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Aurealis Awards

As I mentioned in my previous post about the Canberra Writers Day, the Aurealis Awards were on in the evening. Usually my involvement with the AAs is as an event. I go because it’s a fab evening. I get to see friends and network with the industry. I also get to see the people win awards, some of whom I’ve never heard of so in that case it’s a discovery.

This year I was a judge in the Graphic Novel category and I was…wait for it…the trophy chick. I said to Nicole wouldn’t it be fab if I was your trophy girl instead of some young beautiful thing…and she fell for it. The downside to being the trophy girl is that you get to stand through most of the award ceremony in very uncomfortable high heels and my post may reflect some of that pain and maybe a photo of sore feet.sore feet

So the venue at University House turned into a charming venue for the awards ceremony. First there was the cocktail party where we all got to mingle (but not sufficiently for me to get around to everyone I knew or meet new people. Sorry Thoraiya I didn’t even get to say hello properly). I managed to get a glass of bubbly in before the fun began (because I was a dutiful person who went to rehearse with the presentation).

So a few snaps from the cocktail party. Alan Baxter and the lovely Rochelle Fernandez. Alan has a trilogy coming out with Harper Voyager, coming July. I have a book coming out with Harper Impulse under Dani Kristoff (http://danikristoff.wordpress.com for details). BTW I wasn’t out to take photos as Cat Sparks and Mr Fitzgerald were doing that.

Alan Baxter and Rochelle Fernandez

Alan Baxter and Rochelle Fernandez

 

So here is the room, the Great Hall at University House done up with lights.

University House, Great Hall with lights for the Aurealis Awards Ceremony

University House, Great Hall with lights for the Aurealis Awards Ceremony

Here is a piccie of the candelabra that was next to me. They were placed around the room with real candles. Nice!

Candelabra Great Hall, University House, Canberra

Candelabra Great Hall, University House, Canberra

 

 

Then there were the two fabulous MCs, Sean Williams and Simon Brown who were very funny and who created fantastic tales of intergalactic woe and time spinning tales about the presenters.

Sean Williams and Simon Brown, Masters of Ceremonies Aurealis Awards

Sean Williams and Simon Brown, Masters of Ceremonies Aurealis Awards

And so there were a few surprises in the winnings. Having been a judge I know how close it is to decide the winners so if you were short listed you are amazing to be there.

The ceremony went off without a hitch. (As trophy girl I did not drop anything or confuse the names, even though I didn’t have my glasses on-that’s because Nicole Murphy is so organised).

Some of the winners

 

Ally (Allyse Near) with her two awards- a tie for Young Adult and for Horror novel. Fairytales for Wilde Girls (Oh no. Not a good photo!)

Allyse Near, Aurealis Awards April 2014

Allyse Near, Aurealis Awards April 2014

 

 

 

Joanne Anderton, best collection for The Bone Chime Song and other stories

Joanne Anderton, Aurealis Awards April 2014

Joanne Anderton, Aurealis Awards April 2014

 

 

Kaaron Warren best SF short story, Air, Water and the Grove.

Kaaron Warren, Aurealis Awards 2014

Kaaron Warren, Aurealis Awards 2014

 

Jackie Ryan-tie for best graphic  novel

Jackie Ryan, Aurealis Awards, April 2014

Jackie Ryan, Aurealis Awards, April 2014

 

Mitchell Hogan for best fantasy novel, The Crucible of Souls. This was a wow moment for me. It was self-published and his thank you speech included editors I knew and I realised I’d been down a similar road to him with my own fantasy novel (and got nowhere). It opened my eyes quite wide. Well done you, Mitchell. Fabulous.

Mitchell Hogan, Aurealis Awards, April 2014

Mitchell Hogan, Aurealis Awards, April 2014

 

A photo of Liz Grzyb-who tied for best and anthology for the Year’s Best (with Talie Helene). The awards are in the boxes.

Liz Grzyb, Aurealis Awards, April 2014

Liz Grzyb, Aurealis Awards, April 2014

 

A shot of the wonderful Nicole Murphy looking on at the end of the ceremony. The mastermind behind the flawless awards ceremony.

