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Before Swancon I went to stay with the lovely and interesting Glenda Larke and her husband Ramly in Mandurah. It had been a while since I had caught up with Glenda in Mandurah so it was great to see her, catch up on all that had been happening and just to relax. Funny, but Glenda kept saying ‘wait to you get to my age and you forget things.’ I forget stuff now. When she said that I was thinking…oh no…it’s going to get worse.

For those of you who know Glenda, you understand her interest in bird watching, in politics, her amazing life living in Malaysia and in other exciting places around the world. I could just chat to Glenda and listen for hours and hours. Once when I visited her in Kuala Lumpur we talked and laughed until my face was numb!

Anyway, this post is mostly photos of the trip we did to some interesting places south of Mandurah, Lake Clifton, Harvey, Pinjarra, Ravenwood and the drive home. While with Glenda I started beta reading the third book in her Forsaken Lands Trilogy. Yes I am being smug! I am cruel like that.

The first photo is a dwarf banksia near Glenda’s house and that Ramly took a fancy to. We ended up getting one for Ramly to plant in the garden on the way to the airport.

Birthday candle banksia

Birthday candle banksia

The next photo is a shot of the Peel Inlet. imageAnd there was a pelican on a light.

imageGlenda thought it was a good idea to see the sun setting over the ocean, something that is peculiar to the west. Unfortunately, it was cloudy, but this shot was quite interesting with the sun reflecting off the wet sand.

Sunset Halls Head Beach. WA

Sunset Halls Head Beach. WA

Eroded rocks at Halls Head Beach

Eroded rocks at Halls Head Beach

Edit: I’ve since been told that these rocks are fossilised trees. I thought they looked tree-like.

Eroded rocks at Halls Head Beach

Eroded rocks at Halls Head Beach

Eroded rocks at Halls Head Beach

Eroded rocks at Halls Head Beach

Here is a shot of Glenda at Halls Head Beach.

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imageThen we went to Lake Clifton to look at the thrombolites, which was quite fascinating.

image

Thrombilites Lake Clifton

Thrombilites Lake Clifton

Lake Clifton

Lake Clifton

The colour in this Lake Clifton shot is spectacular.

After Lake Clifton we drove to Harvey, then Pinjarra and then stopped at Ravenwood and had a drink by the river.

We looked at this bridge with old Jarrah timber supports, a sort of meshing of old and new. I believe this was in Harvey.

Jarrah supports under bridge in Harvey

Jarrah supports under bridge in Harvey

Jarrah supports under bridge in Harvey.

Jarrah supports under bridge in Harvey.

We had some lunch/snack at Stirling Cottage. Here is a shot of a Kookaburra in a tree. I wonder if you can see him.

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Shot of the river at Ravenwood

Shot of the river at Ravenwood

After we did the tripping around, we came into Perth for Swancon, starting with the Guest of Honour dinner where we got to meet John Scalzi, Kylie Chan and Anthony Peacey. That’s the subject of the next post.

It is my pleasure to have Jane here today. When I first met Jane I was an aspiring writer with more zeal than talent or craft. Jane made an impression on me as an author who was happy to share her experience and was very gracious and friendly. Jane is a prior winner of the Aurealis Award for fantasy novel and remember thinking when we me met, wow, just wow. I managed to talk her into coming to Conflux in Canberra… maybe more than once.

Jane Routely

Jane Routley

Jane has provided some wonderful and insightful answers to the interview questions. Some of her habits I can totally relate to.

Your new novel is coming out. Can you tell us a bit about it?

In The Three Sisters, a woman warrior and a mage, who refuses to grow up, traverse an oppressed land in order find a kidnapped sister. Elena, the missing sister, has the curse of Fatal Beauty which means those who see her desire to own her. Unbeknowst to the sisters hidden powers are manipulating their destinies.

The Three Sisters was published some time ago by Harper Collins U.S. under a pseudonym. Clan Destine Press have been kind enough to bring it out as an ebook under my own name so that it can be read in Australia.

There is an unpublished sequel called The Melded Child which I very much hope Clan Destine will bring out in the next year or so.

Jane tell us a bit about yourself (where you live, how long you’ve been writing, previous publications etc)

I’m from Melbourne although I spent seven years in the 90’s living in Frankfurt and Copenhagen. I was a trailing spouse when I lived in Europe so I started writing then. I’d always wanted to be a writer so I figured it was time stop making excuses and knuckle down. I’ve published 4 novels and a number of short stories. Two of the Dion Chronicles won Aurealis Awards for the best fantasy novel in the year they came out.

Print edition from Ticonderoga Publications through Indie Books Online and

Ebook edition.

I had a big slump in the early naughties. Changes in the publishing world made it very difficult for a while and I completely lost my confidence. I never stopped writing but I’m back to finishing things for publication again.

Jane what do you find so attractive about the fantasy genre? In what ways do you find it fulfilling?

