set in a small county in Wyoming- being a house wife is a natural aspiration.

I’m not sure how politically correct the half-Cherokee character/heroe, Micah Parish, is but I found him to be represented in a very positive way.This is a character who is solitary, cut off from family, both his white and his First Nation side. He is honorable and emotionally amoured and very gentle.  I ‘heart’ him very much.

Faith, the heroine is a battered wife. She’s not ordinary, run of the mill, battered wife either. She’s seriously battered, stabbed, brutalised…you name it and her ex husband is a crim and an ex cop and a psycho!. Six months pregnant and her ex has even tried to carve the baby out of her. Seriously, scary, stuff!

She’s the frightened kitten, small, petite and hurting. Micah is a big man and he’s got a soft spot for strays. She may be battered but with his caring way, she’s able to find her spirit and over come her timidity. Never though is her abuse trivialised. It is discussed throughout that she’ll have flashbacks (she does) and that it will take time to heal.

As I read this I could see that there could be other stories in this setting. There were some interesting male characters but I haven’t looked up to see if this was a first or a third in a series.

Faith in her reminiscence about life reflects that she’s been betrayed. She was brought up to be a wife and mother and all she got was  abuse. Her stepfather had conditioned her to have low self esteem and told her she deserved a beating. The representation of the abused woman in this story was very accurate to my mind. It takes someone very special to help her. And man does Micah do that.  As I read this I was thinking this is really good. This would make a great movie.

The story seemed to me to be predominantly from the male point of view, except it wasn’t. It was a shared point of view, slipping between Micah and Faith within scenes. It was smoothly done. The only other time I’ve seen this style was in Cory Daniels The Last T’en. It is certainly different from the pseudo omnicient/weird quasi from the male perspective that some of the other retro Mills & Boon had. (apparently before the 1980s they couldn’t use the male PoV)

What I loved about this book (and being a victim of abuse myself) is that it’s so positive. The message here is that there not all men are the same. That even a big, hard man can be tender and kind. It’s such a powerful message. I know Micah is a constructed male. A hero drawn from a woman’s imagination. But I can’t understand how something like this can be denigrated, the way romance fiction, is generally denigrated. It’s a healing story. So there are so romantic foibles-some things the hero says a man probably never would, but still…

I recall JD Robb’s In death series and I remember being so impressed that (Nora Roberts) discussed child abuse in the story line. The unspeakable trauma that the main character, Eve Dallas, went through as a child is revealed slowly over the series and I was so heartened that she discussed that topic. It’s not a nice topic but it happens and it’s important.

I’m still at the beginning on my retro reading. It’s been an interesting and enjoyable experience so far.

Cherokee Thunder was a touching tale. Thank you Rachel Lee for the lovely piece of fiction.

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I’ve always known about subjectivity. I like something. The next person doesn’t. Sometimes I’m at a loss as why they just don’t get that fab book or that amazing TV series. It’s subjective. Right.

So what does that mean exactly?

This is a self-exploration so I don’t have any academic texts to back this up, except maybe a vague reference to Bourdieu-type thinking such as ‘reflexivity’ and ‘habitus’ (but I’m new to this so don’t roast me)

I’ve been reading retro romances right. A few of them make me angry, uneasy or just bored. Most I love for many reasons. I was thinking about the ones that trigger my dislike.

For instance, creepy boss love affair stories. I’ve been thinking about this for a while now. Why is this so? Office romances happen. My previous partner was once my boss, but not my boss when we got together. Actually being a workmake is probably what allowed us to get together because it wouldn’t have happened that otherwise. Not that I had the hots for him when he was my boss. Anyway….whole subject awkward!!! So why then do these stories creep me out that little bit. I had been thinking before I recollected my office romance that I didn’t fancy any of my bosses (apologies) but yeah…nah!

When I got my first office job in 1976 with a stockbroker, they were all like fuddy, duddy old men and one fuddy duddy old lady (first female stockbroker!). The girls weren’t allowed to wear pants. Yeah that’s how conservative they were. I remember one day coming in wearing a jump suit. My job was to give the big boss his coffee as soon as he sat down, otherwise yelling would ensue. So I romp in with a coffee and a good morning smile. I get quizzed about what I’m wearing. I say, “It’s a jump suit.” The boss says,”Next time you wear that you can jump out the window.” Anyway, I digress. Memory digging will do that.