Nicole Murphy, Aurealis Awards, April 2014

Nicole Murphy, Aurealis Awards, April 2014

 

 

Now for some of the crowd, Keri Arthur and gang.

Leife Shallcross, David Versace, Keri Arthur and  Rob Porteous. Aurealis Awards, April 2014

Leife Shallcross, David Versace, Keri Arthur and Rob Porteous. Aurealis Awards, April 2014

 

Liz’s fab shoes, which I snapped later at the after party. They are  Fluevogs. Want! That’s it from me. Don’t forget to come along next time.

Liz Grzyb's shoes, Fluevogs

Liz Grzyb’s shoes, Fluevogs

 

 

 

 

 

The wonderful Nicole Murphy and her team of volunteers put on a wonderful day last Saturday (April 5), presenting the inaugural Canberra Writers Day and the Aurealis Awards. The venue, University House, particularly the Great Hall, had wonderful charm. There’s this long gold fish pond in the quadrangle that I’d love to take home to my place.

Conflux Inc with Nicole at the helm put up bid to run the Aurealis Awards for two years in Canberra. Nicole wanted to make it worthwhile for people to come up for the ceremony and thought up a professional writers day.

The first thing I have to say is that both events were very well run. Nicole and the team were excellent. That’s pretty awesome for a multi stream event. Also, I know it was hard financially as there was absolutely no sponsorship money to be had for either event. That’s pretty tough going. I did note that Escape Publishing put an ad in the Conflux Writers Day booklet. Awesome.

I had a full day and I presented a talk. The plenary sessions were pretty amazing. Joanne Anderton, Kaaron Warren, Ker Arthur, Ian McHugh. All of them had inspiring and interesting presentations on their processes, their journey.

Joanne blew me away with her writing process and her copious notebooks, all so clean. Mine are NOT clean but I do have a similar weakness when it comes to notebooks and pens. I do much less thinking though. But then Joanne is an amazingly talented author and bloody hardworking.

Kaaron shamed me most terribly with her talk on using the minutes when you don’t have hours to write. I’ve known Kaaron a long time and I’ve always admired her talent but also what a devoted mother she is and how family focussed. She’s an inspiration.

Keri talked about her journey to becoming a published author and a New York Times best seller. Her story was a amazing. She persevered when many would have given up. Thank you for the inspiration Keri.

Ian McHugh talked about submitting work, write and submit and repeat was my take away message. Ian always inspires me with his focus and the stories he writes.

I went to the shorter concurrent sessions, which were 20 minutes long. I gave one myself on ‘You are not alone’ the value of writing relationships. It was about writing groups, writing buddies, writing dates and writing retreats. But I ran out of time, which surprised me and I forgot to talk about the really good part of writing retreats- the socialising (read drinking and talking crap). Someone came up to me afterwards and thought I was going to talk about relationships in writing, you know science fiction with romance. I laughed so hard. I would have loved to talk on that topic.

Craig Cormick was awesome.  I have to reprogram my head to say I’m going to win at this writing gig. Marcus Armann talked about Evernote and Scrivener and I’m now tempted to buy the later writing program, particularly after catching Phil Berrie with his word frequency proofing/editing talk. Scrivener has analytical tools that does that stuff. I’m always repeating myself when I don’t want to.

Russell Kirkpatrick sorted his mob into top downers and bottom uppers in the world building sense. He’s definitely a top downer, planning his worlds and then writing the story. I’m quite near the other end. To me it’s story first with an idea of the world, but often I build as I go.

Chris Andrews talked about blogging, which was an excellent session. I learned something. See Chris!

The lovely Shannon B Curtis talk about using Microsoft Word to navigate our novels. That was also very interesting.

The Canberra Speculative Fiction Guild had a table selling books (theirs and others) and I bought a copy of Joanne Anderton’s collection, The Bone Chime Song and other stories and lost it. (so if anyone found a copy. It could be mine).

Overall it was great to network with people and also see the new faces. Again I didn’t get around to everyone to chat.

Congratulations to Nicole Murphy and the team for a wonderful event.

 

I didn’t take many photos during the day, except this one of Russell Kirkpatrick. (Happy birthday Russell for tomorrow!!!).

