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I’m very excited to bring you and interview with Anna Cowan, author of the amazing book,  Untamed, a Regency romance like no other. I was thoroughly mesmerised by this story. It was so different from what I am used to and yet it won me over.

Anna tell us a bit about yourself

I’ve been writing since I was about 8 (I still have the A3 scrap books full of overblown, emotional adventure stories) (not much has changed LOL). Last year my debut novel Untamed was published by Penguin Australia – and four days later I gave birth to a daughter! I live in Melbourne with my husband and daughter in a beautiful house. I’m slowly slowly getting better at gardening.

annacowan

What was your path to publication with Untamed? I understand you had a mentorship with Valerie Parv. How did that work?

I’d been writing seriously for about six months before I finally allowed myself to think I could write romance – it honestly hadn’t occurred to me, even though I was a voracious reader of the genre. I had a full draft of Untamed when I won the mentorship with Valerie Parv. It was an incredible year that transformed that naive first draft. I’ve written about the experience at some length on my blog.

I sent queries out to agents at about the same time and had at least 11 rejections! I made a Rejections Book where I recorded all my thoughts and feelings about each one, which helped me see them as professional milestones. I coincidentally met Sarah Fairhall, one of Destiny Romance’s publishers, early in 2012, so when I had a draft of Untamed I was happy with I sent it to her. I thought she might at least feel obliged to give me some feedback on the MS – and was blown away when she called a couple of days later to offer me a contract!

 Untamed? How did that story evolve for you? Or was it a progression? Would you say the characters remained the same (Kit and Duke of Darlington) and that the story changed around them or vice versa?

The first draft of Untamed was titled The Three Loves of Miss Beatrice Sutherland – and it was a very different book. For one thing there was at least three books’ worth of plot fighting for space, and for another my heroine Kit (then Beatrice) was a passive-aggressive doormat. Anyone who’s read Untamed will know that she has evolved lightyears from that beginning! Darlington has remained essentially the same, though he was less tortured and more whimsical. The book began evolving when I started digging deeper into Darlington’s dark character and approaching every interaction Kit had by asking, “How would she respond to this person/situation, given that she’s tough enough on the world and herself to put aside whatever she really feels, and do what must be done instead?”

Was the Duke always a cross dressing bisexual?

Yes! The image that sparked Untamed was of a rake in hiding as a woman, lying awake in a room with five sisters, all of whom thought him a woman. (Torture, for a rake.) In that image Darlington was a more typical alpha hero and his costume would have been more awkward/slapstick. But as soon as I started writing him I realised he was the kind of person who wouldn’t think twice about dressing as a woman. It wouldn’t strike him as significant, and it wouldn’t confront his sense of himself. It would just be another way to be really alive. There were times when I was rewriting when I considered taking the cross-dressing out, but I could never bring myself to do it. His whole character sprang from the question: What kind of man would dress as a woman as naturally as breathing – and totally pull it off?

When you first conceived writing a Regency Romance were you going to explore the fringes or were you aiming for a more traditional plot?

One of the reasons I call my first draft naive is because I always felt I was writing a traditional romance. I can only shake my head when I look back at myself now, but I’m pretty sure I was just trying to be Julia Quinn.

 How did you start writing romance ?

As I mentioned above, it took me a while to realise I was allowed to write it. Romance has always appealed to me – my sister and I still have an impressive collection of Dolly Fictions. When I started Untamed I’d been reading adult romance for a year or two, and had really just gone into those first throes of passionate readership. I was starting to take my writing seriously, determined to make a real go of it. I’d written the first draft of a YA urban fantasy, which proved to me that I had the discipline to write an entire novel, but deciding to write romance took my enjoyment and dedication to the next level.

What is your writing process?

I’m not all that good at personal motivation, so I need to have systems in place that help me write. Until the birth of my daughter I was meeting author CS Pacat four days a week to write 10-5. It was an incredibly productive relationship, not only for getting the hours in, but also because we brainstorm really well together and are super familiar with each other’s projects. If I was stuck with a plot/scene problem in the morning we’d often manage to untangle it over our morning coffee leaving me free to keep writing in the afternoon.

My natural method is a bit unfortunate. I tend to write a whole first draft that has way too much plot and underdone characters. I then look at what I have, find the thread of an actual story in there, throw the draft away and write the whole book again. I had thrown out at least 150,000 words of Untamed before I even started the draft that was eventually edited and published! I’ve tried planning more carefully but it doesn’t seem to make a huge amount of difference. I’m trying to come up with a way to work with my natural method and be efficient at the same time.