I’ve always loved history but I find historical fiction a bit limiting. You’re stuck with an already set out world and if your characters are well known to history you know how they’re going to end up. I’m interesting in travelling in new worlds. At the moment I’m interested in exploring a world in which wealth is passed down through the female line, which is does happen in our world too, but not on a state level. I thought it hadn’t been explored enough in fantasy. I’ve also always loved fairy tales – the sense of wonder that comes from magic. You can do that in fantasy. I do like the way people like Kate Forsyth are combining history and fantasy in books like Bitter Greens.

What are you working on at the moment?

I’m working on “Shadow in the Empire of Light” at the moment. “Shadow” is about an orphan without magical gifts in a powerful family of mages stuck in the country managing the family estates with only an eccentric aunt and a telepathic cat for company. It’s about her breaking out to find her own way in the world.

What is your writing process? (planner, panster, write every day, write sporadically, writers block etc).

As a writer I’m more of a panster than a planner. I know what I’m interested in writing about and I usually have some idea of where I want to go, but I never have much idea of how I’m going to get there. Every book I start I try to be more of a planner. It must save so much time and angst. I always get to a point where the book goes dead and I’ve learned that that’s because I’m trying to make the characters do something that doesn’t work. Gee it’s miserable when it happens. I wish I didn’t have to go through it. On the other hand I get bored easily, so perhaps it’s best if I don’t know how things are going to go.

As a panster, I know I write stories and books to see what’s going to happen if… What if a woman was irresistibly beautiful as Elena is in The Three Sisters. What is it like to colonized? This is a big theme in Australia History. So I set up these conditions, invent these characters and just keep asking what if… until I get closer and closer to the story that feels right for me. It’s a bit like being an archaeologist or painting an oil painting.

I try to write most days for at least an hour, two preferably. I work part time so it makes that easier. I don’t wait for inspiration. I just sit down at the computer and stay there until my time is up. If I can’t write I sit there and feel bored. Sometimes I get stuck but even then I sit down. I’ve never had writers block really badly though I have had some really miserable times sitting at my desk. If I can’t think of anything to write I write in my diary (usually a sadly neglected file)

Elizabeth Jolley once said that one way to avoid getting stuck was to leave the previous day’s work slightly unfinished so that you’ve got something to go on with when you sit down next. I find that always works for me.

What part of writing do you find hardest?

Despite the fact that I’ve set up my life to be a writer, I still find sitting down to do it the hardest thing of all. Almost anything is easier than writing. There are still those little voices in my head saying that I’m wasting my time and that nobody wants to read this stuff. I’m very achievement orientated and signs of achievement come very slowly when you’re a writer.

There’s much more instant gratification to be had from doing the garden or having morning coffee with friends or watching eight hours of Buffy the Vampire Slayer. And much more fun chatting on social media. That why I make myself sit down for a couple of hours on a computer that’s not on-line (yes such things do exist.) Otherwise I probably wouldn’t write at all and I’d get very down and grumpy and not know why. I regularly need to remind myself that if it makes you happy, it’s worth doing even if nobody else thinks it’s worthwhile. But I write to be read which is why I finish things.

What do you prefer, drafting the story or revising and reworking?

I find the drafting really really hard work and as I said earlier I sometimes get stuck. Plotting is the hardest part of a story. I really enjoy the reworking and the revising because you have the certainty of knowing where you’re going and you have the pleasure of adding texture to the world that can really make it sparkle. I actually go through each novel three times at least. Once to do a very detailed first draft and the second time to add the flesh to the bones and the third time to polish the prose.

What do you plan to work on next?

I’d like to do a sequel to Shadow in the Empire of Light though ideally I should try and find it a home before I start. I’m also half way through a man on man time travel romance which I started years ago and have been working on on and off for years. I’d love to finish that.

The Three Sisters book cover

The Three Sisters book cover

Here is the blurb!

“A captivating read” Sara Douglass

Three sisters, estranged from the Society they are destined to save. Elena, more beautiful than any man can resist, is kidnapped, her destiny controlled by the men who desire her. Yani, warrior woman, brave, strong, able to pass as a man, who will do anything to find Elena. Marigoth, powerful female mage, determined never to grow up, equally committed to finding their missing sister. In a country oppressed and cruelly ruled, the fate of many people lies in the unsuspecting hands of these three women.

Published by Clan Destine Press link here.   Ebook format. Available also in kindle or mobi

Price AUS $6.79

ISBN  9780992492595

Thank you so much Jane for elaborating on your writing processes.

You can find Jane online at www.janeroutley.com.au and

https://www.facebook.com/jane.routley.5

https://www.goodreads.com/author/show/333390.Jane_Routley

As per my previous post, I was in Perth to visit the awesome Glenda Larke and go to the 40th Swancon SF convention. Swancon was a national convention this year and thereby host to the Ditmar awards and a few other awards, including the A. Bertram Chandler Award.