Fantasy author, Russell Kirkpatrick, presenting at Conflux Writers Day

Fantasy author, Russell Kirkpatrick, presenting at Conflux Writers Day

PS I’ll have to write about the Aurealis Awards in another post. My time has run out this morning. I decided to get up early to write. Though technically writing a blog post doesn’t count as writing.

One of my favourite people in the world is Glenda Larke. Not only is she a wonderful, knowledgeable and interesting person, she is an exceptional author. I’m so pleased her next book is out (or coming out) that I thought it would be a good idea to interview her.

Your new novel is coming out, Lascar’s Dagger. Can you tell us a bit about it?

It’s the first book in a trilogy, The Forsaken Lands.

It is set in a fictional world, evocative of our 17th to 19th centuries when the expansion of the Dutch and British East India Companies led to colonial wars and aggressive expansion. The wealth of Asia fed the prosperity of Europe at the expense of Asian freedom.

In my fictional world, a lascar arrives from the East with a magical dagger — and nothing is quite the same again…Image

Glenda, tell us a bit about yourself (where you live, how long you’ve been writing, previous publications etc)

I’ve spend most of my adult life abroad: Malaysia including Borneo, Austria, Tunisia–but now I’ve returned to Australia to live, not too far from where I was born. I started to write fiction when I was a kid, but my first published work was all photo-journalism articles (travel and nature). My first novel was accepted for publication when I was 52.

Since then I’ve had three trilogies and a standalone published. The standalone, Havenstar, was the first published, and — weirdly — has garnered the most passionately enthusiastic reviews and the least negative ones, yet has sold the least copies.

Glenda, what do you find so attractive about the fantasy genre? In what ways do you find it fulfilling?

It enables a writer to explore all facets of humanity with greater ease than any other genre. For example, within the pages of The Lascar’s Dagger, a reader will find cultural misunderstandings and irrational prejudice; the tragedy of arranged marriage; the greyer areas of murder and piracy; misuse of inherited power; religious compassion and spirituality alongside evil, sanctimonious self-righteousness; sacrifice, bravery and honour; battles and … Well, you get the picture. In a fantasy, anything can happen. The secret is to make it believable.

Have you had any feedback from readers about your fantasy worlds and if so what have they said?

Each of my trilogies is very different from the next. The Isles of Glory is more of a kick-ass swords-and-scorcery. With intelligent, aquatic aliens.

The Mirage Makers is really a story about an individual stolen from her culture and family, rather as children of Australia’s stolen generation were, and how she exacts her revenge — and the cost involved. All with mirages.

The third trilogy, called either the Watergivers or the Stormlord trilogy,  is about the preciousness of water and understanding what it takes to live in a desert nation and survive. With magic. And pedes and ziggers…

Some readers have loved them all; others have favourites. As I said above, everybody raved about Havenstar. Probably the least popular of all was the second book of The Mirage Makers. Some people found that very difficult to read because it reminded them of their worst memories of highschool!!

What are you working on at the moment?

Book Two of The Forsaken Lands. Publication is scheduled for January.

What is your writing process? (planner, panster, write every day, write sporadically, writers block etc).

Not much of a planner. Or rather, I plan like mad, then never follow it because I think of better ways to tell the story. I write anytime, anywhere – literally. In the past that has involved sitting on  the floor of crowded Asian airports, or the deck of a fishing boat chugging up the Kinabatangan River, or in a study so untidy I can’t find anything…

I do find that as I grow older, my ability to write for long hours has diminished. Writer’s block? I write anyway, knowing it’s mostly rubbish, throw it out and try again. Until I get it right.

What do you prefer — drafting the story or revising and reworking?

Reworking & revising, because that’s the fun part. That’s when you decide that maybe, just maybe, this particular story is not crap after all.

What part of writing do you find hardest?

Almost everything?

It’s self-torture. Nothing comes easy. You pick yourself up off the floor and try again. And again. The weird thing is that I never thought of myself as a masochist — yet I must be, because I would do it all over again. Every bit. And still believe I enjoyed myself.

What do you plan to work on next?

Book 3.

