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Archive for the ‘Dragon fantasy’ Category

The title of this blog post says it all really.

I still feel a bit of trepidation putting more Dragon Wine out. I guess is it because the series meant a lot to me personally and it’s kinda  a raw exposing it by publishing it myself. I never thought I’d come all arty and stuff but there you go. Donna is being precious. But I’ll get over it.

I’ve been so lucky with the covers of the series now all complete, even the books I haven’t written. Many thanks to Frauke and Crocodesigns and to Aarjaun who recommended her. If you want to check out Crocodesigns.

You will see that I changed the naming convention when I brought out Shatterwing and Skywatcher, calling them ‘parts’ instead of ‘books’. I think that reflects what they are. I have also brought out a box set of Shatterwing and Skywatcher, called Dragon Wine Volume One, which works out cheaper than the individual books. Grouping them together is more like how they were intended to be read.

That being said, Bloodstorm, Dragon Wine Part Four, is currently being revised by me. I’m taking up the editorial suggestions and I’m dealing with the big finale ending. So close I can taste it. Then it will go for proofreading. I expected Bloodstorm to be out by July. Not long. I will feel massive relief when that is out. I will then put out a box set, Dragon Wine Volume Two.

So that leaves the last two parts. I have been writing notes. Lots of notes but the last two parts will take planning and I’m going to start on that. I have a PhD novel to write, to draft at least, and maybe after that is done I’ll have the head space to tackle the Dragon Wine concluding parts. Of course, if people read and like, Deathwings and Bloodstorm, I’ll be very motivated to conclude the series faster.

There is also this other idea for a book called, Moonbinders, that is floating around in the back of my head with the cobwebs and the dust. And then there could be a prequel, covering the life of Trell of Barr with a guest appearance of Nils. Oh to have too many ideas and not enough time!

The cover again and the blurb.

Deliciously dark fantasy…Deathwings, Dragon Wine Part Three

“Shatterwing has all the fantasy ingredients I love: tormented heroes, a truly twisted villain – and a brand new take on dragons!” Glenda Larke, (award winning author of The Stormlord Trilogy)

“Dark and compelling, with strong characters and a sense of grim inevitability that pulls you along with the story.” Craig Cormick, (award-winning author of the Shadow Master Series.)

Life on the ravaged world of Margra is more difficult than ever… Salinda and Garan blasted the evil Gercomo into the sky. Except … he didn’t die, he transformed into a dragon. Final moonfall looms ever closer and the world is on the brink of destruction.
Gercomo’s vile influence spreads among his dragon herd and he is reaching for power in both the human and dragon worlds.

Salinda has the means to stop him and save the world.

And Gercomo wants her dead.

Deathwings-highres

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Well it’s been a long wait!

The reversion of rights process did not go as planned. Shatterwing and Skywatcher were taken down early (I had requested May) and I had a mad scramble to get covers and get the books prepared etc. I’m so lucky that Crocodesigns were able to do the whole series. Don’t you think Frauke did a great job? There is more to come. She’s working on the covers for final two parts (not actually written yet) and box set covers.

I can’t decide which cover is my favourite. I really love the meteors and the depiction of the observatory in Skywatcher and I love the colours in Deathwings and I love the dragon in Bloodstorm. Overall, I think the covers portray the darkness and the space elements of the stories. Shatterwing and Skywatcher are out now everywhere! iBooks should flow through today. I uploaded them this morning.

Deathwings I think I’ll put up next week (maybe). I’m so nervous about releasing this part three. It’s been edited and proofed and it’s waiting to go. But holding on to it seems like a good idea. I’d like to be able to release Bloodstorm, Dragon Wine Part Four soon after. That’s due back from the editor next week. Still I’m nervous. Stupid I know…but I can’t help it. I had ten years to work on Shatterwing and Skywatcher. Although I drafted Deathwings and Bloodstorm a while ago it is only recently that I’ve picked them up again. Hopefully there will be some good reviews. I need to work on the final two parts.

These books are retailing around $3.99 US per book. I’ll be putting links up in my book section later on. I need to drink some French Champagne just now and eat chips and dip and chocolate and veg in front of Netflix. Sorry duty calls. I presented my confirmation seminar for the PhD today and it went well! So celebration.