What do you prefer drafting the story or revising and reworking?

My favourite part is the bit just before I start writing, when an idea has become urgent because it’s THE BEST IDEA OF ALL IDEAS EVER. I love beginning a new book, but it’s always bittersweet because my writing is a clumsy instrument for pinning that great idea down.

 What part of writing do you find hardest?

To be honest, I find all of it difficult a lot of the time. When I get stuck in a scene it’s hard to get going again and easy to procrastinate. When I’m revising I’m daunted by all the parts that need to be gutted and rewritten and patched up. When I’m editing the volume of decision making numbs my brain. But all of it is wonderful, too.

What do you plan to work on next?

I’ve started writing another regency romance between a female debt collector and a charming, naive youngest son. It’s a joy to write new characters in new circumstances, and I think this book will be part of a loosely-connected three-book series. (There’s also a novella idea that’s so wonderful to me I kind of want to write it RIGHT NOW. But the heroine needs to be thoroughly downtrodden in this novel, first.)

I understand you have a baby. How is juggling a baby and writing going?

If you’d asked me that in the first week of the year I would have said, Wonderfully! I hit my 1,500-word targets every day and felt very smug and productive. Then Robin stopped sleeping and I stopped sleeping and those bits of scenes where I get stuck are much more difficult to overcome when sleep-deprived. Every day is an attempt to strike a balance between rest and productivity. I just keep reminding myself that the fact I’m writing at all is a huge victory. And she’s a much cuter distraction than an internetful of kittens.

You can find Anna on twitter @annacowan

And she keeps a blog/diary here

Here is the blurb and cover image of Untamed, published by Destiny Romance

untamed

Outspoken and opinionated, Katherine Sutherland is ill at ease amongst the fine ladies of Regency London. She is more familiar with farmers, and her blunt opinions and rough manners offend polite society. Yet when she hears the scandalous rumours involving her sister and the seductive Duke of Darlington, the fiercely loyal Katherine vows to save her sister’s marriage – whatever the cost.

Intrigued by Katherine’s interference in his affairs, the manipulative Duke is soon fascinated. He engages in a daring deception and follows her back to her country home. Here, their intense connection shocks them both. But the Duke’s games have dangerous consequences, and the potential to throw both their lives into chaos…

Wildly romantic, Untamed is a passionate and beautifully written debut novel. This decadent historical romance defies convention and will shock and delight in equal measure.

I’d thought I’d share this on my blog.

I’m very pleased to welcome Amanda Bridgeman to  my blog. She’s the author of Aurora:Dawin (and its sequel Aurora:Pegasus) a very enjoyable read that I found hard to put down and looked forward to picking up again. There were some lovely creepy elements to this book and I found I was really interested in how Carrie Welles managed in such a male-focussed world. The touch of romance was enticing and I thought complex too,.

Look out for the fan girl questions at the end!

amanda

 

 

How would you describe Aurora Darwin?

Ultimately it’s a Space Opera. It has a science fiction backdrop but it is very character-driven with plenty of action, romance, a touch of horror and a dash of humour.

 Amanda tell us a bit about yourself

I’m originally from Geraldton (WA), but moved to Perth to attend university and have lived there ever since (aside from a 19 month stint in the UK). I used to write a lot in my teens but then stopped as I fell in love with film. I went on to study film/tv/creative writing at uni, then did a bit of extra work on film and tv sets. Years later, I came full circle and found myself writing again. Other than a brief travel article in a local paper, the Aurora books are my first publications.

 What was your path to publication?

Basically I wrote the first 5 books of the Aurora series in my ‘cave’. By the time I’d finished the five, I had mustered up enough courage to let a few people actually read them, and it turned out they liked them! I then had the confidence to emerge from my cave and seek publication. I initially tried to land an agent in the US but I wasn’t successful (looking back, my query letter sucked). I then changed tact and tried publishers in Australia, and landed a contract with Momentum.

How did that story evolve for you? Or was it a progression? Would you say the characters remained the same and that the story changed around them or vice versa?

Aurora: Darwin originally went by another name and was only supposed to be one book. BUT, by the time I got to the end of the ‘Darwin’ story it had evolved and I realised that these characters had only just started their journey. The more I wrote, the more I uncovered until finally their true paths were revealed. It has become somewhat of an epic now and will be a multi-book series!

