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Archive for the ‘Hybrid Publishing’ Category

Back in this post I said I’d give an update after my Bookbub in October, which was for Shatterwing, Free, USA only. See previous Indie publishing post here.

I think my earnings for September were higher than I first anticipated because iBooks mixes up the currencies and it isn’t until you get the invoice notice that you know what you are being paid. I think I estimated $76 from iBooks and it was more like $126. Also, I didn’t twig that Amazon hadn’t paid me any US earnings…I guess I wasn’t too vigilant or whatever. The deal is that for all payments except for Australian sales I have to wait until I hit the $100 or equivalent. In October, I was paid out my USA earnings from April 2016 until August 2017. This is what I mean when I say notional earnings. There are timing differences and minimum amount requirements before you actually see any money.

In October, I bought Patty Jansen’s Indie publishing book called, Self Publishing Unboxed, The Three-year, No-bestseller Plan for Making a Sustainable Living From Your Fiction and read it. (link to the book is here)

I bought the second book which is focussed on Newsletters etc. The second book is a bit advanced for me but I’ll get there.

I’ve been receiving Patty’s advice for a while. She’s probably the reason I am where I am now. She has some very practically and insightful advice no matter where you are in the process. Her book gave me a few gems. Such as I opened up a dedicated bank account as per the book and I’m so pleased with that. I have changed over all the payments to that account and linked it to Paypal and have a debit card. This means that my Instafreebie dues come out of that account instead of my personal credit card. It means when I look at my accounts I can see my book earnings. You can’t imagine how exciting that is. Instead of them being swallowed up by bills or spending them. May aim is to be able to pay for my edit of Skyfire with my earnings. I think I’ve reached that goal, or I will when all the money comes through. I may even have enough for the proofreading costs too. In that I have reached my first goal, to support my creative life with my earnings.

The other thing that Patty has put me onto recently is Mark Dawson’s podcast ‘Self Publishing Formula’. I have found them to be useful and inspiring. When I get more time I’m going to implement a lot of that advice. Mark Dawson runs courses etc but I’m probably not there yet in terms of earnings and output.

So the Bookbub result. In all over 27000 copies of Shatterwing were downloaded. I had immediate sell through, though conversion wise iBooks was higher. I made the cost of the Bookbub back in a couple of days. Amazon reporting is the quickest, others I have to wait for like iBooks, Draft2Digital (which is just Barnes and Noble sales I think) and Streetlib for Googleplay.

Estimates of downloads per vendor

Amazon 20,000

ibooks 2,400

Google Play 2,800

Barnes and Noble 2000

Kobo 500 (note the free download counter isn’t working properly).

Sell through is still occurring. For example, including the November sales so far, I have half a per cent on Amazon. It’s not much but considering level of sales before it’s good. I expect that to increase by the end of the month. Whereas iBooks was 1.5 per cent straight off and will rise by the end of the month.

By conversion I mean people who get book one who go on to buy book two. The conversion after that is really good. For example, if they buy book two they pretty much by the rest of the series.

The good news for readers is that I’m writing Book Five, Skyfire at the moment for NaNoWriMo. I was going to write them during next year but as I was fishing around for a project for NaNoWriMo I figured I owe it to my readers. One reader left me a message of Goodreads asking what the timetable was for the rest of the series. And some lovely readers left messages on my Facebook page leaving lovely comments. They all helped me to decide on that. I was going to write a contemporary romance. Another time perhaps.

Other things that happened as a result of the Bookbub. I went from one follower on Bookbub to 88 and it is still rising. People who follow you on Bookbub get an email when you have a new release and also when you have a Bookbub deal. That’s awesome.

I’m still small bickies but I’m growing my readership which is what I want. I just have to finish the PhD and then there will be no stopping me. I have two series that I’m thinking of publishing and I have another novel that needs polishing with a possible series after that. Then there are the ideas for prequels and sequels to the Silverlands and Dragon Wine. I just hope I hold up physically.

Earnings for October I estimate at over $1500.

