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Posts Tagged ‘editing’

I’ve discovered that I can be very focused.

This is the opposite of being distracted, which I talked about in an earlier post, thinking  perhaps I had ADHD or something.

I appear to like grooves.

I’ve been focused on the PhD and writing lately. I realized that I have not made a hat since June. Although I have told myself a number of times that I was going to sew for a day I haven’t either. I have made one complex cake in January. The BB8 cake on the spur of the moment.

I wonder why this is so. Why can’t I  read, write and be creative at the same time? Say a couple of hours of this and a couple hours of that. In theory it’s possible, but I haven’t been able to get myself there. I even write down ‘to do’ lists that say, two hours proofreading, two hours drafting MS, two hours reading for PhD, but I get stuck on the proofreading and don’t or won’t let go. So I end up doing three solid days of proofreading then I can go back to reading for the PhD. Weird.

Incidentally, I have set myself the task of getting five novels out before June. They are all written, but I have to deal with edits and proofs and getting covers and other stuff. Right now I’m revising The Ungiven Land, the last book in the Silverlands Trilogy. I’ve go a hundred pages to go. I will finish the revision this week I’m pretty sure. It’s not heavy revision or anything, just a read through and tweak and ensure consistency of some changes I made follow through. Cutting blah, blah bits out. Shortening some bits. To finish just requires some focus then it’s ready for the editor.

So I think my focus is a good thing. I get things done, even though I sometimes hate the revision stage. I like creating stories most. I love studying for the PhD too, although there are going to be aspects that challenge me. It is through doing the PhD that I’m getting these insights into myself. Or maybe because of the self-led study component of it that leads me to be drawn into certain ways of working. I’m not reporting to a boss. I’m not interviewing people for an audit etc. Working alone this way that make me see some of my issues or my tendencies that I probably always had but didn’t notice.

I also theorise that my creative energy comes from the same place. If I’m writing I find it hard to sew or make hats or cakes. I don’t find it hard to watch DVDs although when I’m caught up in a story I find it hard to engage with a new series for example. I also don’t find it hard to read.

So now I look at what I have to do and the not writing fiction, just doing the edits etc seems to be a relief. I have a number of works drafted that I need to work on, but they are on hold. Now I can focus on the PhD novel. At least I think I can. Writing for me requires a certain level of commitment, ideas, energy, story drive etc. Once I start I usually find the rest, but this novel requires a bit more. I want it to be more too. More in the way of skill, in meaning, in impact, in thought. I may not achieve these goals, but I won’t know until I try.

PS I will come back and put a picture of the BB8 cake here. My phone is in the shop (withdrawal issues)!!

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Time seems to fly by so quickly these days. Some kind of inverse perception. When I was a child time passed slowly. Now, I can’t believe how fast.

I wish it would slow down.

For me, 2016 was an interesting year. Lots of changes in my life. I left the work force and started a PhD in Creative Writing. I had done my sums, and of course, things change so sums are often being trimmed and rearranged. Do I regret leaving work? Hell no! It was the best thing for me physically and mentally. Of course I miss the huge $ I was making but there was a cost involved. I’m content.

I started the PhD with a vengeance–long days and it hurt too, but now I’m better at balance and I hurt less as a result. I actually felt good for many, many months and I was happy. I realise I can stay home and read and relax while studying instead of in a chair in the study centre everyday. I tried twice this year to get an APA and was unsuccessful, (APA is a stipend/grant for studying) and I have to give up applying now. It was a lot of work putting the application together. Hint do honours and you’ll be a shoe in, they are worth more than a Masters by coursework).  Now I have to look for part time work to fund me. I was hoping for some tutoring at uni but there are no guarantees.

One the writing front, I put out Argenterra in late April. It’s my epic, portal fantasy, that’s not dark (like Dragon wine) and is suitable for YA readers. It’s romance themed too. I thought I’d get the next two in the series out this year but that was a lot harder than it seemed to be when I thought it up. Book 2, Oathbound is with the editor (some delays there with editor moving house) and Book 2, Ungiven Land is awaiting one beta reader comments before being revised and sent to the editor. I’m thinking they will be out in the first half of 2017. I was so thrilled to get those books written. Finish drafting my first trilogy!!! (15 years in the making) Wohoo! Next year, when the books get published I’ll see how the hybrid, indie, self-publishing gig works for me.