 What inspired you about the characters and the situation the story put them in?

With Carrie Welles, in a way, it was kind of like a ‘horror for chicks’ tale, in that I imagined the worst thing that could happen to a woman. In my mind it was being stuck in an isolated place,  not knowing who you could trust, and having evil things trying to get to you, to do equally evil things.  Captain Saul Harris was much the same, except he has the weight of the world (or should I say his team) upon his shoulders. It’s his job to try and get them home safely.

 Did you did a lot of research or read a lot of SF as part of your preparation for writing the story?

Having spent a large part of my life immersed in film, most of my inspiration came from SF/Space Opera films, to be honest. I feel rather under-read compared to some writers! My research was a mix of film inspiration and a lot of googling!

 What is your writing process?

With most of the Aurora series I was writing almost every day (social media wasn’t a ‘thing’ in my life back then). When it comes to my stories, I tend to have all the key scenes worked out in my head first. When I have the basic plot and key scenes all worked out, I then start writing and just figure out how to get from one key scene to the next as I write. So I guess it was a little of both – planning and panstering.

 What do you prefer drafting the story or revising and reworking?

I prefer editing/revising. Having had 12 months off from writing ‘fresh’ stuff (for the last year I’ve been doing mainly editing) and getting back into writing ‘new’ stuff recently, I realise just how hard it is (and time consuming) to get that skeleton down. Especially after writing in the same world for five years and now creating a brand new world! Once the skeleton is down (the basic plot & character development) then the revising is easier and more rewarding.

 What part of writing do you find hardest?

First drafts. It’s hard trying to move forward when you know it’s a bit shitty. But I have learnt that it’s okay for that first draft to be shitty. That’s why I like editing, because you get to make it better!

 What do you plan to work on next?

I would like to release another two books in the Aurora Series this year (which are already written), plus I’d like to have the new book I’m writing ready for submission by the end of the year. Fingers crossed!

Here is the blurb and yes more questions at the end.

A distress signal on the edge of inhabited space. A mission that is far outside normal parameters. Two very different people with one common goal survival.

When a distress signal is received from a black-ops space station on the edge of inhabited space, Captain Saul Harris of the UNF Aurora is called in from leave to respond. But the mission is not what it seems. Female members of the United National Forces have not been allowed to travel into the outer zones before, but Harris is ordered to take three new female recruits.

For Corporal Carrie Welles, one of the Aurora‘s new recruits, her first mission in space seems like a dream come true. Determined to achieve the success of her father before her, and suddenly thrust into a terrifying mission, she must work with her new captain and the strained Aurora crew to make it home alive.

When the Aurora arrives at the station Harris and Welles soon find themselves caught up in a desperate fight for survival. Station Darwin is not what they expected. The lights are off. But somebody is home.

Aurora Dawn

Fan girl questions

The book to me opens like a movie, in that we are following two people on an adventure and then slowly get introduced to the others. Is this what you had in your mind’s eye when writing the book? Yeah, I did. Harris and Carrie and the ones we meet first because I wanted the reader to follow just those two alone for a bit, so they could get comfortable with them. Doc is then introduced next because in terms of plot and sub-plots, he is the next most important character in this book, and warrants a ‘special’ introduction as well. The female recruits are singled out a little to enhance them as outsiders, and the rest of the Aurora crew are introduced together – as a team –  to have the opposite effect. I think it would’ve been chaos to introduce all of them together at once, and the slow introductions enable the reader to get to know the MCs well before the shit hits the fan!

Speaking of movies: do you have actors in mind for some of the roles? I was think Scarlett Johansson for Carrie

Oh yes! Being a film buff, I’m always ‘scouting’ who would be great in the roles, should my dream film ever be made . Here’s my picks:

Captain Saul Harris – I’ve always pictured him as Will Smith, but I’m also very keen on Idris Elba too.

Corporal Carrie Welles – I’m not sure about Carrie, but she needs to do an Australian accent – and no-one seems to be able to do one unless they’re an Aussie! Maybe Abbie Cornish? Scarlett Johansson is a hottie, so I’d sign her if she could do an Aussie accent (and dye her hair brown).

Doc – I’ve always pictured Colin Farrell as Doc, although he might be a bit old now (The character is @ 34yrs old)

McKinley – Chris Hemsworth is the front runner here (although not quite as beefy as he is in Thor). My friends like Charlie Hunnam for the role, though….