 

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And I’m going to release Part One and Two together as a ebook box set. Maybe next week. Estimated price is $5.99 USDragonWineVolOne-3D

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I was bright eyed and bushy tailed yesterday.

This morning not so much.

Of course there are a number of reasons for this. Yesterday afternoon I sent off Ungiven Land (The Silverlands Book 3) for proofreading after quite a while working through the toughest edits yet. It was going to take me a lot longer but on Sunday I hit of spot of chapters that had light edits and I pushed through them and built up some momentum. That left yesterday morning to finish it off. I had some family obligations during the day, but after that I did some more tinkering and sent the book off. It’s a bloody long book at 145,000 words.

Then yesterday evening, I picked up the revision I was doing of Bloodstorm (Dragon Wine Part 4) without much recollection of how much more I had to do. Well, I was further along than I thought so I pushed through and sent that book off to the editor last night. It’s a shorter novel at just under 90,000 words. I think I have more work to do on a battle scene but the edit will help with that I think. It gives me a month to think about it and make notes. I needed to push it off my plate as I have important PhD stuff to do.

So you would think after an excellent sleep that I’d be ready to roll and full of vim and vigour. Obviously my stories are still in my head. I was thinking about both of them while driving and drove right past two turns offs to my university and didn’t realise until I made a t-junction. Oops! So I had to go to another entry and park in a different spot. Then I realised I hadn’t brushed my hair. This called for emergency coffee and I hope  it kicks in soon.

After having these deadlines I don’t think I like them. I had listed Ungiven Land for pre-order on Amazon. For some strange reason beknownst only to my back brain I put down 31 May 2017 as the delivery date. However, I had not allowed enough time for processing proofreading changes so I had to push it back by two weeks. Amazon lock you out of the file about 3-4 days before release btw. I have had now had my pre-order privileges revoked for one year because I pushed back the date. Thank god for that. I can’t be tempted to put in hard dates that give me stress. I don’t want to do that again because that deadline plus the ones I had with the editors really put the pressure on.

As I don’t have more fiction planned other than putting up books of which I have the rights back, I’m going to give deadlines a miss for a while. I have my PhD novel to think about.

Fingers crossed I get some covers this week because Shatterwing and Skywatcher are ready to go. Deathwings and Bloodstorm the next two parts of the Dragon Wine series are coming soon.

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I am so excited to bring you this interview.

I love science fiction and fantasy and I particularly love it when someone writes a story and plays around with the tropes I love so well. One of the things I’ve noticed is that books from diverse authors really bring a distinct flavour to genre. For example, Lukyanenko’s Daywatch or books by Alliete De Boddard, Isabelle Allende, Ken Liu etc.

I stumbled across JC Kang’s series in one of Patty Jansen’s regular newsletters ‘Ebookaroo’. I was so taken by the covers I had to buy one. Then I started reading Dances of Deception. Oh my…I’d picked up book three but didn’t realise and it was too late to stop and go back to book one so I kept on reading it.

I couldn’t stop reading it!

This series is a high fantasy with dragons, elves, dwarves, gods and the rest. But for me it had something different–an Asian-centric viewpoint, meticulous world building carefully woven into the story, a world with many cultures, each with their unique manners and approach to life well depicted.

It had political intrigue, trade issues, plausible economics, ninjas and romance. The magic in this world ranges from beautiful and delicate to blunt and hard. The characters were well drawn and three dimensional, each with a history and a complex set of relationships. (As I started in book three this is to be expected). My favourite characters are Tian, the secret agent/spy dude, who is probably most like a ninja, the princess, Kaiya, who has difficult but character-building adventures and Jie, the half elf handmaiden, come body guard.

Here is a graphic of my favourite characters. Thank you John!

3heroes

The baddie in this book is bad! Yet, there is a side to him that evokes some compassion, due to the curse of his people. I like how Kang sprinkles this hard race with sympathetic characters that lead you to believe that there is hope for change. I don’t want to spoil it for you so I’ll say no more.

Also, the interior layout is something special. Some lovely touches in the ebook.

