Feeds:
Posts
Comments

Posts Tagged ‘CS Pacat’

Time flies! I meant to write this post when I got back but with one thing and another it got delayed.

I had a fab time. It is such a shame there will be no more reader conventions. I’m looking forward to seeing what the Australian Romance Readers Association will come up with in future because they are badass organisers.

So for a romance writer at a reader convention there are these things called swag or loot where writers give stuff away. It can be corny condoms, chocolate with flyers for books, post it notes, pens etc. A lot of it can be personalised. Often it will just be on a general table. When I went to RT Convention in New Orleans authors and publishers had to pay to put their swag in a special room, where readers could go in and take what they want. So as I knew this was the last convention I thought I’d go for the swag giveaway.

My book Opi Battles the Space Pirates was meant to be out. First, I was going to give away print copies, but I didn’t get the cover in time. Then I didn’t get the cover in time to give away Ebooks. So in the end I copied the Ebook (without cover) to USBs and included them in the loot bags.

Ten lucky people got the swag with the book on a USB stick. I had another six bags with general loot. Cautionary tale, don’t put the chocolate hearts in until after you have driven from Canberra to Melbourne as the chocolate will sweat in the heat. Other than packing, that was my preparation.

On the way down and on the way back I stopped at my favourite place, Benalla Art Gallery. This is a picture of the view from where I ate my lunch!

IMG_7467

So what was different about this ARRC? This is my third convention attendance and this time it was in Melbourne at the Rydges in Exhibition Street. Great location and great hotel. Always a good start.

I signed up for the extra-curricular activities, such as the high tea at Zumbo’s and the cruise but my first foray into meeting readers was in the lift. I spoke to Tiffany (waves to Tiffany) and asked her if she was there for the convention. We talked favourite genre on the way up in the lift. She reads paranormal and I write it. So good start. Good on me for being friendly and actually saying hi! to someone. I’m an extrovert but I don’t always find it easy.

Next up was saying hello to whoever was around while waiting for the bus to the high tea.

Keri Arthur called me over, then CS Pacat was there. Say hi to these talented and lovely authors!

IMG_7471

I don’t have a photo of her, but a few minutes after this photo was taken, Debbie (chair) introduced Courtney Milan to us and we hung together for the bus ride (ended up being a life dare to ride that thing) to Zumbos. The high tea was amazing. I’m trying not to put on weight so I figured there were parts of the high tea I could skip. No! I couldn’t. It was all different and peculiar and amazing. The food gave everyone something to talk about. I sat next to Keri Arthur, opposite Cat Pacat and with Courtney Milan, but even better I had eight readers on my left side and I got to talk with them all. Here’s the test. Can I remember all their names?

First up was Tiffany who I met in the lift, then Amanda (we became buddies), Yanna (also became a buddy) oh oh…Barbara?, then ???, the Melissa and Melanie….oh I was so close. It’s on the tip of my tongue. Anyway it was so much fun. I talked all manner of science fiction and fantasy as well as romance reading across the table, sharing our faves and also picking up new recommendations. Melanie I knew from Canberra. She’s a librarian and she had already encouraged me to read McMaster Bujold’s Vorkorisgan series. My fun moment was when Courtney Milan realised she was sitting next to CS Pacat and she had a fangirl moment. That must have been very cool for Cat! (hahaha).

Then it was back to the hotel, where there were a few close shaves in the bus. Glad to be still living, we went off to get ready for drinks. I really did go over my limit. More on that later. Got to talk to heaps of people. Got to chat with Kristen Callihan, but I didn’t know who she was. (she gave an awesome talk by the way!) PS I stole this photo from Yanna on Facebook.

arrc group

Then came the Trivia Quiz. That was hard. I was tipsy. I snaffled Melanie and Melissa and Amanda with us writers. It was hard. We did well in the movies, abysmally elsewhere. We won Ice Magic topping for our ice cream. We also won Tim Tams. In the end we resorted to making up answers. Being silly was the fun part of it. We didn’t win either.

Next day the conference started. One of the really cool things I did and I think other conventions should steal this idea was author speed dating. (I keep writing hot dating but that just boggles the imagination). Ten authors, ten readers, four minutes each!  It was great for author/reader interaction, which is sometimes hard to do even at a reader convention. I got to give away nine of my goodie bags. I was so pleased. One reader didn’t show. It was a great way for readers to discover new authors too.

Later that day was the book signing. It took place in Bobby McGees nightclub and it was an interesting venue. The prize for the most startling attraction to her table goes to Wanda Wiltshire for a shirtless man with wings. The poor man was freezing but you know it worked! The photo below is from my signing table. I gave away the rest of my goodie bags and sold a book. Woot! Sorry no picture of the bare-chested man or is that fairy?