Brown – I’ve always pictured him like Ice Cube – but of course in a younger and bigger body.

Colt – Someone like Rutina Wesley from True Blood.

I’d better stop there or we’ll be here all day!

Did you need to do much research for the military stuff or do you have a military background?

No I don’t have a military background. My research was a combination of film, tv, and google, but I purposely invented my own military outfit – The UNF – (as a bit of an amalgamation of several outfits) because I wanted to do my own thing and not have every Tom, Dick and Harry telling me I got it wrong. But I’ve learnt that they still will anyway! Oh well. J

I’m going to ask this because I know some SF heads will want to know your thinking here. Gravity issues do not seem to be addressed? How did you tackle that? (Personally I don’t think it’s important to the story). Yeah, I’ve had one or two people comment on this and find it interesting. First up, to be brutally honest, I think it’s irrelevant to the story. To me it’s like any character jumping on a jumbo jet and flying to another city. Those characters don’t sit there and describe what the pilots are doing every step of the way – Why? – because they’re passengers and don’t know why or how that jumbo flies. Most of the ‘tech’ scenes in Aurora: Darwin are from Carrie’s perspective and she’s a SHARP SHOOTER on her FIRST space trip. Being a ‘protostar’ (green-gill), she isn’t going to know how the ship works exactly and therefore can’t explain to the reader what’s going on as the ship takes off – because she herself doesn’t really know. I made this decision on purpose – not to make my main characters either engineers or pilots for this very reason. You would expect Harris to have a better understanding of the ship, but again, most of the ‘tech’ scenes are from Carrie’s PoV so the mechanics aren’t explained in much depth. Ultimately, I took the view that it wasn’t critical to the plot in any way, so I didn’t think it made sense to bog the story down with irrelevant info.  But I know the hardcore sci-fi fans love that stuff. Oh well!

BTW both Matthew and I think the 4 guys in the biocell was the creepiest thing ever. Well done.

Excellent! I think they’re creepy too!

Thank you Amanda for a great interview. I’m looking forward to reading Aurora:Pegasus. PS the ‘doc’ was  a lovely character. I think I feel for him too.

I thought I’d share this post on my home blog too.

I’m still on my writing retreat.

Writing,writing, trying to write. I can escape if I want to but that’s counter productive. I’ve been looking forward to this retreat, the time to dedicate myself to writing and hanging with other writers who are very cool and who I count as friends. I’m not going to slack off no matter how tempting.

But sometimes focussing is hard. Sometimes writing without stuffing one’s face with chocolate, lollies and shortbread seems impossible, no matter how upset the stomach gets later. I’m doing it though. Writing and stuffing my face with junk.

I have to rest my wrist though and dab on the anti inflammatory cream. I certainly don’t want a dose of acute RSI back.

It’s currently hot across all of southern Australia, even here in the mountains at 35.2 degrees C. We’ve shut the door and put on the aircon to help us through the day.

I was hoping to push through to 70,000 words today. I may make it. I’m nearly at 67,000 words. If I do, I may break out the knitters loom and warp it up.

Catch us on the FWOR blog.

So it’s officially day four of the writers’ retreat and I have a few observations about myself.

I don’t have too much trouble focusing. In fact, I zone out and miss out on the conversations around the table, particularly the ones about me.

I cannot write anywhere near as fast or as much as I used to. I don’t know why that is. There is RSI, which limits me to about 5000 words a day. However, I’m finding even that hard for some reason.

I have a plot summary for this novel I’m writing, but at times it is not very helpful. I have to invent stuff and then today I found that I had left out a portion of the novel because it was going to wrap up too early. I sort of knew instinctively that I was rushing things  around chapter 7, but when I looked at where I was at today I was certain I had. So I’ve been back there, expanding scenes. I’d completely left out Emmett’s point of view from about chapter 8. He’s important to Sage, and he’s the other point of view character, so smack me on the butt. I guess I got caught up in what is happening to Sage. When I’ve finished the story arc, I’ll have to go back and look at the pacing and the balance of action and character. This has been the most challenging thing I’ve written and I really do want to finish the draft. I think it’s going to be fab. I hope it’s going to be fab.

Nicole Murphy and I were chatting this morning and she said we aren’t normal. Writing 5000 words a day was not normal. 2000 to 3000 words was more normal for a writer. I’m like, but we used to write 10,000 words, 9000 and 8000. Yep, says Nicole that wasn’t normal, either.