Here is a little about the award from the Australian Science Fiction Foundation’s website:

The A. Bertram Chandler Award is given by the Australian Science Fiction Foundation.

It is Australia’s premier award for lifetime achievement in science fiction.

The first Chandler was presented in 1992 to Van Ikin at the National Science Fiction Convention, SynCon ‘92. Subsequent winners have been Mervyn Binns, George Turner, Wynne Whiteford, Grant Stone, Susan Batho (Smith-Clarke), Graham Stone, John Bangsund, John Foyster, Lucy Sussex, Lee Harding, Bruce Gillespie, Rosaleen Love, Damien Broderick, Paul Collins, Richard Harland, Russell B. Farr and Danny Danger Oz.

The 2015 Chandler Award was presented to Donna Maree Hanson at Swancon 40, the 54th Australian National Science Fiction Convention in Perth, Western Australia, on 5th April 2015.

I didn’t know anyone was watching me and noting what I was doing all these years. I was so surprised to be selected. I had fun doing all those things listed in my citation, except maybe the Conflux accounts last year. That was difficult. What a pleasure and an honour to receive the award. I have to thank the Australian Science Fiction Foundation again for the award. I’m flabbergasted and thoroughly pleased to receive it and can’t believe it’s happened.

When the citation was read out at the ceremony, I did sound like I had done an awful lot but that has been over the last 15 years.

Here is a few shots…also included are shots of Glenda Larke who tied with Trudi Canavan for best novel in the Ditmars. I gave Trudi’s acceptance speech as she is in Europe. It was an ideal outcome because both Trudi and Glenda are dear friends. John Scalzi presented the award and he was a little tricky and a bit of a tease. They way he announced it, it looked like Trudi had won by herself. When I sat down with the award, he said to the crowd, ‘Wait there’s more.’. I got so excited because I knew it was Glenda and that there had been a tie. Glenda didn’t suspect. She’d won her first award just before with the WA Tin Ducks. But it was exactly that. It was in good fun, but someone chided John Scalzi and I have a shot of him begging for forgiveness (not seriously but it was funny).

A. Bertram Chandler Award bowl and plaque close up

A. Bertram Chandler Award bowl and plaque close up

This is the whole package, with the framed citation. The citation was written by Nicole Murphy!

Award package.

Award package.

Here is Glenda with her first award ‘Tin Duck’ for longer work for The Lascar’s Dagger (a really awesome book).

Glenda Larke with her Tin Duck. Juliet Marillier sitting next to her.

Glenda Larke with her Tin Duck. Juliet Marillier sitting next to her.

Here is a shot of us with the Ditmars, me holding Trudi’s award.

Holding the best novel Ditmars

Holding the best novel Ditmars

Here is Scalzi after the award.

Glenda Larke and John Scalzi, Ditmar Awards Perth 2015

Glenda Larke and John Scalzi, Ditmar Awards Perth 2015

Glenda with John Scalzi, asking for forgiveness. Lol.

Glenda with John Scalzi, asking for forgiveness. Lol.

Later we were celebrating the wins.

Glenda Larke and Donna Maree Hanson

Glenda Larke and Donna Maree Hanson

Here is us later in the bar in a three stooges shot with Cat Sparks. Cat won for best short story.

Cat Sparks, Glenda Larke and me.

Cat Sparks, Glenda Larke and me.

When we got home to Glenda’s place on Monday, the celebrating continued.

A writer drinking champagne

A writer drinking champagne

The link to the citation for the A. Bertram Chandler Award is here.

The Wikipedia Entry to the Award is here. A wonderful list of previous winners.

Again, thank you!

I have been spending a lovely few days in Mandurah south of Perth with the lovely Glenda Larke and her hubby, Ramly before we head into Perth tomorrow. We are heading in for the Guest of Honour dinner with John Scalzi and Kylie Chan, guests at Swancon. From then on we will be at the Swancon SF convention over Easter.

Today we went tripping around to Lake Clifton, then to Harvey and then Ravenwood  (the pub by the river) before  heading back home. I pretty tired  and it was a lovely day with lots of lovely  and amazing things to see. I’m going to put up some photos. Lake Clifton was where there were trombolites, llittle creatures like algae that take out the calcium carbonate of water and leave these rock like formations. Apparently, these creatures are what made the world today by creating oxygen.

Lake Clifton

Lake Clifton

Eroded rocks Halls Head beach

Eroded rocks Halls Head beach

Stirling Cottage garden

Stirling Cottage garden

The little creek next to Stirling Cottage

The little creek next to Stirling Cottage

Eroded rock Halls Head

Eroded rock Halls Head

Lake Clifton trombolites

Lake Clifton trombolites

Ravenwood by the river

Ravenwood by the river

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Harvey (bridge) with Jarrah timber supports

Harvey (bridge) with Jarrah timber supports

Harvey  under the bridge

Harvey under the bridge

In Harvey we checked out  Stirling Cottage, looked at the lovely gardens by the river and then later checked out the underside of the bridge which had these amazing jarrah timber supports.