Under the name, Dani Kristoff, I was published again by Escape Publishing, this time with Invoked. It’s the third and last book in the Spellbound in Sydney series. I thought this book was coming out next year so I was so happy to have it come out in December. I have one more book to write under Dani Kristoff and then Dani might retire. I enjoy writing the sexy paranormal books, but you have to have a big enough audience to make it worth your while and frankly, I don’t. I’m proud of those books. Invoked was the hardest thing I’d ever written. Nearly chucked it out. Rewrote it almost completely. It taught me a lot about writing. Although it is dark, especially compared to Spiritbound which was light and bright and lovely.

So for Nanowrimo I wrote another Space Pirate book. This time starring Opi, Rae and Essa’s mother. It’s fun and I like it a lot. I’m going to publish this myself.  Escape aren’t selling enough of the other books, Rayessa and the Space Pirates and Rae and Essa Space Adventures to acquire it. But I’m totally cool with that. I want to publish it myself. It’s a bit of light fun. I’ve kept it sweet level in case any YA readers happen on it, but it’s longer 55,000 words and features older protagonists and space pirates….

Also in December, I dusted off the draft of Deathwings, book three in the Dragon Wine series. I’ve booked it in with the editor that Momentum used for the first two books and I’ve got book 4 booked in too. So fingers crossed I’ll have them out in 2017 too. I have to meet the editor’s deadlines!!! Both books are mostly written. I had to dump about 10,000 words from book 4 and I did that over a year ago (then Phd happened). It was starting off too slowly according to beta readers. I have not written a word of the last two books  (5 & 6) and that will be my side project for the rest of 2017. Around other writing and the PhD and part time work if I get any.

I have three other books in completed draft form. Into the Dark Glass (YA fantasy) is currently with a skilled beta reader. It’s the most ready to go somewhere. Cold Soldier (SF Romance) – I haven’t touched this in nearly a year. Needs a new beginning and a revision. The Tainted Lady, my attempt a Regency romance needs a revised beginning and a revision then polish, then beta readers etc. Ruby Heart is still looking for a home but I’ve a mind to write Emerald Fire (the sequel) or actually finish writing it. Half written I think. I have a couple of other things started but may have to wait years before I revisit them.

I have my PhD novel to write too, which will get drafted during 2017. I think all this other writing helps me refine my craft so the PhD novel will benefit.

I have to prepare for my confirmation seminar in March so I’ll be busy with that in January and February and maybe before New Year. It’s my first piece of work that gets assessed and the foundation for the PhD. I will then be officially one year into the PhD too. My surveys that are part of the PhD are going great guns. Need more responses though.

Along with the rest of the world, I’m processing terrorist attacks, the US election, Brexit, war in Syria, Australian bloody politics and views on refugees, deaths of fav actors and musicians. May we weather these things and find 2017 a better time to live in. Highlights, Jane Austen Festival in Canberra, RWA Conference in Adelaide, Shanghai visiting my son in October and presenting a paper on Twitter poetry in November. Also, I am standing for GUFF ( Going Under Fan Fund), which is a fund to send people from Australia to Europe from SF conventions or a European fan to Australia) and there are some great candidates this year all vying to get to the SF World Con in Helsinki in August. (link below)

Downside some work injury related stuff that I won’t blog about until resolved. Worst thing ever!

I’m still addicted to Twitter and Facebook. I’m the world’s worst gardener, besides the Dweeb and I totally failed at sending Christmas cards this year. I’m pleased to say that this year  for me Christmas isn’t about excess as it usually is. My two daughters are vegans and we are having a small gathering this year so less meat, less waste, less money spent. I kinda feel good about that. I will miss my son, who is in China and two of my grandchildren and their mother who are in Perth this Christmas.

Most of all I want to say, I wish you well and happy and prosperous this Christmas, end of year, New Year. I am grateful for my health, my wonderful family and friends. My excellent partner Matthew (the Dweeb) and for those of you to interact with anywhere in the world and on the internet.

Maybe I’ll see some of you at the ARRA convention in Melbourne in February.

 

More info on GUFF

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Yesterday, just by happenstance, the ability to lose myself in a story and the loss of my university access cards, I finished drafting Book Three of the Silverlands, Ungiven Land. 8,000 words yesterday. I was knackered. I haven’t pulled one of those in ages. (A massage, hot pack,  hot shower, more hot pack was required to recuperate).

It’s not finished per se. I have to tidy the draft up a bit before sending to beta readers. There is probably a few talking heads and some scenes that need to be moved around plus other tweaking. I was fairly pumping out the words and the scenes unraveled in my head. I get all excited near the end and I plough through. I think I read in the same way. Also, I lost track of time. Didn’t eat dinner. Didn’t prepare dinner. Looked up and Matthew was home.