You write under different names. Does maintaining these identities (blog, twitter and facebook) it take a lot of time? Do you have any tips for those of us who write under more than one name?

Well, I do double up a lot. My webmaster set up a system whereby I can send blog posts on writing/publishing straight to my website. My tweets go straight to Facebook.

Changing my name was at the request of my publisher at the time. They thought Noramly was too difficult for readers to remember. If I were to do it again, I’d start with the name Larke.

There are only two reasons to use different names: 1) because books flopped and a change of identity seems a wise strategy, or 2) because you write several different kinds of books. For example, Melody Silver for romance, Morgan Sheild for fantasy and Mike Storre for military sci-fi.
You can find Glenda on the web

Blog:
http://glendalarke.blogspot.com.au/

Twitter: @glendalarke

Website: www.glendalarke.com

Facebook: The Glenda Larke Page
 http://www.facebook.com/groups/105625628881/

 

Today I am pleased to bring to you an interview with Marianne De Pierres. I’ve known Marianne for a long time now and as she was doing a blog tour for her new release,  Peacemaker with Angry Robot Books, I thought an interview in the author spotlight series was just the thing.

Here is a shot of Marianne (taken from Marianne’s website)3D-marianne2

Marianne Peacemaker is your new SF Western crime/urban fantasy novel out with Angry Robot Books. Can you tell us a bit about it? Sounds fascinating by the way. I’m looking forward to reading it!

Thank you, Donna.  Well the book blurb is probably the best way to answer this!

Virgin is a ranger in Birrimun (Big) Park, a huge natural landscape reserve in the middle of a sprawling coastal megacity. The park has been created to preserve Australia’s changing natural habitat, and to bring tourism to an over-urbanised world. Virgin’s duties are to maintain public safety and order in the park, but Parks Southern have brought out a hotshot cowboy from the US to help her catch some drug runners who’re affecting tourism. Virgin senses her boss is holding something back from her, and isn’t keen on working with an outsider, especially one as laconic and old school as Nate Sixkiller.

When she sees an imaginary animal (a wedge tail eagle she calls Aquila) that hasn’t been around since she was a troubled teenager, Virgin knows its re-appearance means one of two things: she’s having a breakdown, or it’s a warning. Dead bodies start piling up around her and Nate. Something terrible is about to happen in the park that threatens the basis of human belief systems.

I’ve tried hard to retain some standard Western tropes while writing a supernatural crime novel set in Australia. I grew up on Zane Grey novels and I read the entire Time Life Old West series back then, and again more recently. I feel I understand the genre historically.

Marianne tell us a bit about yourself

Though West Australian, I’ve been living in Brisbane for over fifteen years being a stay at home mum. And that’s pretty much the length of time that I’ve been writing full time. I’ve worked hard and had consistent publication since about 2004. My writing journey has taken me in many different directions and I have at various times been a blogger, freelance feature writer, children’s writer, crime and science fiction and fantasy writer. I won’t bore you with my bibliography but you can find it here if you are interested. I feel like I’ve been daydreaming, creating worlds and characters and stories for most of my life.

 I noticed on your webpage that there is a comic of Peacemaker. Can you tell us a bit about that and its relationship to the novel?

I actually started to write the novel first but got side-tracked by the notion of a graphic novel. The story seemed to lend itself to images. Maybe it’s because it was so vivid in my own mind. Nicola Scott recommended artist, Brigitte Sutherland to me and she really got my vision. She also got stuck with my complete inexperience in comics. After Brigitte had finished the inking process, she asked me who would be colouring the work. ‘Um…’ said I, ‘Oh, I thought you would.’ To Brigitte’s great credit she just hunkered down and did everything without freaking out. I love the colours she used and I loved her conception of the world. My only regret is that she moved on to other things in her life and wasn’t available to draw issue 2.

Should the comic ever get completed, it will follow a slightly different story arc to the novel. More episodic, I think. You also get to meet the bad guys much earlier than you will in the books.

How was exploring this new world in Peacemaker? I notice it different from Parrish Plessis and Sentients of Orion.