This is definitely a five star read for me. Now my dilemma is do I buy the books in ebook or print?

John (JC Kang) dropped by my blog today and answered some questions. It’s a special day because Book four is launching today.

4book

  1. John tell me a bit about you, where you live and what you do for a day job.

I hail from the black hole of despair, also known as the Capital of the Confederacy. Actually, Richmond, Virginia, has since transformed from the urban blight of my childhood, to hipster haven and up-and-coming foodie capital of America. We probably have more craft breweries per capita than any other place in the world.  I’m an acupuncturist and herbalist, and also moonlight as a Wing Chun Kung-Fu instructor.

  1. What first interested you in the fantasy?

When searching for a BDSM club… no, wait, you mean fantasy fiction!  Yeah, just ignore that first part.  I must’ve been five, and my older brother read The Lion, The Witch, and The Wardrobe to me. It was my gateway drug to The Hobbit, Lord of the Rings, and then onto harder addictions like Dungeons and Dragons.

  1. How long have you been writing? Did you always aspire to write fiction?

After I read the Dragonlance Chronicles, I was determined to be a fiction writer.  My first story was basically a rip-off of Dragons of Autumn Twilight based in my D&D world, with only the names changed to protect the innocent. Basically, my younger self didn’t have a unique idea in his head, and he gave up on the idea of writing fiction.

  1. You have a beautifully rendered story in Dragon Songs Saga. How did you about developing this world? What were your influences? Did you research? If so, what, how?

Twenty-five years after I went through rehab for my D&D addiction, I uncovered the world building materials in my childhood home.  As an adult, I had to laugh at what my younger self dreamt up (nice men who respected women) or otherwise plagiarized (impossibly beautiful women who like ugly guys). Still, there were some cool underlying ideas, and I spent the next week reimagining the world with those premises at the starting point; but taking into account trivial matters like gravity, supply and demand, and biology.

My biggest influences were the Civilization video game, Tolkien, Chinese Wuxia movies, and samurai dramas. And Jedi Knights. I can’t say I did a ton of research, but I’ve worked as a political analyst and economics technical writer, and watched a whole lot of TV (usually while I was doing economic analysis, which probably explains why I am now an acupuncturist).  During the writing process, I researched everything from the Latvian language to ancient Ethiopian culture (and that BDSM in my search history, it was purely research for writing).

  1. Why did you write the Dragon Songs Saga? (I’m wondering here if there is a dearth of Asian-centric high fantasy, or was it that you were sick of western-centric fantasies etc).

I had actually planned three books total, the first with a Western-oriented story which would recount a war between cursed descendants of the Sun God and humans who had mingled with elves in ancient times; and the third which would follow an East African sorceress, a Persian priest, and an Asian Indian “jedi” (I was serious in that earlier answer) as they discover the secrets of the world’s pyramids.

However, I settled on the middle story about an East Asian princess who could evoke magic through music, and her childhood friend who had become a ninja, as they try to escape from the aforementioned descendants of the Sun God. It wasn’t because I was sick of Western fantasy—there’s plenty of non-Western stuff out there nowadays—but rather because I had a strong background in Asian history and was too lazy to research the other two arcs.

  1. I think, judging from the world building and plot in your books, that you are a planner rather than a panster? Am I right? How do you develop a series of books like this, so rich with culture? Spill your secrets!

I’m a totally plantser.  After all, what was meant to be a single novel became a 4-book series. After I wrote the book you read, Dances of Deception, I went back and wrote the prequel, and then the sequel, and then  the prequel to the prequel.

As a whole, I have an idea of where I want to go, but sometimes (this will sound so stereotypical) the characters rebel against my machinations and decide they know what they want to do better than I do; and sometimes get an idea and have to retrofit it into earlier parts of a story.

For example, Tivaralan has three moons. One of my earlier readers thought I shouldn’t use Earth’s hour system, and I realized one of the moons, which has an orbital period of one day and never moves from its spot in the sky, would go through all its phases in that day. People on the planet would naturally use it to tell time and for direction.  Another moon was large and blue with an orbital period of 44 days; but later, I read an article about a Super Saturn, J1407b, so I turned that blue moon into a planet and moved its orbit way out so that its shape would change over the course of 2 years.