I will also get paid out accrued British Pounds as well as USD because I made more than 100 in each currency. So cash wish a bit more than that.

This is enough to fund my edit!

I forgot to mention that I had an iBooks promo early in the month in Australia. I had around 1700 to 2000 downloads, with follow on sales. I don’t know the conversion rates. Last time I looked it was around 2 per cent but I haven’t updated the figures.

 

On the day my Bookbub results were coming through I was in absolute agony with sciatica. I’ve never experienced anything like that. It should have been an awesome day. I’m really grateful for the chance to promote the books to new readers via Bookbub. It was totally worth it. I have submitted Argenterra for a Bookbub and been rejected. I’ll just have to keep on trying. Perhaps next year when the rest of Dragon Wine is out I’ll get another Bookbub. You have to wait 90 days between promotions.

 

 

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As some of you may have seen I’ve been in Europe for nearly two months (August through to end of September) and maybe you thought that I had no publishing results while I was away.

I did a few things before I left Australia to make sure things were ticking over and while I wasn’t fully engaged in the promotion or writing side of Indie publishing, things were happening and somethings are easy to do on the run or the fly so to speak.

It is a bit early in the game to talk of trends, but I’m happy to say that August outperformed July. Let me cast my mind back and check my notes for August.

I had my books still up on Instafreebie by the way and I wrote to my newsletter subscribers to tell them I might be quiet. Travelling meant that I couldn’t participate in a lot of cross promotions. I had had Argenterra for free on a Freebooksy promotion and I left it free when I left. There seemed to be a tail there and ‘shrug’ it couldn’t hurt to leave it for free.

My Freebooksy results were around 2500 thousand copies given away and I earned the cost of it I think with people buying the second and third books.

I had signed up for a number of promos on Kobo which didn’t do anything at all. However, I did make $19 in August from Kobo, mostly people buying from the Silverlands series box set and the Dragon Wine Box set.

The great thing about Kobo is that the promotions are really easy to sign up for. I could do them on my phone. If Kobo accepts your submission for a promo it makes the changes to your prices if required. Some of these promos might be 30% off a box set. I thank case you need to do nothing at all as the promo is applied at point of sale. Most of these promos are free and you pay through a cut in royalties. This is a good thing if a promo doesn’t work for example. There are paid promos and I’ve only ever applied for a cheap one for $12 but haven’t been successful in getting one of those.

Streetlib was a no earner for me in August, but some freebies did go through there via Google Play.

Draft to Digital, which for me is Barnes and Noble, gave me around $35 Australian in earnings. Biggest for me. They would have to be the Freebooksy follow through purchases.

Surprisingly iTunes/iBooks was a big earner for me in August with $82.33 in earnings. Again I think some of that is the Argenterra Freebooksy and other sales are just random or coming from my newsletter.

Smashwords also came through for me with someone buying a whole set of the dragon wine books so about $15 Australian there.

And the big earner for me was Amazon with around $135 Australian in sales.

That’s approximately $285 from sales in August.

I also had a lovely person who had bought the ebooks order the full set of Dragon Wine in print so I can safely say my earnings were $300. Still small bickies but a steady increase. I was also glad I didn’t just take a rejection for Argenterra from Bookbub and used Freebooksy instead. That’s $100 US but that was money that was refunded from previous promotions that didn’t work so well.

Instafreebie was still ticking over but giveways were slowing down with no active cross promotion going on.

That’s double July folks.

I also had help from Patty Jansen’s ebookaroo which lifted the tail on the Freebooksy for Argenterra.

And I got news that I had been successful in gaining a Bookbub, International Only, but that’s excellent.

September

I don’t have all the figures in yet but I can work it out. Seeing as some of this money doesn’t get paid for months.
I found out today that Draft2Digital did not have my payment details. However, their tax interview process is so easy it was done in a jiffy.

As I was travelling, the main promotion in September was the International Bookbub for Shatterwing, Part One of the Dragon Wine series. I was so excited by this but didn’t really have anyone to share it with who really understood how amazing it was to finally get one. I think it has to be the wonderful covers from Frauke at Crocodesigns and the cover blurbs from Craig Cormick and Glenda Larke that swung it for me.