Well fun doesn’t even begin to describe it! I have a suburb in the book called the Western Quarter which is a mash-up of Australian and Classic Western clichés. Be ready for Stetsons, spurs, chaps, cacti, Akubra’s, and RM Williams to all be populating the same bars and saloons. And then there’s the park. How glorious to be able to inhabit the land so fully and then step straight out into the urgency of the city.

What is your writing process?

I write daily, in the mornings, beginning anywhere between 6am and 9am, depending on the amount of blogging I have to do first. I’ve never had writers block, though I have had periods where I’ve been quite fatigued. I deliberately and scrupulously counterbalance my writing life with sport and exercise, to give my brain chemistry time to recharge. And I’m somewhere in the middle of the PANTS and PLAN continuum. A little bit of planning, and a lot of organic writing. I’m big on narrative drive, so the story usually propels me, whether I like it or not.

What part of writing do you find hardest?

First draft is so exhausting. It feels like someone is draining the life out of me as I get those first words down. Rewrites and edits are much more fun. You know the shape of your story by then, and then it’s a case of making it all pretty.

What do you plan to work on next?

WOW – a lot! I refer you to this link. First and foremost, is book 2 of the PEACEMAKER series (working title DEALBREAKER). But I’m hoping to spend some of 2015 writing PHARMAKON, my SF thriller, because it’s an idea that just won’t silenced. I feel SUCH a strong compulsion to write it! I’ve already done a fair bit of research for it.

You write under different names (De Pierres and Delacourt). Does maintaining these identities (blog, twitter and facebook) it take a lot of time?

It does and, frankly, sometimes Marianne Delacourt suffers. The Tara Sharp books reach a whole different market to the Parrish and Sentients of Orion readers, and staying engaged in both those communities is hard work. But I enjoy my online outings, so even though it’s time consuming, it still gives me a great deal of pleasure. How fortunate am I, to get to do what I love?

Thank you so much Marianne. I’m glad you had the time to stop by and the novel sounds fascinating.

Here is the cover to Peacemaker.

Peacemaker-CR-329x500

I am currently studying millinery at CIT in Canberra, particularly Traditional Hat Blocking 1. It’s fab and I love it. I will do a post later on my first piece, a Fascinator. I am rather partial to  hats.

On the Canberra long weekend, we had our first writers’ retreat at Dweebenhiem. Formerly, we called them Donnacons, but as this one is at Dweebenhiem and host by Matthew as well as me, the nickname is (wait for it) Dweebenhiemcon. A bit of a mouthful. Technically, this retreat was organised by Nicole Murphy and Cat Sparks and they did most of the organsing. I mixed things up a bit by inviting a number of local writers to pop in for a morning, afternoon or as long they wanted.

I was a bit behind in my work so the first day was finishing off a revision, which I’ve sent of on submission now. And the next two days were spent drafting the first 6750 words of a new project. I’m meant to be working on that right now, but I’m overdue for a blog post and I have Chaos Bound by Rebekah Turner to finish reading upstairs, so I’m doing this instead.

The weekend was an intense affair. It was like having a party from Friday to Monday. Friday Cat and Nicole arrived as our houseguests and they were dropped here by Kaaron and Tehani, so we had dinner and a few drinks. It was so much fun. Then the next morning the writers arrived and then we had dinner and more drinks on Saturday night, same again Sunday and Monday, which might have been quiet, we celebrated Nicole’s birthday. Phew! Hectic. Nicole had organised different people to do lunch and dinner. Saturday the lovely Kimberley brought lunch, Sunday Shauna made delicious pumpkin soup and Kylie and Russell made roast lamb for dinner. Leife brought tiramisu! Which we ate before the roast because we’d be too full otherwise.

The fridge started to fill up but Matthew said it wasn’t a real retreat unless there was too much food. To celebrate on Monday we had pizza and cake and champagne. I’m hoping at least some of the retreatees got some wordage done. Poor Matthew was out for day one, laid up with a headache. I caught him a few times playing a game. But he assures me he did do some writing.

Cat Sparks put up photos on Facebook and Flickr. See the stream here.