The point is my hyperactivity button is broken. It won’t engage. I don’t have the head space to write 10,000 words. I’m finding pushing to 5000 a day a bit draining and really, really hard. Perhaps it’s this book. I don’t know.

But 5000 per day for 10 days will yield 50,000 words and maybe the end of this book. Technically, we have 12 to 13 writing days on this retreat. We usually bugger off for at least one of them for a Kirkpatrick tour.

I’m also trialling revising a draft of another book in the afternoons, evenings. So far this is working out okay. I’m not doing a lot, but I’ve started and that’s usually the hard part-opening up the document and starting the revision/edit. I want this particular novel out to beta readers this month.

Enough of my whinging!

A new interview will be along soon.

Just a quick note to let you know that I’m off on a writers’ retreat with the gang. It’s the first day and so I haven’t done much yet except eat, tweet and blog!

We’ll all be blogging over here.

Drop in for a bit of a laugh.

I hope to progress Into the Dark Glass and revise some other work and also enjoy myself in this amazing house on Lake Jindabyne.

It is my pleasure to bring this interview to you. JT Clay (Jo) is a fellow Canberran, who has written A Single Girl’s Guide to the Zombie Apocalypse. I’m so envious.  She published a zombie apocalypse novel and got away with it and its good too.

Here she is!

OLYMPUS DIGITAL CAMERA

How would you describe A Single Girl’s Guide?

A zombie survivalist romp with love, humour and hippies.

Jo tell us a bit about yourself

I live in Canberra and work as a technical writer and spec-fic writer, which have more in common than you’d think. I recently signed on for the mad science experiment of creating new life. The baby is due in February, which I’m sure won’t affect my schedule at all…

I’ve been writing novels for years, but the first one published is A Single Girl’s Guide to the Zombie Apocalypse. I won a couple of manuscript prizes prior to that (Hachette and Olvar Wood) and had short stories, poems and articles published. I also wrote a regular column for Canberra Cyclist until recently.

What was your path to publication?

A Single Girl’s Guide won an Olvar Wood Fellowship Award in 2010. As part of that award program, I worked with my mentor, Inga Simpson, to bring it up to scratch. I found an agent, Alex Adsett, in 2012 and a publisher, Momentum (Pan MacMillan) last year. The book came out on 1 November 2013.

How did that story evolve for you? Or was it a progression? Would you say the characters remained the same and that the story changed around them or vice versa?

Q and Hannah came together the first time I sat down to write. The others were created. One excellent suggestion from Inga was to cut down my cast. I moved from a dozen poorly drawn bit parts to a few distinct characters.

The book has a very complex set up. How did you keep track of that? (mechanics of that, spreadsheet, your head etc)

I thought the book was a simple A-B narrative!

I used Max Brooks’ zombie books, SAS survival guides and zombie chat rooms to get my outbreak and survival stuff together. The rest I made up as I went along, then went back to spreadsheet the details. My fabulous editor, Kylie Mason, was picking up continuity and logic problems a month before the text was settled, which goes to show how important good editing is.

Can you tell us a bit more about Q. I noticed she calls herself different names. Is it possible to explain that?

Q’s real name is Quentin, but no self-respecting zombie survivalist can live with a name like that. Her online handle is Quaranteen because she keeps evil at bay. Her online address is www.ninjaofnineb.com, because while she’s a terrible kindergarten teacher, she’s the best combat warrior in the Nine B classroom. Her enemies call her ‘Qwinston’ or ‘Agh! Stop beating me with my own innards!’, depending on where the conflict’s up to.

 What is your writing process? (planner, panster, write every day, write sporadically, writers block etc).

I like to write in big chunks of time. For a few years I was working 4 days a week and writing on the fifth. This last year I’ve been fifty / fifty, but I tend to work a day or a week on one project, then switch. I don’t multitask.

I’m better at plotting than I used to be, but my planning is no more than a two-page list of key events. If I map out too much, I get tied up (and not in a sexy way).

What do you prefer drafting the story or revising and reworking?

I’m in love with first drafts. It’s all those others I resent, because someone hacks my computer, steals the magic and leaves me with a steaming pile of inarticulate ramble to fix up. Bastards!

What part of writing do you find hardest?

The final drafts, when you’ve been staring at the same words for too long and your characters no longer delight you. Like being snowed in at an airport for days, watching friendships devolve into homicidal fantasies.