I ‘m doing this post on my ipad so of course all my photos are now out of order. Sorry! The eroded rock is from yesterday. The rocks were  quite extraordinary, textured and layered and carved into shapes. I had to share.

It was a relaxing day, taking our time and enjoying the lovely Perth autumn weather. I feel like I’m on holiday.

My day job has been rather tense and hectic. I was pushing to get a report out and you know what…I stuffed up. Maybe that was in a small way. Proofing errors and a couple of little things that I really couldn’t afford to do. I thought I was having a stroke or something. The errors weren’t because I wasn’t being careful. I was. The errors happened because I couldn’t see them.

A workmate took me aside. She had lost her mother more recently than me. Her explanation for my lapse made sense. She said that I was still grieving for my mum. I had thought I wasn’t suffering too much grief at all, but I’m pretty good at sublimation or suppression. Her theory was that a good part of my mind was elsewhere. That made sense to me. I’m not trying to suppress anymore. Work moved on and the report cleared. Now it seems that a cloud has lifted. Maybe it’s because we took mum’s ashes to Bondi Beach and let the sea take her away, maybe it’s because I have acknowledged it and maybe a combination of both.

Like most people my mother was fundamental to my existence. She was a source of both pleasure and pain, love and anguish. I also realise that I had been responsible for her welfare for nearly 19 years. All my decisions were made around her, mostly so these last four years. So maybe I should just give myself a break, pat myself on the back and move along.

Tomorrow, I fly to Perth. I’m going to spend time with the lovely, awesome and inspiring Glenda Larke and then we are heading to Swancon for the Easter long weekend. I feel light. I feel happy. John Scalzi and Kylie Chan are the guests of honour. I believe we are going to the guest of honour dinner on Wednesday.

Canberra is turning cool so I’m hoping Perth will offer some warmth. I have some friends and acquaintances that I hope to catch up with. The weekend after I get back is the Canberra Jane Austen Festival and on Saturday 11th the Aurealis Awards. Later in the month it’s my birthday. April is so jam packed.

In other hyperactive news, I’ve been making silk flowers, a bonnet and Regency cross over front dress. Also, my editor sent this photo of me signing at the ARRA conference recently. Technically I was signing as me and Dani K. I’m hoping to put up another author interview soon.Donna signing

I am very pleased to welcome, Amanda Pillar, who is here to tell us about her first novel. Amanda was one of the editors on Damnation and Dames anthology by Ticonderoga Publications. She has edited a number of anthologies in recent years. Who knew she was secretly a writer!

Pillar_Amanda

Your new first novel is coming out, Graced. Can you tell us a bit about it?

Graced is an urban fantasy/paranormal story that follows the journey of four diverse characters: Elle, Dante, Clay and Anton. It features vampires, weres, humans and a new race called the Graced. The Graced have psychic abilities that are denoted by their eye colours: Green (telepathy), Gray (telekinesis) and Blue (empathy). Eye colours, in fact, are the key to determining what race someone belongs to in the Graced universe, as brown=humans, purple=vampires and yellow=werewolves. Although, Graceds are meant to be a secret race.

Amanda tell us a bit about yourself (where you live, how long you’ve been writing, previous publications etc)

Well, I live in the wonderful town of Melbourne with my husband and two cats (yes, I am a crazy cat lady). I’ve been writing since the ripe old age of 13, although it took a long time for me to produce anything worthy of publication. Recently, I’ve had two short stories published, as well as Graced. One story is in the wonderful Cranky Ladies of History (‘Hatshepsut’) anthology edited by Tehani Wessely and Tansy Rayner Roberts and follows the rise to power of the female king, Hatshepsut. The other was in the stunning Kisses by Clockwork (‘A Clockwork Heart’) anthology edited by Liz Grzyb, and is a steampunk romance. I am also currently editing Bloodlines, a horror anthology.

Amanda what do you find so attractive about the urban fantasy genre? In what ways do you find it fulfilling?

I think the fun with urban fantasy is that it can be contemporary, alternative reality, or set in an entirely new world. It allows writers and readers to look at the world through a new lens, to understand things on a level that may not be achievable with non-supernatural elements. It can make you think.

What are you working on at the moment?

I am currently working on Bloodlines, my next horror anthology. I also have hopes there will be another book set in the Graced universe, so you’ll get to see the characters again, but no publishing plans as yet.

What is your writing process? (planner, panster, write every day, write sporadically, writers block etc).

I’m a bit of both. When I begin to write, I know the start, the middle and the end. I work out the in-between parts as I go. I would love to write every day, but unfortunately my day job and life just tends to get in the way. So I tend to write in bursts when the time allows.

What do you prefer drafting the story or revising and reworking?

I much prefer revising and reworking to the first draft.

What part of writing do you find hardest?