The international Bookbub runs in Canada, Australia, UK and India. It was for 99 cents. It cost around $200 to run it. I put all the stores to 99 cents, or so I thought. I didn’t realise that Canada and Australia were listed on Googleplay for $1.99 so the emails from Bookbub said my book was $1.99  and the sales were pretty lame in those countries as a result. Canada wasn’t too bad, Australia maybe I had four sales. I don’t really know. I was devastated and had to work out what happened. I sorted it out but still what a way to blow a good chance. UK sales though were pretty awesome and I must say the sell through in both UK and Canada has been good. So I’m thinking that the Bookbub paid for itself or will do.

I think there is a sweet spot there at 99 cents and $1.99. People are willing to try a book at 99 cents if you are unknown. If you are known and they want your book they will pay $1.99 and up. So in Australia that has to be true, Canada less so because books actually sold there despite the $1.99 price tag.

Here’s the thing, with the international Bookbub you can apply for a US one within 30 days. I did that and was refused. Why? Because my book had been reduced for more that 14 days in the last 90 days. I had to have it explained to me as I was confused. I always thought that you couldn’t offer to Bookbub if you reduced your price in the previous 90 days, but it is actually discounted for more that 14 days, so it’s okay to have a week or a day special price and that doesn’t reset the Bookbub submission clock. I will master these Bookbub rules.

Anyway I was a bit down in the mouth as not only did I stuff my international bookbub, I had stuffed the chance at the USA deal. But lo, a light did shine on me and I put my book in for a free promo Bookbub USA. I figured they could only say no. Yet, I was accepted. This confirms what I’ve been told that there are two different decision processes, paid and free. So I will have a USA Bookbub for Shatterwing in October. This is very cool because that is what I have wanted from the beginning. You can get a massive amount of downloads via Bookbub for a free fantasy book. Shatterwing is currently free because I was advised that Amazon were having difficulties discounting. Yet, as soon as I discounted elsewhere Amazon price matched so I requested the price to zero there too. Fingers crossed this all goes to plan.

Meanwhile I had put out feelers for someone to pitch to iBooks Australia for both my series. First attempt was a no, then out of the blue I get an email saying I’d been accepted for Shatterwing. It was going to be later in the month but then changed to today. So Shattering in iBooks Australia free book of the week. Which is blowing my mind. I did not expect that. Thank you Patrick and iBooks Australia.

So my results for September while I was travelling and couldn’t do much but I had an international bookbub (slightly underdone due to silly me and book settings).

Let me see.

No sales at all through Draft2Digital. This makes sense as my main sales are for Barnes and Noble and I had an International Book Bub which excludes the USA.

Kobo (I had a number of promotions. Some worked. Some were other sales)  $90 (58 books sold). I’m using the raw figure here but that doesn’t account for Kobo’s cut or exchange rates.

iBooks $88 with 59 books sold. Again raw figure, not counting exchange rates etc. Edit. Corrected figure is $118 and a bit more for US sales.

Streetlib was about $3-$4 but I have no idea what currency and have to wait a very long time to be paid given I haven’t reached the payment threshold yet.

Amazon approximately $260. This is an estimate because it’s in different currencies. The bulk of this was books sold for 99 cents, which means I earned 35 cents or pence.

In September I had sales across all my books, the bulk, some 231 copies of Shatterwing at 99 cents or pence. The sell through I think is around 10 per cent for book two and then less for books three and four. I had a couple of sales of the Argenterra series too.

So ebook sales are around $440  $470 so an increase on August. This is also more than the biggest royalty cheque I received from my traditional publishers.

I also had a book launch and print book sales at Conflux at the end of September so I haven’t done the accounting on that yet. I think I made enough to cover the cost of the table and maybe the cost of the books, which is good I think.

That’s me. I may pop back after the Bookbub and the Book of the Week Promo and tell you the results of that.