What do you plan to work on next? (ie do you have another book coming out).

I recently received an ACT Government Arts Grant for a time travel novel, which I hope to finish this year. I’m also working on the final drafts of a thriller, but Project Baby may delay that one until 2015.

Thank you very much Jo.

Here is a pic of the cover of A Single Girl’s Guide to the Zombie Apocalypse and the blurb.

9781760080518_A-Single-Girls-Guide-to-the-Zombie-Apocalypse_cover

It’s the old story. Girl meets boy. Girl loses boy. Zombies attack.

Q, a trainee kindergarten teacher and martial arts expert, wants to woo beautiful vegan, Rabbit, but doesn’t know how. Her luck turns during the zombie outbreak. She teaches Rabbit and his hippie friends how to make war, not love, and does her best to save him from the living dead.

But can she defeat evil ex-girlfriend, Pious Kate? And can love survive the end of the world?

Hi there

I forgot to let you know about my guest post over at The Rest is Still Unwritten blog. There is a give away of YA books from Escape as part of the Escape Publishing’s first birthday celebrations. The post is about writing what you love. Let’s hope it’s an inspiration to some of you.

Here is the link.

Here is the URL.

http://rachybee-the-rest-is-still-unwritten.blogspot.com.au/2013/12/happy-birthday-escape-publishing-guest_28.html

 

Happy New Year!

 

Dweebenhiem

A bit of personal news about our move to a new house. Matthew and I have moved into together and bought a rather large house, which we have named Dweebenhiem (Dweebhiem by Matthew). It’s a bit grander than what we are used to. I lived in a normal four bedroom house with lovely views over Queanbeyan and Matthew lived in a two bedroom flat with books oozing out of it. There was a path to the bed, the bathroom, kitchen and computer. Merging houses is an interesting experience. We aren’t quite there yet. The books are still in the garage, along with shelves and various other bits.

So far we’ve had a housewarming and Christmas celebrations here. We aren’t quite settled yet. Matthew said to me last night it feels like we are in a writing retreat house. We explore all the bits but it feels like we will pack up and go home. I’ll post some pictures of the view etc in a bit. While we are quite happy here (and we are managing to keep it clean), there were issues. The first morning here, Matthew was in the shower and I went downstairs and water was pouring through the ceiling. We’ve been very lucky as the company that did the house inspection (they are compulsory here in the ACT (Canberra))  is organising to repair the two upstairs bathrooms and the damage to the ceiling downstairs. It was missed when they did the inspection. I was a bit traumatised at first but now I’m okay about it. It’s being fixed. We’ll get passed this.

The other amazing thing was the buses. There is a bus stop at the end of our street. One route, the 788 takes me to Barton and it’s a short walk to work. Matthew can take three buses as he works in Civic. Two expresses or the normal bus. I was so excited about being able to take the bus. It’s so convenient and cheap with a Myway card. On my first ride, a fellow traveller said that the route 788 was being cancelled. I wrote to Action buses and they said the decision was under review. Thank god for that. Convenience at price get people like me out of their cars and onto public transport. That’s better for the environment, traffic congestion and hip pockets. People of Banks, Gordon and Conder get on your bus or you’ll lose it and it’s fab.

Now that I have found a bus, I’m on leave until February. But then I have to make the call, give up my parking spot and commute regularly. I can do it if there is a bus.

Now for views. The house is two story and we face the Brindabellas. This is the view right now from my office.

view from Donna's office 30 JanThe ensuite in mid repair. Tradies are on holidays until early to mid-January.

ensuite repairs

The lounge room or TV nook.  We have names for all the rooms, I think.

lounge room

The dining room, with my new knitters loom, yarn and other guff scattered about.

dining roomThe garage full of stuff and mess from Christmas (yet to be disposed of)

garage messThe games room. Spot the pink coffin shaped dolls house we bought the grandchildren. It’s a vampire villa.

games room

The guest room. Suspiciously normal looking.

guest room

The front of the house.

house frontAnd the gargoyle.

gargoyleSo we are here in this big house, hoping we can fit all our crap inside it. We have yet to unpack the bulk of the books. We are yet to decide on where all the shelves will go, and we’ve bought new ones. One day, we’ll be settled and we can kick back and relax. Right now we have to change our Drivers licenses over before we get a fine.

 

I’ll have another couple of personal posts before I resume the author interview series.

Cheerio.