This morning I remembered my job before the office job. I had a short stint as a hairdressing apprentice and I was sexually harassed. I was dragged into the change room by the owner of a hairdressing chain and quizzed about my sex life. It was weird. He didn’t touch me. He made me very uncomfortable and I was at a loss at what to say. What sex positions do you like? Do you like having sex? etc. I was bloody 15! I kept clear of him and was sacked soon after.  Actually some of these questions he asked  and approaches are in those dark, Italian type retro romances. The salon I worked in at the firm did contain a harasser.My bestie at the time also had an apprenticeship and was molested often by her hairdresser boss who was married.

Oh dear! I’ve just remembered another job where that happened. In New Zealand, I worked for a car company in the service department. I was the only woman and I was touched up and perved on all the time and commented on. Finally I stood up to them and then they got the shits with me. Lucky I quit no long after.

So while my many years in the public service provided a harassment free workplace , there were times in my dark past when it wasn’t so. And these retro stories take me back to that time in a big way.

The other thing that I find that triggers me is the violence. Just about all the books have the man grabbing the woman by the upper arms or shoulders and shaking her. Lucky they didn’t break the woman’s neck. Anyway, one particular story where the woman cried out in pain. He was really hurting her. And he’s like I’m sorry, it’s just that I love you and want you only to be mine. I’m like egads! Domestic Violence! All my flags go up. It had been a promising story until then. My note say something like. ‘Creepy ending with potential abuser!’

I grew up with domestic violence and I’ve experienced it first hand, especially the jealous boyfriend who broke in to where I was living and smashed me up. So yeah. Subjectivity!

I’m sure I’ll find more things that affect my objectivity as I read the retro and contemporary romance fiction. I certainly found that objectivity can be difficult to maintain when I read the article by Peter Darbyshire about the Love Inspired imprint! A few posts ago.

If I apply the above to other readers then it is easier to understand why people react in different ways to books or films. They are shaped to a large extent by their experiences and their environment, like I have been. I try to overcome this when I’m aware of it.  If anything, study has lead me to ask these questions of myself. Why do I think that? Or Why do I have that reaction?

 

 

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Since my last post I’ve been reading and researching and then I took time out to attend the Jane Austen Festival in Canberra. I would have been doing this regardless of what else I chose to do. I’m just weird that way. I do cool stuff!

This is my second time at the Jane Austen Festival in Canberra. Last year I only attended two part days. One reason for that was that I was still working on my dress until late morning on the Saturday. For some reason I failed to enroll in any of the interesting sessions on at the festival, which meant I had to watch the dancing. I had hurt my foot so couldn’t participate. I met up with fellow writer Bronwyn Parry and her family and friends. I met some other people I knew too. I enjoyed it immensely then and took part in the promenade and carriage rides etc.

This year, I got my organization mojo going (I thought). I enrolled in a pre festival workshop to make a bonnet. This was a fab idea. I was interested in Aylwen’s method and I thought it was a good way to ease into the festival, maybe meet people. I failed, however, to enroll in any of the additional sessions. I couldn’t figure it out. Later I found a clue, an email had been sent in February with a password. Doh!

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Cutting out the bonnet- a buckram construction

 

Unfortunately this year I also developed pain in the spine, everywhere and that put a dampener on things. I was going to participate in the dance tutorials, but egads! They were at nine o’clock! So pumped with painkillers I made it in on Friday. I sat and sewed with Bronwyn. I was on a mission to hand sew a white muslin gown. In the evening I participated in a dance. Nothing vigorous. But it was good to get out of the chair and move about. The atmosphere was fab! So many beautiful gowns. Dymocks Civic had a book stall so I bought a number of books. I also bought a second hand sari for converting into a gown and some fluffy feathers for bonnet trim.