  1. Who are your favourite characters in the Dragon Song Saga and why?

I am a total narcissist, and since my characters all embody the best aspects of me, I can’t decide.  Kaiya, because she has a heroic spirit. Tian, because he is smart and handsome. Jie, because of her quick wit. And Chen Xin for his modesty.   In all seriousness, though, my favo(u)rite would be Tian’s brother, Ming, who is something of a flamboyant buffoon.

  1. What made you decide to Indie Publish?

I actually had a R&R out with an agent on Book 1, but after a brush with my own mortality–

  1. Brush with your mortality? That sounds serious! What happened?

My friends made me watch Fifty Shades of Grey, and at the end, I wanted to shoot myself.

10: So why indie publish?

I realized I could die any time, maybe before I got representation. Even then, the entire revision process would take a year or two, and who knows, maybe no publishing house would take it. In the meantime, I had 4 books which had been critted, revised, beta read, and revised again. Basically, they needed a professional edit and covers.

All that said, I didn’t know the first thing about marketing, so I first released Dragon Songs with different covers and titles which suggested YA Fantasy Romance.  I was attracting readers who wanted to see Kaiya fall in love with the dragon, not vanquish it.  I just rebranded starting this year.

  1. What’s ahead for you fiction writing wise?

I’m currently working on four projects, all which relate to the Dragon Songs series: a 1st Person, Single POV YA version of Songs of Insurrection; An episodic serial which follows the dragon, Avarax, who is stuck in human form and has to learn how to play nice with other humans; A story which takes place a thousand years before Dragon Songs, which recounts how the First Dragon Singer sings Avarax to sleep; and Book 1 of the series with the aforementioned Sorceress, Priest, and Jedi as they learn about the pyramids (I know, it sounds like the start of a bad joke, with a worst punchline).  Jie from Dragon Songs will also play an important role in that story.

Thank you so much John. The story about you and your novels are so interesting!

What are you waiting for people! You should buy these books!

Book One, Songs of Insurrection, Blurb

Only the lost magic of Dragon Songs can save the realm. Only a naïve girl with the perfect voice can rediscover it.

Blessed with an unrivaled voice, Kaiya dreams of a time when music could summon typhoons and rout armies. Maybe then, the imperial court would see the awkward, gangly princess as more than a singing fool.

When members of the emperor’s elite spy clan uncover a brewing insurrection, the court hopes to appease the ringleader by offering Kaiya as a bride.

Obediently wedding the depraved rebel lord means giving up her music. Confronting him with the growing power of her voice could kill her.

Looks like these books are only available on Amazon. Free if you have Kindle Unlimited.

Buy link here.

Book Two, Orchestra of Treacheries, Blurb

The mightiest dragon threatens the world, and only the power of a Dragon Song can vanquish him.

Two years have passed since Kaiya rediscovered the lost magic of Dragon Songs, yet the power of her voice is untrained. Potential suitors see her as a stepping stone. One ruthless cousin would rather step on her gravestone.

Not one to get walked over or buried, Kaiya is holding out for the exiled foreign prince who inspired her to sing. The only one who appreciates her abilities more is the world’s last dragon, Avarax, and it’s not because he enjoys a good song.

Raw and unproven, she finds mentors in unlikely places. An elf courtier. An ancient healer. A martial arts master. And an evil sorcerer. She’ll need their guidance to survive the final showdown between a girl finding her voice, and a dragon who has no intention of being fooled a second time.

Buy link here.

Book Three, Dances of Deception, Blurb

An invincible empire threatens to invade Cathay, and only a Dragon Song can ensure peace.

After vanquishing the Last Dragon with the power of her voice, all Kaiya wants is a quiet life of anonymity. Instead, the Emperor sends her to negotiate peace with the aggressive Teleri Empire.

The critical mission reunites her with her childhood friend Tian, now an assassin-spy who loathes killing. He is no longer the adorable, gullible boy from her memories, any more than she is the adventurous, sweet girl from his. Instead of rekindling nostalgia for a youthful innocence they both yearn for, their reunion ignites a mutual hatred.