I consider myself very lucky to have some upward movement so soon after uploading the two series. I’m very lucky to have got a Bookbub relatively quickly. I have been the person who checks the sales figures and sees no sales. Now I see sales. Modest sales but believe me that’s better than none.

Many thanks to Patty Jansen for her advice and guidance and to Facebook group for promotion that I belong too. Thanks to the buyers of books and for liking the stories enough to read the series.

Here is a pic of me from my book launch taken by Cat Sparks. I know I posted it in the previous post but hey! Different audience.

IMG_0999

 

 

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Last month I posted about my Indie Publishing experience from a beginner’s perspective. That post is here.

There I discussed coming close to earning $100 in that month from my Indie publishing efforts. I did notionally make $100.

Well this month I’m over that amount. Earnings figures are notional by the way, because the money comes in at a different time. For instance Kobo calls them estimated earnings.  So this month notional earnings are around $140 $150.

Mind you I had to work hard for those few dollars!

I also gave away heaps of books this month but more on that later.

Sales

I used Kobo promotions a lot this month and that where I had most of my sales. Kobo are really easy to deal with and they offer a wide range of promotions, about half have no upfront costs just percentage of takings. I wasn’t successful in getting all that I bid for but I did okay. It takes time and I think getting my name seen will mean eventually people will buy. It also helps to have a number of titles.

Next biggest sales were iBooks, surprisingly. It is not easy to promote on iBooks. There is no easy way for Indies to promote on iBooks. I hope one day they will adopt the Kobo model.  Then Amazon was the next chunk of sales. Nothing earth shattering but better than a big fat zero! You cannot bid for promos on Amazon. Amazon put together their Daily Deals by themselves.

Promotion

As mentioned above I have a promo tab on Kobo. I directly list with them to access this. I had two or three promos with different books through the month: paranormal romance and dark fantasy.

I tried for a Bookbub a couple of times through the month with different titles and met with rejection so I decided to do something with another provider. It can be dangerous to put all your eggs in one basket, particularly when the basket holder is swatting your eggs away!

I used Freebooksy to get the word out that Argenterra was free on 28 July. I made it free earlier than that and it’s currently free. Interestingly, this means I won’t be able to tout for a Bookbub for this title for three months as Bookbub exclude books that have been discounted for three months. Freebooksy is not cheap. It was $100 US to list for a day. However, they are a great group to work with and they have been very considerate of my other efforts with Bargainbooksy.

I find it interesting that Amazon doesn’t let people promoted except by AMS ads which I don’t find effective at all because these email services are making heaps of money from marketing specials and freeboots to their subscribers.

Listing Argenterra for free is a loss leader tactic used by many vendors since forever. Technically I don’t like giving books away for nothing. I think it lowers the value of your work. On the other hand, giving away book one with the hope that:

  • the person downloading will read it (preferably sooner rather than later);
  • having read book one they will like it enough to buy book 2 and 3;
  • after reading books 2 and 3 will like my writing enough to try another series, and
  • after reading my work they become a fan of my writing and stick to me like spat gum to a shoe!

I don’t know if there are any figures out there, but from past experience and my own behaviour I know that free books downloaded may never get read, but as I said before I’m looking to find my audience so one must take a chance.

Before the Freebooksy promo I let people know it was free. Not in a big way. Patty Jansen put it on the Facebook page for Ebookaroo and I asked some people to include it in their newsletter. I don’t know if people did but about 60-70 copies had been downloaded before promo day. On promo day, I got about 1700 downloads on Amazon and about another 100 on iBooks. No figures from Kobo as their freeboot counter is out. But I had a tail, next day more books downloaded. This could have been due to late email opens and people clicking and finding the book still free, or because with the 1700 downloads I had reached #123 overall Amazon freeboots and #1 in three sub categories of Epic, Sword and Sorcery and Coming of Age. Then Patty Jansen included Argenterra in her regular newsletter and then more downloads happened. So far maybe an extra 300-400. I just had another look at the figures, maybe that’s closer to 500 downloads from a newsletter. That’s so fab. I’m so grateful for the little leg up.