Finding focus

So after being a time fritterer (see earlier post), I’ve got into a rhythm. I  have been writing for days and I don’t feel guilty anymore about not being focussed. I go back to work on Monday, but I can do so without being ashamed.

I finished a revision of two novels. One being 35,000 words and the other 57,000 words. Compared to one of my fat fantasies, they are small, but still a lot of work.

As you see from yesterday’s post, I’m back onto another MS, Emerald Fire, which I haven’t opened in two years and only partly drafted. When drafting that I wanted to make sure I could do something, that is, complete the plot. Then I realised it was missing something, the people interaction so I put it away with the intention of going back to it. As Ruby Heart hasn’t found a home and it’s the second part of that, there wasn’t much hurry.

I’ve decided this is to be my writing year, but I note in the schedule that besides the day job I have two overseas trips planned. It’s starting to get crowded. At least the Aurealis Award judging is done. Then again I realise I did say I would do the accounts for Conflux and present at the writers day. But both of those are relatively small things. Mmm actually I realise I committed to doing something else. Sigh. Crazy in the head.

I also sat down and wrote up my to do stuff on my white board. I have set myself the task of writing at least two more novels in the current series. Cough. Oh dear. I’ve left one off. Make that three! That’s a 35,000, 56,000 and a 80,000 word novel. I also have a wishlist in there of at least commencing either a Scottish historical or Regency Romance, but there is no hurry on those as they are dream projects that I would like to tackle, rather than what I think I must tackle. I also have a couple of MSs to revise in my pipeline, but they are on a as needs basis. And if by any chance I do all those, I have some other projects in the pipeline and bugger Into the Dark Glass is to be revised/rewritten and I completely forgot about that. MMMM.

So really, I’m not really looking around for something to do. I find the white board helps me focus on what I need to do. Then again I have ignored the thing on many occasion. Last year I knew I was going to be terribly busy so I bought a scheduler to put on the wall to map out everything (like a white board but with days). I was so busy I didn’t even open it and now it is rubbish because it was for 2013.

Anyhow, I’m taking the day off today and going visiting. I’ll be back in the grind tomorrow, or this evening if I have any oompf left. As I live with a writer, he perfectly understands if I am attached to my laptop. I love it.

Emerald Fire

Emerald Fire is the sequel to Ruby Heart (currently looking for a home with trusty agent). This is a young adult (maybe) steam punk, Victorian gothic horror, romance (yeah!). I don’t normally posts bit of my work, particularly first drafts, but I’ve just opened up Emerald Fire, which I started two years ago. After  that long a break, I still love the opening.

Edit: Ah alas. I had to take it down. I realised that it contains spoilers. So sorry.

The time fritterer

I am usually a focussed person who gets things done. But I seem now that I’m on holidays to see time just fly past without me achieving anything. I thought these holidays would be spent industriously writing up a storm, churning out novels and revisions, but I must be a lunatic.

We moved house. Still not settled either. We have tradesmen doing repairs, which can be disruptive.

I was reading for the Aurealis Awards and had a hard slog at the end.

I’ve started weaving. Trudi Canavan came up for the weekend to give me lessons on my table loom. I love it. Here is some sample shots. The first is a log cabin pattern Trudi got me to do on my knitters loom or ‘fixed heddle’. It was so much fun.

log cabinOnce Trudi had me reading the pattern we set about to work on the table loom (after she and Paul meticulously rejuvenated it-the loom was given to me and it’s pretty old).

sample scarfBecause this table loom has four heddles, I can do twill patterns. Trudi set me up to do a sample scarf with different patterns. Cough, it’s riddled with mistakes, but the colours work well together.

loomThis one is a shot of the loom. It’s all quite new and exciting for me. I only do short sessions on the loom. I use it as thinking time (which is probably why I’m making mistakes). However, I am starting to understand the workings of it.

I bought a table from the recycle shop at the tip and am currently fixing it up. Photos below.

the beginningThis is what I bought for $50. It took almost all day to fetch a trailer, drive back, then find help to unload it and take the trailer back. No wonder I was knackered. Anyway it’s nice and solid.