When the Teleri Empire breaks off talks, Tian must help Kaiya escape. Orcs, Ogres, and enemy soldiers stand between them and home, and their volatile relationship could get them captured… or killed.

Buy link here.

Book Four, Symphony of Fates, blurb

Kaiya escapes her ordeal at the hands of the Teleri Emperor, only to return to a homeland beset by enemies on all sides, and crumbling from within.

As a teenager, she quelled a rebellion with the Dragon Scale Lute. As a young adult, she vanquished a dragon with the power of her voice.

Now, robbed of her magic by grief, Kaiya must navigate a web of court intrigue to save the realm before it falls. Only she can lay claim to the Dragon Throne on behalf of her unborn sons—whether the father is the lover who perished rescuing her, or the hated enemy who killed him.

In the final story in Kaiya’s saga, she must rally a nation, repel invaders, and prove to the world why her family alone holds the Mandate of Heaven.

This book is live today.

Buy link here.

Here is a link to John talking about YouTube.

BTW I’m on the hunt for some more diverse fantasy and science fiction so expect more.

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I have an exciting blog interview planned but it’s not ready yet. I am waiting for some answers to come in. In the meantime, I thought I’d post something about what is happening with me.

I’ve been experiencing a lot of stress lately due to an external issue. This has been hard on me. I’ve had to take sick leave from my PhD and I’ve had awful stress and anxiety symptoms and I find it hard to concentrate. High stress and anxiety increase my overall pain levels so it can be rather debilitating. I haven’t been able to read much at all, or invest in watching a movie or write fiction. I do walk a lot and I’m losing weight.

We live in an ableist society and so we are brought up thinking that we should be able to do everything and when we are not we get over critical of ourselves and also stress about how people view us. For me, I hate labels. I was sent to a psychiatrist last year to assess my stress and anxiety after a panic attack at work. I wasn’t sent to the psychiatrist until about four or five months after the attack. By then I’d been on meds and had two different lots of counselling and was feeling much better. I didn’t want to have a label and so was pleased that the psychiatrist said I wasn’t suffering from any psychiatric disorder. Even though this attack was brought on by an injury at work that I was having trouble adjusting to and workplace shenanigans. But shrug.

I believe my inherent ableism affects my outlook on my physical disabilities as well. The RSI and arthritic conditions limit me. I hate to be limited. I am a doer. I am an ablelist. It is part of who I am. There is so much I can’t do now and I hate it. I try not to think about it. No wonder I’m stressed. So I hate to acknowledge that these things make me less than I want to be. I know I should just suck it up right. I’m getting older. Well I’m 56 not 76!

But here I am again. Sigh. Having symptoms and it sucks.

My approach to Indie publishing has been to publish books that have been previously published and that I have the rights back to and books that I’ve already written that made it to acquisitions but weren’t bought by publishers. (This doesn’t include the book that is/was with my agent as we still have hopes). Last November, I wrote the short novel, Opi Battles the Space Pirates because that was just fun. However, while I’m not actively writing new stories, there is a bit of work in getting the books back out there and the new ones published.

The rights to Shatterwing and Skywatcher have been returned to me. This meeans they are no longer available. Before they can be relaunched they need to be proofread. Shatterwing is done and I’m just waiting on the map and the new cover. Skywatcher is still in progress in proofreading. My approach to this was work from hard copy that way I can use my tilt board and make it as ergonomic as possible. However, it’s still hard work! Concentration people!

My apologies to Dion who bought Shatterwing and then found he couldn’t buy Skywatcher as Pan Mac took it down. He wrote to me to say : Wing dust! It ended in a cliffhanger. In my defence, I had asked for the books to come down in May 2017 so I could have time to prepare but something went missing in the communication and I had no notice of when they would or did come down. They just disappeared from the Internet.

As per above, concentrating has been hard. Deathwings copy edit is done. I was a good way into it before the external stress causing business came back and overwhelmed me. But as I was nearly done, I managed a few more hours. Deathwings is now with the proofreader.