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Books purchased at JAFA -some for my sewing and one for research

 

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Feathers and Fabric

Aylwen and John Gardiner-Garden are the organisers with volunteer helpers. The festival was managed wonderfully. I have organized SF conventions so I know how hard that is to do. The catering was wonderful and I don’t know how either of them could stand by Sunday night. John’s energy with the dance instruction and calling was indefatigable. The music was divine.

 

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Sewing with Bronwyn, Lauren and Kate

 

Saturday I stayed home for the morning. I hurt a lot, but rested and sewed and finished my gown. (this was for two reasons. I’m writing a Regency romance where the heroine sews gowns and I wanted to see if I could)

More painkillers and I was at the festival again. More dancing (just a little) but mostly watching and talking to people. I also bought a new bonnet blank (a straw base in the shape of a Regency bonnet for later trimming). My attempt at frugal practices was dead in the dirt by this time. I stayed for the Grand Napoleon Ball until after supper. I was hanging out to try the Syllabub. I went home earlyish.

This is a shot of me in my trimmed bonnet. I did it in a hurry as I had it for a year and was too ashamed not to trim it and wear it. Turned out well I think.

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Lauren and Kate in their lovely gowns. The Grand Napoleon Ball

 

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Assembled for the ball. I finished the white muslin gown all by hand.

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The hem detail of my dress. I had some vintage lace. I need to extend the hem as I ran out of fabric in the front.

Sunday and I was pain free. I was so happy that I was out the door relatively early. I missed the breakfast but I did buy some Bingley Teas. Bronwyn was delivering a workshop so I hung out with another writer Beverley and we had some morning tea. The big event for me was the promenade to the Old Parliament House Rose Gardens (Senate) where we had a picnic.

 

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Picnic!

 

 

I was pretty exhausted but did a dance lesson then listened to a talk on Regency and tea, had seconds of syllabub and went home. There was another ball after that but I was done in. I don’t know how people do it. What a jampacked weekend. Next year I want my daughters to come and Matthew too. I have a fantasy with him wearing Regency costume and dancing with me. I should take a pill.

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Me in the bonnet I made at the workshop. (not 100 per cent finished) and wearing the dress I made last year.

 

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Today it’s back to the PhD study. I’m working on questionnaires for readers and writers of romance and in depth interview questions. I feel it is a bit early to develop these but I have to submit my research proposal with my ethics clearance. I can’t do any interviewing etc until I have ethics clearance at that can take months. The form! My god. It’s complicated. I am so glad my supervisor, Tony, knows what it requires. So I’m sitting here at my desk avoiding work! Not! It’s good to recap I suppose. Now it’s time to be diligent.

Now it’s time to read about Bourdieu and drink some tea.

 

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I’m now two months into the PhD. It’s been a steep learning curve for me in many ways but others not. My day job skills come in handy and the fact that I’m researching and analysing topics that I love, means that I’m working harder than ever. I’m taking pain killers to do it too.

The first thing I needed to do was up my reading mojo. I started this well before I actually hit the uni scene. I’m still not where I should be. I need to read faster, harder and analyse more. But I’m getting there.

The next challenge is that I have a lot of topic areas to get across. I have to research a methodology. There’s no tick box here. I have to read the philosophy behind the methodology. Next, I have to research feminism (not in-depth because I’m not doing feminist research per se) but sufficient to understand it, the origins, the different schools of thought and past and current trends. Linked to this is Gender so I’m reading up on that and Queer theory. This links directly I think to my creative work, which will be spec fic with romance.

Then I need to read journal articles and books that deal with Harlequin Mills & Boon novels, with or without feminist analysis for my literature review which outlines what research has been done so I can point out where my research will add value. Absolutely fascinating stuff! OMG!

My independent research is the textual analysis of Harlequin Mills & Boon books from 1970 ish till now and also some interviews/questionnaires with romance authors and readers.

I tried develop a schedule so I could get across everything quickly. My approach of shoving all this stuff into my head led to me not reading Mills & Boon books because I was busy reading everything else. Pulls hair!

I haven’t quite got the schedule developed yet. I am being more balanced.