Next thing you know I have to sand it.

the start of sandingsandingmid

And today I bought some stain. It’s not a perfect match. I was tossing up whether it was maple or cedar stain, but as it is quite old and varnish darkens over time. You see I don’t want to redo the legs. However, I believe the match is not quite there but I’m in the I don’t care phase. I’m not a perfectionist, obviously. Now I will wait to see if I leave it as it is or I sand it back and try a different stain or sand and restain the legs. Eep!

sanded

I went to Sydney to see some friends for a few days. However, I did read some Georgette Heyer.

I’ve been babysitting one day, doctor’s appointments for ear and now knee. These are passion killers for creativity.

Oh and I bought Season 1 and 2 of The Paradise, which I tried to keep to one or two episodes a day, but um…can’t. All done now. I can resume my normal life.

I forgot about the heat. The office is almost set up, but during the heat wave it was unbearable and I don’t want to run two aircons at the same time and I was too floored by the heat to come upstairs and bring my lap top down.

Enough excuses. But honestly I don’t know why time is flying. I think it may be a fatigue thing. If I was truly inspired I’d be writing a way like a mad woman.

I thought I got rid of my distractions, but today I’m going to an information session on millinery. Sigh. This is meant to be my writing year, but I’m planning a course to do.

Anyway, I’ve spent probably two hours revising a manuscript. And I’m here again ready to start. Well, gee, look at that. It’s lunch time.

I’m very excited to bring you and interview with Anna Cowan, author of the amazing book,  Untamed, a Regency romance like no other. I was thoroughly mesmerised by this story. It was so different from what I am used to and yet it won me over.

Anna tell us a bit about yourself

I’ve been writing since I was about 8 (I still have the A3 scrap books full of overblown, emotional adventure stories) (not much has changed LOL). Last year my debut novel Untamed was published by Penguin Australia – and four days later I gave birth to a daughter! I live in Melbourne with my husband and daughter in a beautiful house. I’m slowly slowly getting better at gardening.

annacowan

What was your path to publication with Untamed? I understand you had a mentorship with Valerie Parv. How did that work?

I’d been writing seriously for about six months before I finally allowed myself to think I could write romance – it honestly hadn’t occurred to me, even though I was a voracious reader of the genre. I had a full draft of Untamed when I won the mentorship with Valerie Parv. It was an incredible year that transformed that naive first draft. I’ve written about the experience at some length on my blog.

I sent queries out to agents at about the same time and had at least 11 rejections! I made a Rejections Book where I recorded all my thoughts and feelings about each one, which helped me see them as professional milestones. I coincidentally met Sarah Fairhall, one of Destiny Romance’s publishers, early in 2012, so when I had a draft of Untamed I was happy with I sent it to her. I thought she might at least feel obliged to give me some feedback on the MS – and was blown away when she called a couple of days later to offer me a contract!

 Untamed? How did that story evolve for you? Or was it a progression? Would you say the characters remained the same (Kit and Duke of Darlington) and that the story changed around them or vice versa?

The first draft of Untamed was titled The Three Loves of Miss Beatrice Sutherland – and it was a very different book. For one thing there was at least three books’ worth of plot fighting for space, and for another my heroine Kit (then Beatrice) was a passive-aggressive doormat. Anyone who’s read Untamed will know that she has evolved lightyears from that beginning! Darlington has remained essentially the same, though he was less tortured and more whimsical. The book began evolving when I started digging deeper into Darlington’s dark character and approaching every interaction Kit had by asking, “How would she respond to this person/situation, given that she’s tough enough on the world and herself to put aside whatever she really feels, and do what must be done instead?”

Was the Duke always a cross dressing bisexual?

Yes! The image that sparked Untamed was of a rake in hiding as a woman, lying awake in a room with five sisters, all of whom thought him a woman. (Torture, for a rake.) In that image Darlington was a more typical alpha hero and his costume would have been more awkward/slapstick. But as soon as I started writing him I realised he was the kind of person who wouldn’t think twice about dressing as a woman. It wouldn’t strike him as significant, and it wouldn’t confront his sense of himself. It would just be another way to be really alive. There were times when I was rewriting when I considered taking the cross-dressing out, but I could never bring myself to do it. His whole character sprang from the question: What kind of man would dress as a woman as naturally as breathing – and totally pull it off?