The new covers are in progress too. And I have Russell K looking at the maps. I’ve outsourced as much as I can. I have three weeks to finish revising Bloodstorm before it’s due at the editor. I think that’s doable, even if I only do an hour per day. However, if I don’t make the deadline, it will take longer to get Bloodstorm out.  No great dramas, except for readers because a lot happens in Bloodstorm.

For more of the Dragon Wine series, you guys will have to wait. I have a PhD to do. Although if this external stress thing doesn’t resolve I will probably go part time on the PhD for a little while.

The Silverlands series. Argenterra and Oathbound are published. I have to do a little bit of stuff to get the print file of Oathbound ready. I also need to pay someone to do the formatting for the Smashwords edition of Oathbound. I can do it, but it’s a bit difficult on the physical side of things. (Oh I hate admitting that–it’s the ableist in me!).

The edit of Ungiven Land is in progress. I may have a bit of work to do when it comes back to me later in the month. I had a chat to the copy editor this afternoon. Apparently I’ve developed new bad writing habits and may have my work cut out for me. My editor wanted to know if it was okay if she picked me up on things, suggested new scenes etc. I said go for it.

That’s what I want. That’s what an edit is for. Make me sweat. I want a better book.

This week I heard that I have the rights to The Sorcerer’s Spell back. That’s a sexy paranormal novel that is published under the Dani Kristoff name. That needs the same treatment. New cover, proofreading, new ISBNs etc. I have a half started sequel somewhere. If I’m to work on that then it will be dictation software! If I can concentrate. A lot depends on what happens over the next few weeks and months. However, finally I might get a male torso on the cover! A first for me.

There is administrative stuff that is done and heaps not done. Just registering ISBNs and Catalogue in Print stuff takes time and energy. I wished I earned enough to pay an assistant! Hahahahahaha!

Fun is over. Back to work.

And just for fun I’ll put a cover image of Argenterra here. It’s new low price is USD 2.99. I also revamped the blurb for this.

Sophy is not looking for a talisman: she is the talisman!

Sophy is snatched from our world during a ghost tour. Landing in the lush world of Argenterra, she’s the odd one out. She can’t use the land’s native magic, the given, even though her friend Aria, and everyone else, can.
Worse still, she’s a faded version of herself and doesn’t fit it at all.

Abandoned by Aria who marries a handsome prince, Sophy travels the land with Oakheart, the high king’s ambassador, to explore the mystery of why there is a crystal leaf growing inside her.

Then the accidents start to happen and she realises a dark force wants her: alive or maybe just dead…Argenterra with subtitle

For more information on The Silverlands Series and buy links, click here. Have you got your copy of Argenterra yet?

Also if you are interested in signing up for my Newsletter. Click here.

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I look at myself lately and I think I’m doing a lot of fiction writing recently, or I seem to be. Fair enough I’ve just come out of a holiday break where I took two weeks off from the Phd. This week I have been head down on the Phd and I put some time in last week too. I have my big moment to prepare for-The dreaded confirmation seminar that I talked about yesterday.

So what am I doing writing fiction or appearing to write fiction?

Last year I finished drafting a trilogy. My first completed one if truth be known. Book two was mostly written so I was tidying up, revising etc. Some parts were rewritten after beta reader comments. Book three was a 50,000 word basket case so technically I did write that book like last year almost from scratch (130,000 approx.). Book two is with the editor. Book three I’m going to revise after beta reader comments (next week actually) and then put in the edit queue. Right now I’ve finished revising Dragonwine Book 3 and it’s waiting for its slot for its editor and currently I’m restructuring book 4, which required some revising, rewriting as I went. I still have a bit to do, but the restructure is complete (I cheated I put the last bit in this morning). Oh and I wrote a 50,000 word novel in November for NaNoWriMo-which needs to be revised (when?!!!).

Now I don’t want to give the impression that I’m slacking off on the PhD because I’m not. Nor do I want to give the impression that I’m some kind of writing machine. I’m not that either. While I’m not too much a stickler for routine, I have been aiming to do an hour a day while working on Dragonwine Book 4. It’s written, I’m just plaiting the narrative threads together different to how I originally drafted it. It was a draft and it’s drafty. Man I don’t think I’ve read book 4 for seven years or more. I’m also revising, polishing as I go. It will need another run through too.