The hardest part of writing for me is the first draft. It almost feels like a purging at times. But I can’t do the fun part until the draft is written, and so I knuckle down and get to it!

What do you plan to work on next?

I am hoping to work on another book for the Graced universe! Otherwise, I have some short story and novel ideas in the works!

9781760082307_Graced_cover3You can find Amanda on her webpage

Graced is available from major ebook retailers and the Momentum Website.

I am so excited by my new book’s cover! It is very fab and slick and awesome.

I won’t keep you waiting. I’ll put it up again when the blurb is out there in Internet land. The book is due out on May 8 from Escape Publishing. It’s a sequel to Rayessa and the Space Pirates, but has a different point of view character. I think it’s more SF romance for YA than Rayessa was, but that’s up for you readers to decide. It’s short, under 40,000 words.

Isn’t it fine!Rae and Essa Space Adventures

I feel good to be writing after a bit of a drought. The Regency Romance I’m drafting is continuing a pace. I’m past the half way mark. It’s a great feeling when a project gets its legs and you know it is going to work out. I thought this story would be 90 000 to 100 000 words. It might end up being in that range as there is still a bit of story to go and there has been a major blow up and I’m still writing all of the fall out from that.

I have quite a bit of tidy up to do but at this stage I’m just focussing on getting the draft down and being in the mental space where the story is sitting in my head and new ideas are floating to the surface.

I am hoping that this new found energy will last me into the revisions of other MSs I have stacked and waiting for attention. Revision can be hard work, but drafting something you really, really enjoy is fun, hard work but fun hard work. Revisions can seem to take longer and they do if you have structural issues. The trick is to get the structure right beforehand.

Anyway, I’m waiting for some workmen to finish up so I can get to my day job. But we have a writing date planned tonight so I’m so looking forward to writing some more.

PS. If you don’t know what I mean about a writing date. It’s where I get together with my partner and a couple of writing friends and we join together to write for a few hours. When life is busy, sometimes the only time I get to write is on a writing date, and I do that because I’ve committed to the time and made an appointment with others. We meet at each other’s houses, but sometimes  I’ve just had dates with Matthew in a cafe in town.

A while ago, we formed the idea, Nicole Murphy and I, to go to the South Coast (Bateman’s Bay) to write with two CSFG pals, Cat Sheely and Marisol Durham. We had to find a weekend that everyone was free and then I counted down the says.  Nicole dropped out at the last minute but I made my way down here last night from Canberra.

We are sitting here right now in cosy armchairs writing away. We erupt into conversations occasionally. Cat talking time dilation and space travel. There were a few hiccups with a power outage and that took a while to sort out. It explained my cold shower (which I managed quite well as the weather here is divine). Toasting my sandwich for breakfast was a little harder but we did manage to melt the cheese.

I’m working on a Regency romance, one that I started on the Australia Day weekend. It’s going well. I’ve outlined it briefly on a piece of paper in pencil. I found that important bit of paper on the floor in the games room the other day with granddaughter scrawl on it. I knew I should have typed it out…sigh.

Anyway, I’m going for roughing the story out first. I know how long I want the story to be, but I need to know if the event are sufficient for that before I make the next decision. I’m quite nervous about writing this kind of story. I’m a fan of Regency romance but I’ve not tried writing it before. I have written a paranormal Victorian (more like steampunk, Victorian gothic romance/horror) but this story has no paranormal elements. A challenge you might say.

Cat is working on a science fiction short story featuring a female space freighter captain. Marisol is working on novel on a spy retelling.

We may even get into the pool later! Cat’s house is lovely and spacious and modern.

I’ve pasted below a short story I wrote a while ago. It was runner up in a competition and was published in the ACT Writers Centre Magazine.

This story is a combination of my paternal grandmother’s personal history combined with fiction, mostly to do with the setting. The key events are as Nana related them to me. Nana, nee Florence Dockerty was born in County Durham 1908, in a place called Washington. The suburb still exists but her street isn’t there anymore. She died in Sydney 1998. She was a strong woman, tough and sometimes unforgiving. This story helped me gain insight into how she was.

It’s not speculative, but my friend Kaaron Warren called it domestic horror.

Flo’s Laundry

By Donna Maree Hanson

 

A wisp of smoke from the fire made Flo’s eyes sting. Ray, her barely two-year-old son, played with the tent pegs, his nappy smeared with mud and grass stains. ‘Leave that pet,’ she called to him. His chubby, dimpled thighs wobbled as he walked in her direction.

Flo grated the shirt against the scrubbing board. She drew it up and forced it down the rough ridges, feeling her knuckles smart and watching the thick, grey water dribble down back into the basin. Thwump, twump. Thwump, thwump!

‘Mama,’ Ray called, followed by baby coos and gurgles. ‘Toy,’ he said and sunk it into the dirt, delving out muddy clods and a stringy worm, which he held up and eyed.