IMG_7474

I also went along to the Harlequin drinks and had a very interesting conversation with Narelle Harris, who talked about her slash Holmes/Watson book, called A Colonial Boy (I bought the book later). Thank you Harlequin!

IMG_7472

Next big thing was the ARRA Awards dinner. I sat at the table with the most awards. Keri Arthur won for her section and Anne Gracie won about five awards. I really should have taken a photo with Anne and her collection. It was amazing.I sat with Anne Gracie at the signing so I can understand how much that support from readers means to her. I did snag a photo of Keri though.

IMG_7493

Melissa and I went into the bling off. Melissa should have won. She made her outfit but she needed to flash her sequined bra to bring it off. Kate Cuthbert co-judge offered to send her a prize. I wore my amazing Bollywood-type shoes I bought on a shopping expedition with Keri Arthur in New Orleans. Below is Melissa and below that my shoes.

IMG_7494

IMG_7496

Yanna and Amanda came over to take a snapshot of us in our finery.

IMG_7487

On Sunday, I chaired a panel on Feminism versus Romance. At the end of this post is a link to a post about that panel. Renee Dahlia took what looks like incredibly detailed notes. I was nervous as all hell. I’d left my computer at my friend’s place in Melbourne, thinking that I wouldn’t be writing then remembered it had all the stuff for the panel on it. Anne Gracie kindly chatted to me in the dealer’s room beforehand. I was pacing. She also had a print out of the questions. Handy!

I thought the panel discussion went well. I’m usually good at public speaking but I did feel nervous. The panel itself was so interesting and right on my PhD topic area. Thank you to the lovely authors, Erica Hayes, Anne Gracie, Amber Bardan and Bronwyn Parry for a great discussion.

After the panel I fell into a heap. I got to hear Courtney Milan’s guest speech and Kristen Callihan’s which were so worth it. I missed Kylie Scott’s which was a shame but I was busy doing other stuff. It was a sad goodbye at the end of the convention. The team really do organise well and there was masses of food and the hotel room was great.

I should give a shout out to my roommate, Catherine Evans. She was fun to hang with and so quiet. We had some fun midnight discussions and she drinks as much tea as I do.

So the convention was over but there was more. Yes, a river cruise and it was in a Tramboat. Very cute little thing. I got to hang out with my mates, Yanna and Amanda and we also had breakfast together. I’d been out for dinner on Sunday night and ate way too much and spent an uncomfortable night so was not feeling the best. But their company cheered me up.

IMG_7499IMG_7508

And that was that. A lovely weekend, great weather. Lovely people. Thank you so much ARRA for a great weekend. Edit! A shout out to Pamela Diaz for great MCing and her general sweetness.

A pic of me taken by Amanda. Drinking tea as I do.

IMG_7510

Notes to Feminism versus Romance panel discussion. Here.

Hugs!

Read Full Post »

I’m so happy to be able to bring this interview to you. I met CS Pacat at Supanova. We were on a panel together on our early lives as writers and I was fascinated with her story and I thought you would be too. Hers was a non-traditional story and she has had amazing success. Read on!cat

Thank you so much for agreeing to be interviewed on my blog today. I think your publication story is fascinating so I wanted to share it with others.

When did you first think about being a writer and what did you do?

As long as I can remember, I wanted to write books. I took creative writing classes, but if I’m being honest, they weren’t especially helpful, particularly when it came to teaching fundamental skills like plotting or character creation. I wouldn’t necessarily recommend them for anything other than a place to meet other artists and form a support community, and a way to begin taking yourself seriously as a writer, “I commit to writing”. (A friend once described it brilliantly: In a cooking class, you are taught how to make a soufflé during the lesson. In a creative writing class you’re usually asked to make a soufflé at home without a recipe, then bring it in to class, and then everyone critiques the soufflé. But at no point does anyone ever actually teach you how to make a soufflé.)

What inspired you to write fanfic and when do you start writing original fiction?

I wrote fan fiction throughout my teens and into my early twenties, and I have an enormous respect for fandom as an artistic space. I think what drives the fanfiction writer is a desire to reclaim a text, to explore its themes, in a sense to make it your own. This can be powerful and important, particularly when those reclamations involve queering a heteronormative text, or the insertion of fantasies that until recently have not been given much expression in mainstream works, such as the power fantasies of teen girls. It’s a way of offering alternate narratives and diversifying what can sometimes feel like a narrative monoculture.

I started to write original fiction because I wanted to tell my own stories and to be able to craft the kinds of characters that I love. Captive Prince was my first complete original novel, but I did have a few false starts with original fiction before that, learning the skills that were different to fan fiction.