I’m spending my day on the PhD writing this damn proposal and researching and running my surveys and hassling writers etc. I’ve been going home and vegging in front of Netflix for hours (the heat mainly)  and then I put my hour in on the MS before I go to bed. I’m not usually so good at doing this. I’m marking this on my calendar this year so I can gauge how consistent I am. Technically, I could put more time into writing when I get home. I don’t want to overdo it on the computer due to RSI and arthritis issues so I’m pretty good at sticking to the hour. I’ve been at the computer at Uni most of the day too.

When I’m mostly reading, I can spend more time writing fiction. Reading takes place not at the computer you see. Sometimes it happens in bed or on the deck. I usually take a day off on Friday’s to write fiction (and do housework) and that gives me a good go at things. As Matthew is busy writing at the moment I’ve also spent some weekends, say Saturday afternoon and Sunday afternoon on task. Two Dweebs in adjacent offices pounding on keyboards!

I also have a backlist of works that I can either revise, write sequels for etc. I have to prioritise! So I don’t consider them to be new writing as such.

As well as the PhD this year I want to start on Dragonwine book 5 & 6 to finish this trilogy too. I don’t even have notes for this so it will be all new work! Approximately 170,000 words I estimate. However, I also have to draft my PhD novel and that takes priority. Lucky I touch type!

I probably look like I’m doing a sweep out of my brain, getting these stories out of there and onto paper. I also see it as me refining my creative practice. Finishing a trilogy presents many challenges and each time I work on one I’m learning about my craft. I can’t write as much as I want or work on as many things as I would like while doing the PhD.  That constriction will last for about two more years, but I can manage to do some stuff, particularly if the damn thing is already drafted. I also need a part time job because I have no support for my living expenses. I’ve thought about this and writing is my part time job. I hope in 2017 it will bring in some dollars but I am hoping that I will continue to progress as a writer as well as learn more through my PhD.

What is really doing my head in is the edits. They are coming! Over 400,000 words of edits. And I’ve set myself up for four book edits in the first part of the year. That work load I will have to be careful of. Then as they are going to be self/indie published, I have the dreaded laying out to do, proofing etc, which takes time but isn’t too hard. Covers to source? Egads. 2017 is going to busy.

The message is I guess is that even an hour a day can get you somewhere.

Below are the covers for the Silverlands Trilogy. The only set of covers that I’m organized for. Damn.

three-books

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Time seems to fly by so quickly these days. Some kind of inverse perception. When I was a child time passed slowly. Now, I can’t believe how fast.

I wish it would slow down.

For me, 2016 was an interesting year. Lots of changes in my life. I left the work force and started a PhD in Creative Writing. I had done my sums, and of course, things change so sums are often being trimmed and rearranged. Do I regret leaving work? Hell no! It was the best thing for me physically and mentally. Of course I miss the huge $ I was making but there was a cost involved. I’m content.

I started the PhD with a vengeance–long days and it hurt too, but now I’m better at balance and I hurt less as a result. I actually felt good for many, many months and I was happy. I realise I can stay home and read and relax while studying instead of in a chair in the study centre everyday. I tried twice this year to get an APA and was unsuccessful, (APA is a stipend/grant for studying) and I have to give up applying now. It was a lot of work putting the application together. Hint do honours and you’ll be a shoe in, they are worth more than a Masters by coursework).  Now I have to look for part time work to fund me. I was hoping for some tutoring at uni but there are no guarantees.

One the writing front, I put out Argenterra in late April. It’s my epic, portal fantasy, that’s not dark (like Dragon wine) and is suitable for YA readers. It’s romance themed too. I thought I’d get the next two in the series out this year but that was a lot harder than it seemed to be when I thought it up. Book 2, Oathbound is with the editor (some delays there with editor moving house) and Book 2, Ungiven Land is awaiting one beta reader comments before being revised and sent to the editor. I’m thinking they will be out in the first half of 2017. I was so thrilled to get those books written. Finish drafting my first trilogy!!! (15 years in the making) Wohoo! Next year, when the books get published I’ll see how the hybrid, indie, self-publishing gig works for me.