A gust of a breeze sent the dozen or so tent walls in the camp flapping like the beat of many drums. A few miners lay about, sprawled in the shade, still dressed in their coal-stained clothes. The smell of the coal pits was thick in the air. She was born with the taste of coal dust in her mouth. Flo bent her head and rubbed the shirt harder against the washboard. All her life she had smelt that same soot smell, that dank, black stuff that stained everything from: clothes, hands and smiles. She spat into the grass.

‘Papa!’ Ray called.

Flo sent her gaze in the direction of her tent. He was home. The smell of stale beer and sweat wafted in her direction. Flo let the shirt slide back into the grey-black water and checked that the copper boiler had enough wood to keep it hot.

Ray leant nearer, traces of worm around his mouth and on his singlet, and chucked a twig into the flames.

‘Thank you, pet. You’re Mummy’s good boy.’ She wiped his face with her apron, while he struggled.

‘Flo!’ He grunted out her name from inside their tent. The tent flap lifted as she neared. ‘Aren’t you going to feed me?’

‘Yes…Are you going to wash yourself first?’

He looked away, his red face deepening in colour. A few miners walked past, and he nodded to them before dropping the tent flap.

Flo put Ray on the floor and went to get the metal plates and cutlery.

He was undressing, replacing his stained work shirt for a cleaner one. His hands, though, were black as soot, swollen and gnarled. ‘I hope ya got bread today. Man can’t have a meal without bread.’

‘Yes, I have half a loaf and stew.’ She heaped a large portion onto his plate and placed it on the box they used for a table.

He sat down on a crate. ‘They’ve sacked twenty more men today.’ He shuffled the stew into his mouth and wolfed down the bread.

Flo frowned. Hadn’t she left the North of England to get away from this story? She’d left one Newcastle to live in another—same name, same troubles. The poverty, the mines and the miners still filled her life. ‘You still have work, don’t you?’

He waved a hand at her. ‘Don’t start your whinging now, stupid cow.’ He gulped down the last of the stew and stood up. ‘I’m going out.’

The spoon clinked as Flo placed stew onto her chipped grey plate. She kept her gaze downcast, sat down on the bed and began to eat.

In two steps he was standing in front of her. ‘Give me a few shillings will ya?’

‘Don’t have any…’ she said quietly, concentrating on her plate.

‘Ah that’s bull. How did ya buy this?’ He waved at the remains of bread.

Flo looked up. ‘I got paid for a load of washing, but I’ve spent it all.’

She saw his skin darken. ‘I might have a loose coin,’ she said, searching her apron pocket hurriedly. She felt a few coins fall into her palm. He stepped closer, loomed over her, fist clenched.

‘Here,’ she said quickly. ‘I’ve found a few pennies.’

The fist unclenched. She dropped them into the calloused, dirty palm.

‘Give me your apron.’

Once her gain, her body grew rigid. ‘No!’ she said, voice firm and low.

He reached around her large, pregnant belly to grab for the ties. She tried to dodge away. Next, she was laid out on the bed, her face stinging from the backhander he’d dealt her. Ray was wailing and clinging to her foot. Using her elbows, she groggily edged herself into a sitting position. The tent was darkening as the sun set. He was gone. Her torn apron lay in shreds, slowly engulfed by the growing shadows.

She reached for the lantern and shook it to see if there was kerosene in it. It swished in the metal tank. Shakily, she lit it. ‘There now, Ray. Don’t you be crying.’ Her hand touched lightly on her son’s blonde hair. ‘There be worst things in life.’

            She straightened her clothes and prepared a small portion of stew and a crust of bread to take to her friend Meg. Rumour had it Meg felt poorly, but Flo knew better. She supposed she should mind her own business but she couldn’t help herself.

Outside Meg’s tent, with Ray clinging to her skirts, she called out. ‘Are you home, Meg?’

A rustling and a faint, ‘Yes.’

Flo didn’t wait to be invited in. She drew back the tent flap and went inside. Meg hung back in the darkest part of the tent, partially hidden by boxes. ‘Oh it’s you.’

‘I’ve bought you a little something. Not much.’

Meg was pale, wrung out, her eyes darkened hollows. Flo put the meal on a crate and stood back. ‘Did he hurt you bad?’

Meg drew on a robe and came to take the dish of food. Her movements were jerky, frightened. Her thin fingers clung to the plate. ‘Not so bad this time. I’m a terrible wife.’

Flo cast her gaze around the shabby tent. All of Meg’s belongings were tumbled together. ‘You try your best. I’ve got some work to do,’ she said, trying to smile.

‘Yes…’ Meg said, smiling and showing her missing tooth. ‘Thanks for the food. I’ll drop the plate back later.’

Flo stepped back, bringing Ray with her through the tent flap. She went back to work, re-filling the boiler with water from the creek with small bucketfuls. She had an hour or so before the sun set. At the woodpile, Ray straddled a log while she chopped kindling. By the time the water was boiling, she had cleaned the muck from Mrs Jenkins’ nappies and they were ready for the wash. By morning they would be boiled and ready to rinse.