What I wasn’t prepared for is the change in me. Already I think I’m changed by what I’ve read. I believe I should be objective, unemotional and distanced, but I find I’m passionate, sometimes angry, sometimes so excited and happy. Maybe I need a chill pill or something. I don’t know if other Phders went through the same. It would be good to know. I’m not too upset by this. I like being enthusiastic and I know possibly in future I will have the t-shirt that says ‘don’t ask me about the Phd!’ on it. I feel like I’m surfing a wave of exploration and enjoyment. I wonder why I didn’ t do this years ago. (mostly couldn’t afford to)

I was saying to Matthew last night that this PhD might make me more of a feminist than I am now. I am a feminist but I am my kind of feminist. I’m not affiliated to any particular school. Life made me a feminist. I was subject to child abuse, I was raped at 14 (my first sexual experience) and was a victim of domestic violence and I was discriminated against in the workplace in the 1980s for being a woman. Life made me a feminist.

Feminist are known to rubbish popular romance. I can take that. I don’t  believe in that criticism because I can see feminism at work in the texts I’m reading. Not all texts but its there. However, yesterday, when I read an article about right wing Christian romances being anti-feminist (Darbyshire, P, 2002) I was enraged I think. I knew there were Christian romances out there. I thought they had no sex and took place in Sunday school. (not read one!) and then I read Darbyshire’s analysis and I was appalled by it. His analysis was great but I was appalled at the let’s blame feminism for the world’s problems he identified in the texts and put women back in their place, out of the work place and being subservient to men. OMG! This touched a deep nerve in me. I did the religious thing in my early years. No offense to my ex but I soon learned that I was lot smarter and more capable than he was. The thought that he was going to govern me in the afterlife sent me running and I haven’t looked back. I think people should be free to believe what they like, but I also believe in equality of the sexes and of race.

So that’s me. Two months in. I have a great supervisor. An excellent partner and very supportive friends.

Highland Gathering 1983

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Recently I’ve been delving into retro Mill & Boon romances to sample what there is and what might be of interest in my PhD research into Feminism in Popular romance. It is an interesting time because feminism is being debated and discussed in social media too. There are many schools of thought with regard to feminism that include diverse opinions and finding your way through them can be difficult. As a human being I consider myself equal to others, although I have to admit that I have not always been treated as such.
After listening to Caitlyn Moran’s How to be a woman, I can definitely agree with the respect principle. Treat everyone with respect as if they were yourself or your best friend or your mate. As a woman that’s what I’m interested in being respected as a person, regardless of my gender or colour or religion. Although I wave my hand to say I am a white privileged female, although not always privileged.
As a person/woman I want to be recognised for my abilities. Not patronised, not given excuses as to why I might be overlooked. I certainly had that tripe thrown at me in the 1980s. “I’m sorry, Donna, we only promote men. Women get married, have babies and leave.”
I noted this from Highland Gathering by Elizabeth Graham, Mills & Boon from 1983 (p 8-9).
The heroine’s father, hotel tycoon, says this to his daughter who works with him in the business.
“James McKay’s mouth pursed drily. ‘You know you’re competent to do that, and I know you’re competent to do that, but the Mazzini Brothers would never believe in a thousand years that a woman is level headed enough to find her way out of the kitchen or-um-the bedroom.’ He shrugged “It would offend them if I sent you, and I really don’t want to do that as this time.’”
Looking back at this work and this time, I recall this embedded attitude to women. I found this book struck a nerve with me. It made me angry. Not for this point above. That was the interesting part because hey popular romance novels did discuss feminist issues!
Since I’ve started my preliminary reading I have found I write more notes about the books that upset me the most. This particular book was interesting. For about a day I mulled over it and then I got it. The inexplicable behaviour of the male and female leads made sense. She was standing up for herself by demanding respect, recognition and romance (love actually) and he was being a typical male of the time, trying to order her about, expecting her to unpack his clothes (wifely duties), trying to take control of the business she was running. This made me hate the male character who had been a promising romantic lead. But then I got it. She was having the man, the relationship on the terms she wanted. Bravo!

Highland Gathering 1983

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