Under the name, Dani Kristoff, I was published again by Escape Publishing, this time with Invoked. It’s the third and last book in the Spellbound in Sydney series. I thought this book was coming out next year so I was so happy to have it come out in December. I have one more book to write under Dani Kristoff and then Dani might retire. I enjoy writing the sexy paranormal books, but you have to have a big enough audience to make it worth your while and frankly, I don’t. I’m proud of those books. Invoked was the hardest thing I’d ever written. Nearly chucked it out. Rewrote it almost completely. It taught me a lot about writing. Although it is dark, especially compared to Spiritbound which was light and bright and lovely.

So for Nanowrimo I wrote another Space Pirate book. This time starring Opi, Rae and Essa’s mother. It’s fun and I like it a lot. I’m going to publish this myself.  Escape aren’t selling enough of the other books, Rayessa and the Space Pirates and Rae and Essa Space Adventures to acquire it. But I’m totally cool with that. I want to publish it myself. It’s a bit of light fun. I’ve kept it sweet level in case any YA readers happen on it, but it’s longer 55,000 words and features older protagonists and space pirates….

Also in December, I dusted off the draft of Deathwings, book three in the Dragon Wine series. I’ve booked it in with the editor that Momentum used for the first two books and I’ve got book 4 booked in too. So fingers crossed I’ll have them out in 2017 too. I have to meet the editor’s deadlines!!! Both books are mostly written. I had to dump about 10,000 words from book 4 and I did that over a year ago (then Phd happened). It was starting off too slowly according to beta readers. I have not written a word of the last two books  (5 & 6) and that will be my side project for the rest of 2017. Around other writing and the PhD and part time work if I get any.

I have three other books in completed draft form. Into the Dark Glass (YA fantasy) is currently with a skilled beta reader. It’s the most ready to go somewhere. Cold Soldier (SF Romance) – I haven’t touched this in nearly a year. Needs a new beginning and a revision. The Tainted Lady, my attempt a Regency romance needs a revised beginning and a revision then polish, then beta readers etc. Ruby Heart is still looking for a home but I’ve a mind to write Emerald Fire (the sequel) or actually finish writing it. Half written I think. I have a couple of other things started but may have to wait years before I revisit them.

I have my PhD novel to write too, which will get drafted during 2017. I think all this other writing helps me refine my craft so the PhD novel will benefit.

I have to prepare for my confirmation seminar in March so I’ll be busy with that in January and February and maybe before New Year. It’s my first piece of work that gets assessed and the foundation for the PhD. I will then be officially one year into the PhD too. My surveys that are part of the PhD are going great guns. Need more responses though.

Along with the rest of the world, I’m processing terrorist attacks, the US election, Brexit, war in Syria, Australian bloody politics and views on refugees, deaths of fav actors and musicians. May we weather these things and find 2017 a better time to live in. Highlights, Jane Austen Festival in Canberra, RWA Conference in Adelaide, Shanghai visiting my son in October and presenting a paper on Twitter poetry in November. Also, I am standing for GUFF ( Going Under Fan Fund), which is a fund to send people from Australia to Europe from SF conventions or a European fan to Australia) and there are some great candidates this year all vying to get to the SF World Con in Helsinki in August. (link below)

Downside some work injury related stuff that I won’t blog about until resolved. Worst thing ever!

I’m still addicted to Twitter and Facebook. I’m the world’s worst gardener, besides the Dweeb and I totally failed at sending Christmas cards this year. I’m pleased to say that this year  for me Christmas isn’t about excess as it usually is. My two daughters are vegans and we are having a small gathering this year so less meat, less waste, less money spent. I kinda feel good about that. I will miss my son, who is in China and two of my grandchildren and their mother who are in Perth this Christmas.

Most of all I want to say, I wish you well and happy and prosperous this Christmas, end of year, New Year. I am grateful for my health, my wonderful family and friends. My excellent partner Matthew (the Dweeb) and for those of you to interact with anywhere in the world and on the internet.

Maybe I’ll see some of you at the ARRA convention in Melbourne in February.

 

More info on GUFF

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