But damn. I got the story out. I did it. I finished my first trilogy. (picture me hands in the air, dancing on the spot) I have written in series format before say for the Love and Space Pirates series (I want to write another one) and under Dani Kristoff I’ve finished the third book in the Spellbound in Sydney series. But a trilogy is a whole new ball game. You start out thinking what’s going into those three books that make up the ONE story and time and lack of note taking can seriously derail that.

As an aspiring writer, I had lots of advice about whether to write the whole series or just the first book. The prevailing advice was don’t invest in a series you haven’t sold. So I devoted myself to a number of first books in series hoping to sell them. Lucky for me I also did writers’ retreats where I could devote myself to writing for two weeks. And in the past I had drafted second books or parts of books. I have 153,000 words of the second book (or second two books) in the Dragon Wine series btw.

That may be good advice, on the other hand, if you haven’t got notes and it’s a big complex story and you do sell the first book, the pressure would be immense. I’m not a fan of working on one book for ten years. I’d rather work on ten books over ten years. It’s all learning and I love ideas and exploring story and genre. If I had my time again, maybe I would have at least drafted the remainder of the trilogies I worked on while it was all fresh in my head and concentrated on selling the first one. It would have made this year easier.

You may recall that The Silverlands Trilogy is my self-publishing/indie publishing investment. Argenterra came out in late April. That book had been revised and edited etc many times over many years. Basically, the crafting of a load of crap into something worth reading over 15 years. I hope so!

Book Two was drafted but probably only ever a tidied draft. It was a much better draft than Argenterra was originally as I had progressed as a writer. No one had read it except me. I’m about to do a final revision, tweak and polish before sending it for an edit. You might ask why I haven’t already done this. Well, I was working on book three. I had thought I had 50,000 words of the third book written. Gah! I did but the words were shit. They had to be rewritten and most of it chucked out. I was in despair. Somewhere around 70,000 words the draft felt like it was coming together. Now at 121,000 words I’m pretty pleased. It’s done. The story works…well for now .Beta readers may bash me in the head.

This probably doesn’t answer the question. Why work on book three when two was waiting for a revision? Because finishing book three allowed me to work out all the kinks and to see if it was going to work before I went back to book two. I could still change things in book two before I set them in concrete by publishing it. Rescue a character who had sunk beyond redemption, for example. Set up things in book two that I had brought to a head in book three. I guess it’s a form of cheating. But hey, it worked. This is probably why I’m advocating writing the whole series in one go. Why I wish I had. But my best advice is just write what you want, how you want. I figure this book three is better than any I envisaged say ten years ago. Totally much better. I’m a better writer than I was. Ideas just smashed together well this time.

This week and maybe part of the next I’ll be tidying it up ready for beta readers. Then I’ll be back on book two, Oathbound.Now I’m ready to push forward. I believe the next two books will come out pretty close together. I have the covers. I just need the edit. I do my own laying out and book packaging. The cover layout I get help with. Technically I could do that I just have to buy Photoshop!

Then I guess I’ll get serious about marketing. My main goal so far has been to get reviews of Argenterra while I’m working on the other books. Reviews will help me if I want to do some paid promotion, such as Book Bub. If you read Argenterra and liked it please leave a review somewhere. It helps!

What have I learnt so far? I already knew writing well is hard work. Self-publishing/indie publishing is hard work if you want to do it well, but it has bells on. I’ve been stressed. I’ve had sleepless nights. I’ve invested my capital in my indie publishing gig. I have not spent time in promoting or whatever magic these successful indie writers do. My hat goes off to them. But I will when I get these books out.

The other thing successful indie writers do is they keep writing and keep producing. It sounds exhausting. I mean I do that too, but it’s driven by what stories interest me and my own creative practice. Maybe I should be more business like in my approach.

three-books

 

Buy link for Argenterra, Book One-Silverlands

Print copy from Book Depository here

Amazon.com Here

Amazon.com.au Here

Kobo Here

ibooks Here

Print (Amazon.com) Here.

Print elsewhere. Available from Createspace and Ingram Sparks.

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I’ve been thinking through the notion raised in the first review of Shatterwing that an editor or copy editor made a mistake on  because it contains ‘sexual brutality’, that they somehow overlooked this, or that they failed to warn me in some way or that it should have been removed before publication.

I think there is a confusion here about what an editor and copy editor do. To my mind, editors assist in improving the content, the expression of the ideas but are not censors of content. I believe a commissioning editor exercises that role when they decide to commission a work or not or accept a work with a proviso…say I’ll take this if you change x & Y and or Z. They may do this for a variety of reasons. This was not the case. Shatterwing was acquired as a dark fantasy and it deals with some gritty and less than savoury aspects of the world setting.