What made you publish for free on the web and then self-publish?

When I started to write Captive Prince there was nothing that was really like it in the mainstream commercial space. But I knew that online there was a vast community of readers and writers who were reading and creating online in part because they were seeking something that they weren’t finding on commercial bookshelves. It was also an incredibly accessible space with no barrier to entry, and so I started to write Captive Prince, and as I wrote, I posted each chapter to my fiction blog.

Captive Prince ran as a free web serial for several years before I decided to self publish the story. I did it mostly in response to requests from readers for a paperback copy of the books. It was really the support and enthusiasm of the online readership that gave me the confidence to take that step.

What did self-publishing feel like?

Equal parts rewarding and terrifying. There is a very steep learning curve, because as a self-publisher, if you want to produce a high quality book, you essentially have to teach yourself all of the skills, from typesetting to art direction to project management. You have to hire cover artists, editors and proofreaders, while learning how to use InDesign and create layouts for paperbacks, produce ebooks, and so on.

It felt scary to do at the time, but it was also incredibly empowering, because you’re learning everything you need to know about publishing, and it opens up new avenues and gives you control over your own writing.

Did big sales happen all at once or was it gradual? How much of that was due to your previous following from the web?

My online readers were incredibly enthusiastic and supportive, they wanted to buy the self published release, even having already read the free version. As a result of that, Captive Prince shot to the top of Amazon lists within a day or two of being released. It then took a few weeks for the generated word of mouth to spread and create buzz in places like Goodreads, and from there another week or two before the Captive Prince started to garner attention and reviews from mainstream review sites like Dear Author and USA Today. So, in a sense it happened in two “waves”, the first from my online readers, and a second when the book hit the mainstream market. Now that Captive Prince is being published by Penguin, it’s reaching a new audience again.

It must have been amazing to be contacted by an agent wanting to sell your work to a major publisher. Can you tell us a bit about that?

It was incredible, amazing, unbelievable. I was approached by a New York agent basically saying, “I’d like to represent you. I think we can sell your book to a big six publisher in New York.” I didn’t think it was possible but signed with her in the spirit of pure optimism. We ended up with two offers, the most robust of which was from Penguin. Now Captive Prince is being published in multiple countries and translated into multiple languages – it’s been an incredible year.

From your point of view, what are the advantages of self-publishing?

Having been through both processes, self publishing and commercial publishing, I remain a huge advocate for self publishing. I think it offers writers a way to produce a book that wholly represents their best vision of their work. You don’t have to rush or make artistic compromises due to deadlines. You can hire the designers and editors that you most want to work with, devote as much attention to your book as it needs. There are also financial advantages, in that your royalty percentage is much higher. Realistically, a commercial publisher will always be making commercial decisions, which are not always the best decisions for a book artistically.

Conversely, what are the advantages of having a major publisher behind you?

The biggest advantage of a major publisher is legitimacy. Although the perception is changing, there is still a stigma attached to self publishing. A major publisher opens so many doors, and dramatically expands the possibilities for a book, from getting it stocked in major bookstores, to garnering attention from mainstream press.

The other advantage is of course access to world class editorial, and the support of a team. I’ve worked with so many inspiring, talented people at Penguin. Allowing them to support the book frees you as the writer to just spend your time writing, which is a incredible privilege.

Do you have any advice for aspiring writers?

I have two pieces of advice. The first is that to write a book, you have to transform yourself into the person who can write that book. So I’d say figure out what is preventing you from writing, whether it is time, procrastination, or problems with plotting, or coming up with ideas, then dedicate time to solving those problems, making the changes that you need to make.

The second piece of advice is to persevere. Writing a book is difficult and there will be a long period of time where you can’t do it, your writing isn’t working, and the book just isn’t a book yet. Everyone goes through this. And everyone I know who has persevered through this stage has emerged with a manuscript, then gone on to publish it. So hang in there: it will happen.

Blurb
Damen is a warrior hero to his people, and the rightful heir to the throne of Akielos. But when his half brother seizes power, Damen is captured, stripped of his identity, and sent to serve the prince of an enemy nation as a pleasure slave.

Beautiful, manipulative, and deadly, his new master, Prince Laurent, epitomizes the worst of the court at Vere. But in the lethal political web of the Veretian court, nothing is as it seems, and when Damen finds himself caught up in a play for the throne, he must work together with Laurent to survive and save his country.

For Damen, there is just one rule: never, ever reveal his true identity. Because the one man Damen needs is the one man who has more reason to hate him than anyone else…

CS Pacat - book cover - Captive Prince

You can find out more about CS Pacat on her website http://www.cspacat.com

Read Full Post »