When you first conceived writing a Regency Romance were you going to explore the fringes or were you aiming for a more traditional plot?

One of the reasons I call my first draft naive is because I always felt I was writing a traditional romance. I can only shake my head when I look back at myself now, but I’m pretty sure I was just trying to be Julia Quinn.

 How did you start writing romance ?

As I mentioned above, it took me a while to realise I was allowed to write it. Romance has always appealed to me – my sister and I still have an impressive collection of Dolly Fictions. When I started Untamed I’d been reading adult romance for a year or two, and had really just gone into those first throes of passionate readership. I was starting to take my writing seriously, determined to make a real go of it. I’d written the first draft of a YA urban fantasy, which proved to me that I had the discipline to write an entire novel, but deciding to write romance took my enjoyment and dedication to the next level.

What is your writing process?

I’m not all that good at personal motivation, so I need to have systems in place that help me write. Until the birth of my daughter I was meeting author CS Pacat four days a week to write 10-5. It was an incredibly productive relationship, not only for getting the hours in, but also because we brainstorm really well together and are super familiar with each other’s projects. If I was stuck with a plot/scene problem in the morning we’d often manage to untangle it over our morning coffee leaving me free to keep writing in the afternoon.

My natural method is a bit unfortunate. I tend to write a whole first draft that has way too much plot and underdone characters. I then look at what I have, find the thread of an actual story in there, throw the draft away and write the whole book again. I had thrown out at least 150,000 words of Untamed before I even started the draft that was eventually edited and published! I’ve tried planning more carefully but it doesn’t seem to make a huge amount of difference. I’m trying to come up with a way to work with my natural method and be efficient at the same time.

What do you prefer drafting the story or revising and reworking?

My favourite part is the bit just before I start writing, when an idea has become urgent because it’s THE BEST IDEA OF ALL IDEAS EVER. I love beginning a new book, but it’s always bittersweet because my writing is a clumsy instrument for pinning that great idea down.

 What part of writing do you find hardest?

To be honest, I find all of it difficult a lot of the time. When I get stuck in a scene it’s hard to get going again and easy to procrastinate. When I’m revising I’m daunted by all the parts that need to be gutted and rewritten and patched up. When I’m editing the volume of decision making numbs my brain. But all of it is wonderful, too.

What do you plan to work on next?

I’ve started writing another regency romance between a female debt collector and a charming, naive youngest son. It’s a joy to write new characters in new circumstances, and I think this book will be part of a loosely-connected three-book series. (There’s also a novella idea that’s so wonderful to me I kind of want to write it RIGHT NOW. But the heroine needs to be thoroughly downtrodden in this novel, first.)

I understand you have a baby. How is juggling a baby and writing going?

If you’d asked me that in the first week of the year I would have said, Wonderfully! I hit my 1,500-word targets every day and felt very smug and productive. Then Robin stopped sleeping and I stopped sleeping and those bits of scenes where I get stuck are much more difficult to overcome when sleep-deprived. Every day is an attempt to strike a balance between rest and productivity. I just keep reminding myself that the fact I’m writing at all is a huge victory. And she’s a much cuter distraction than an internetful of kittens.

You can find Anna on twitter @annacowan

And she keeps a blog/diary here

Here is the blurb and cover image of Untamed, published by Destiny Romance

untamed

Outspoken and opinionated, Katherine Sutherland is ill at ease amongst the fine ladies of Regency London. She is more familiar with farmers, and her blunt opinions and rough manners offend polite society. Yet when she hears the scandalous rumours involving her sister and the seductive Duke of Darlington, the fiercely loyal Katherine vows to save her sister’s marriage – whatever the cost.

Intrigued by Katherine’s interference in his affairs, the manipulative Duke is soon fascinated. He engages in a daring deception and follows her back to her country home. Here, their intense connection shocks them both. But the Duke’s games have dangerous consequences, and the potential to throw both their lives into chaos…

Wildly romantic, Untamed is a passionate and beautifully written debut novel. This decadent historical romance defies convention and will shock and delight in equal measure.

I’d thought I’d share this on my blog.