The inclusion of any such content is entirely my decision. My name is on the cover after all.

I wrote Shatterwing (and Skywatcher) a long time ago, when some pretty nasty things were going on in the world. To some degree the content is me processing this through the narrative. When I was doing the copy edits I did stop, think and question. Some parts of the narrative are not comfortable to read and I may have deleted a line here or there voluntarily, but I didn’t change anything materially.

I have no issue with people liking or disliking this aspect of the work as that’s entirely a matter of taste. I am grateful that people are willing to review and discuss the books.

 

 

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The wonderful Nicole Murphy and her team of volunteers put on a wonderful day last Saturday (April 5), presenting the inaugural Canberra Writers Day and the Aurealis Awards. The venue, University House, particularly the Great Hall, had wonderful charm. There’s this long gold fish pond in the quadrangle that I’d love to take home to my place.

Conflux Inc with Nicole at the helm put up bid to run the Aurealis Awards for two years in Canberra. Nicole wanted to make it worthwhile for people to come up for the ceremony and thought up a professional writers day.

The first thing I have to say is that both events were very well run. Nicole and the team were excellent. That’s pretty awesome for a multi stream event. Also, I know it was hard financially as there was absolutely no sponsorship money to be had for either event. That’s pretty tough going. I did note that Escape Publishing put an ad in the Conflux Writers Day booklet. Awesome.

I had a full day and I presented a talk. The plenary sessions were pretty amazing. Joanne Anderton, Kaaron Warren, Ker Arthur, Ian McHugh. All of them had inspiring and interesting presentations on their processes, their journey.

Joanne blew me away with her writing process and her copious notebooks, all so clean. Mine are NOT clean but I do have a similar weakness when it comes to notebooks and pens. I do much less thinking though. But then Joanne is an amazingly talented author and bloody hardworking.

Kaaron shamed me most terribly with her talk on using the minutes when you don’t have hours to write. I’ve known Kaaron a long time and I’ve always admired her talent but also what a devoted mother she is and how family focussed. She’s an inspiration.

Keri talked about her journey to becoming a published author and a New York Times best seller. Her story was a amazing. She persevered when many would have given up. Thank you for the inspiration Keri.

Ian McHugh talked about submitting work, write and submit and repeat was my take away message. Ian always inspires me with his focus and the stories he writes.

I went to the shorter concurrent sessions, which were 20 minutes long. I gave one myself on ‘You are not alone’ the value of writing relationships. It was about writing groups, writing buddies, writing dates and writing retreats. But I ran out of time, which surprised me and I forgot to talk about the really good part of writing retreats- the socialising (read drinking and talking crap). Someone came up to me afterwards and thought I was going to talk about relationships in writing, you know science fiction with romance. I laughed so hard. I would have loved to talk on that topic.

Craig Cormick was awesome.  I have to reprogram my head to say I’m going to win at this writing gig. Marcus Armann talked about Evernote and Scrivener and I’m now tempted to buy the later writing program, particularly after catching Phil Berrie with his word frequency proofing/editing talk. Scrivener has analytical tools that does that stuff. I’m always repeating myself when I don’t want to.

Russell Kirkpatrick sorted his mob into top downers and bottom uppers in the world building sense. He’s definitely a top downer, planning his worlds and then writing the story. I’m quite near the other end. To me it’s story first with an idea of the world, but often I build as I go.

Chris Andrews talked about blogging, which was an excellent session. I learned something. See Chris!

The lovely Shannon B Curtis talk about using Microsoft Word to navigate our novels. That was also very interesting.

The Canberra Speculative Fiction Guild had a table selling books (theirs and others) and I bought a copy of Joanne Anderton’s collection, The Bone Chime Song and other stories and lost it. (so if anyone found a copy. It could be mine).

Overall it was great to network with people and also see the new faces. Again I didn’t get around to everyone to chat.

Congratulations to Nicole Murphy and the team for a wonderful event.

 

I didn’t take many photos during the day, except this one of Russell Kirkpatrick. (Happy birthday Russell for tomorrow!!!).

Fantasy author, Russell Kirkpatrick, presenting at Conflux Writers Day

Fantasy author, Russell Kirkpatrick, presenting at Conflux Writers Day

PS I’ll have to write about the Aurealis Awards in another post. My time has run out this morning. I decided to get up early to write. Though technically writing a blog post doesn’t count as writing.

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