‘Flo,’ called Boyo from a few tents down. ‘I’ve left a pile for you. The widower asks if you would starch his shirt.’ The young miner smiled, a white flash in a darkened face.

‘Ta luv,’ she said and waved back, watching his lean and dark body.

The nappies bubbled, sending the smell of soda over her while she stirred them with a long stick. Satisfied that they were cleaning well, she went over to her basin perched on tree stump. It was cooler now. The sun had set. She scrubbed the shirts, grinding them down the washboard, twisting the grey water from them till her the muscles in her arms burned and her jaw clenched. All her life she’d been perfecting her twist. Her hands were accustomed to washing, so thick now, but agile.

In the morning, she gazed at the white shirts and sheets, drying in the sun. The sight filled her with a sense of completion, of satisfaction. And she would be paid.

After lunch, she headed to town to Mrs Jenkins’ house. Ray clutched her skirts and plodded along beside her. He tottered now and then and Flo had to stop and steady him, wiping gravel from his knees. She balanced the laundry basket on her hip. It was a long walk past fields with rotting fences, twisted wire and thin cows. The sun was bright and hot. It filled her vision with a red haze, colouring everything. She squinted and drew down her scarf to shield her eyes.

Ray was dressed in his best clothes; knee breeches, tough shoes and a small white shirt Flo had sewed herself. She touched her own rouged lips, hoping she looked presentable.

Up ahead were houses. ‘Come on, Ray, let’s look at our place.’

The old weatherboard bungalow needed painting. Its faded, red, tin roof nearly a dirty brown colour. The veranda had a few rotten planks and others were missing. The yard was overgrown but generous. There was plenty of room for vegetables, carrots, turnips, beetroot and rhubarb. One day she would grow them.

The tenants were out so Flo let herself linger. She imagined what it would be like to live in it. The place she’d scrimped and saved for. They couldn’t afford the mortgage that’s why they lived in a tent. But her laundry money was what had made the deposit, that and what she’d managed to save from the housekeeping allowance.

Sadly, Flo shut the gate and kept walking to where the houses were larger, better kept and lived in by their owners. She knocked. The dark green painted door with squares of coloured glass opened.

Mrs Jenkins looked like a film star with her neatly, curled hair and smooth blue gown. She stood in the doorway and said, ‘Thanks, Flo,’ while Flo handed over the basked of clean nappies. Mrs Jenkins dropped some coins into Flo’s hand.

Flo, sweaty and wind swept, stared at her with admiration. Flo felt faded, used and dried up and at the same time she envied Mrs Jenkins her life, her looks, her home…

‘Nurse!’ Mrs Jenkins called over her shoulder. A few moments later, the old nurse appeared with another basket of nappies and handed them over. ‘Can you do those by tomorrow, Flo?’

‘Yes, Mrs Jenkins.’

Mrs Jenkins smiled at her. Flo balancing the old wicker basket on her hip, grabbed Ray by the collar and stepped back, returning Mrs Jenkins’ smile. She forgot there was a step.

Next, a pain enveloped her. Ray crying in her ears and Mrs Jenkins’ light perfume intermingled in her red haze. Oddly, she felt the sun. It seemed to burn through her. Wetness between her legs. Voices.

‘Can you stand, Flo? Old Jock here has the coal cart. He can take you home. But you best get the doctor to come to you.’

Flo stood, dignity in shreds as she hoisted herself onto the cart. Ray was still crying beside her and the basket of washing was perched on her other side. Lumps of coal dug into her back. ‘Thank you, Mrs Jenkins,’ she said, through watery eyes.

By the time the cart bucked and weaved down the road to the miner’s settlement, Flo’s contractions were strong and sharp. Old Jock handed her out of the cart and put Ray in with the dirty nappies and lifted the basket to his hip. ‘Hold onto me shoulder, lass, and I’ll help you get home.’

Carrying Ray and walking slowly, Jock guided her to her tent. Soot smeared, she turned to Old Jock and waited for the contraction to ease. ‘Can you fetch him?’ she asked through her pain.

Old Jock patted Ray on the head. ‘Yep. I’ll drop by the pub and send him home.’

Flo smiled best she could. She felt blood or her waters trickle down her leg as he left. When the flap dropped she sagged and fumbled for the bed. ‘Lie down with Mama, pet.’

Ray looked around bewildered, his breaches sagging by his knees. His wet and soiled nappy hung down below his buttock and snot drooled past his chin.

‘Come on…’ The next contraction seized her. She couldn’t speak and could only lie down and bear it, fearing what it meant. It was too early for her baby and it hurt.

A half hour went by. Flo had vomited into the chamber pot and it lay stinking next to her bed. Ray was asleep in his dirty nappy but she couldn’t do anything about it. The walls of the tent seemed to inhale with the next contraction.

A snap of the tent flap and he walked in and grunted. ‘What do you want you lazy cow?’

She struggled onto her elbows, the buttons of her dress half undone. ‘Doctor. Please get the doctor. Baby’s coming early.’

‘That all. You’ll live.’ He turned back to the tent opening.

‘Please, the doctor! Can you get the doctor?’ Flo hated to ask him for anything.

He faced her again, his mouth curved in a half sneer or smile. ‘Oh aye. I’ll go get him. Need to pay him though.’

She remembered her pay, felt in her pocket for the coins. ‘Here. I just got paid.’

The coins clinked as they fell into his dirty palm.

‘Please hurry.’

The tent flap dropped as another contraction came.

With the darkness came her second son. Alone in her tent she squeezed him out. She struggled to wrap him in a sheet. Small thing, little fingers, closed eyes. She woke with the afterbirth. Nothing for her to do, but dirty the blanket, no matter what shame it would bring.

She waited, listening for the doctor, eyes glued to the wee and barely moving arms of the babe beside her.

Meg called out from the front of the tent, ‘Flo? Are you well? Just heard from my husband when he got back from the pub that there’s trouble.’

A sob broke from Flo’s throat. Meg flung open the tent flap and came in. ‘Oh, my lord, Flo. You’ve given birth!’ She dashed over bundled up the soiled blanket. Her outburst woke Ray who cried. ‘It’s too early—where’s the doctor?’

Tears leaked from Flo’s eyes. ‘I’m waiting for him. He went for the doctor but the doctor’s not come yet.’

Meg sat down, eyes wide. She hugged Ray to her as she rocked back and forth. A huge sob broke out of her. ‘My god, Flo,’ she said brokenly. ‘He’s been playing cards all night. He never went to fetch the doctor.’

Just then he walked in. ‘You out,’ he growled at Meg. With a nervous pat on Ray’s head, Meg stood up and backed out of the tent.

He turned to Flo, his eyes red and puffy, the smell of cigarette smoke and drink wafting around him like a skunk’s scent. ‘Told you you’d live. Don’t need no doctor.’

Her eyes never strayed from her child. The little arm was still now. She touched the still warm cheek.

He poured himself some cold tea and dunked a crust in it. ‘Suppose I’ll get my own breakfast then.’ The cup clinked against the tin plate.

Flo stared into space, not daring to utter neither curse nor pray.

‘Mrs Flo?’ called a familiar voice, from outside the tent. Doctor O’Malley lifted the flap and shrugged his way in. He grunted at the doctor and left, elbowing his way out.

The doctor made way for him and moved closer to Flo, sliding his glasses up the bridge of his nose. ‘What’s this I hear about you having a fall?’ the doctor said gently. Moving near to the bed, he peered at the bundled sheet and paused. ‘Are you well, Flo? Not bleeding too much?’

She shook her head.

‘Ah well, if you are sure I’ll look at your babe first.’ He reached for the little one, loosening the sheet, and touched him. His grey eyebrows drew together. ‘Mmm…well I’m sorry. If you’d sent for me earlier I could have done something to save him. Died this last half hour I think.’

Flo could bear it no longer. She barked out a wail, certain they could hear her deep in the coal pits. Then she stopped, gulped it down and held it in the pit of her stomach. Ray began to whimper. The doctor calmed him and then tended to her.

***

The gravediggers lowered the little coffin into the ground. Flo stood, holding Ray’s chubby hand and stared. It was sunny and hot. The gravediggers leaked sweat. Flo’s hat kept out the suns rays but her hands burnt beneath the brittle light.

To feel was to give in, to acknowledge this life and what it dealt her, would admit defeat. That she couldn’t do. She lifted her eyes from the grave and stared at a twisted gum tree leaning over the cemetery. She’d told him it was a charity funeral, but she’d used her secret cache, a buried Bushells’ tin.

Ray’s hand was warm in hers when she headed back home. More laundry waited and the copper would have boiled by now.

With a thunk, she swung  Mrs Jenkins’ nappy against a rock. Another swing and it came down hard with a splat. For an hour, she beat them against the rock, wiping the sweat from her eyes, as muddy creek water pooled around her ankles. After piling the damp cloths up, she lugged them to the copper and dropped them in one by one. They sank below the bubbles and steam, disappearing into the grey.

As always, Ray was nearby. He picked up a twig and threw it into the fire. ‘Hot,’ he said and giggled.

‘Thanks Pet,’ she said softly, then turned back to her washbasin and plunged her hands into the soapy water.

The black, coal-stained trousers ground against the scrubbing board. Flo’s knuckles rubbed. He walked out of the tent. Without a glance in her direction, he shrugged and walked off. Every part of him, his red face, his fat stomach and his thinning hair, was writ upon her memory. She squeezed the trousers, wrung them like a chook’s neck as she watched him leave. Thwack! She flung them into the basket and grabbed another soot stained shirt. She dipped it in the water and then wrung it. Twisted it.

The End