I didn’t see a lot of buy through to the rest of the series. Maybe one or two. If only one percent of those 2400 people (maybe more) go on to buy the series that’s still 24 people who might go on to buy the series. The promo will pay for itself eventually. Also, people have my book so there is always a chance.

Newsletters and Instafreebie

Technically sending newsletters and listing books on Instafreebie are promotion too. Shatterwing was included in a group Instafreebie/Bookfunnel promotion and wow! It was the best yet. Probably 700 new subscribers who downloaded Shatterwing, Dragon Wine Part One over four days. I think the covers have something to do with that.

I think some of my sales come through my newsletter subscribers. Not heaps as yet, but I get a lot of people checking out the buy links on my website.

I also had a few deals going for newsletter subscribers. Not exclusive to them but being a subscriber allows them to find out about it.

Escape Publishing kindly discounted Rayessa and the Space Pirates and Spiritbound (Dani Kristoff) to 99 cents. The announcements for these were included in my newsletter and there were some sales. I don’t know how much because I can’t see because the books are controlled by the publisher. These books were included in Ebookaroo (Patty Jansen’s general newsletter) and there were some sales as a result. I was happy to give something to the newsletter subscribers and I don’t often get discounts from my traditional published books.

Also, to broaden things a bit and have something new to keep my subscribers interested, I published Beneath the Floating City, a sci fi, short fiction collection and put it on Instafreebie, mostly with a private link for my subscribers but it is also there for anyone to download. All bar one story has been previously published over the 17 years of my publishing life. I’m going to put together other collections. The next will be Compost Juice, magic realism and fantastical tales. I won’t do that until I get back from overseas. Maybe for Christmas. I also published this collection to all the eretailers.

Print versions

A major suck for my energy, time and dollars this month has been laying out books for print. Indesign gave me a kick up the butt and my photoshop skills are Neanderthal level, but I managed.

Shatterwing, Skywatcher, Deathwings, and Bloodstorm are out in print with the new covers. These are available on Amazon through Createspace and elsewhere as distributed by Ingrams. So yes, technically the library or your books store can order them in.

booksAlso, Oathbound and Ungiven Land join Argenterra, in print.

The Sorcerer’s Spell is in print too, but just through Createspace. It will appear in bookstores as well as Amazon over time, such as Book Depository. Opi Battles the Space Pirates was already in print, same deal through Createspace. You can buy a copy on Book Depository no problems.

This means that for the book launch at Conflux over the long weekend, 29 Sept to 1 October, I have books all to hand.

I have done all the things!

Phew!

Now to take off on Friday for nearly two months. Worldcon 75 and Helsinki here I come. I am the GUFF delegate, taking Australian fandom to Europe. See previous post for where I’ll be.

 

 

 

 

 

 

 

 

 

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I have mixed feelings about writing this post. On the one hand I think my experience will be useful to some of you and on the other hand you will see how poorly my I am doing. However, having said that, I don’t feel down, I feel enthusiastic. It is early days! If you are doing this writing thing then there has to be a bottom line for you. This is mine.

I love writing stories and I’m looking for people who like to read them.

And if they like them maybe they want to buy some of my work and read more and then I can write more…

Having said that I have been working on my story writing skills since 2000. I’ve put in a lot of hard yards and I’m hoping that it will pay off, because I love reading and writing stories.

So first of all this first six months of 2017 have been a hell of a ride. I had a personal problem that knocked me for a six. (This is a cricketing term btw). It means I was totally laid bare, huddled in a stress coma for months. Having indie publishing stuff to do was probably useful in that time. I had everything written, it was edits and stuff that I had to plow through. That was also hard work. It is fortuitous, too, that I had planned all this in the first six months of the year because I’m going to New Zealand for a couple of weeks in July and then to Europe for a couple of months in August. (see earlier post about winning the GUFF ballot). I hit the ground running again at the end of September, with Conflux in Canberra, where I might have a table if I can get print files ready etc.

The first thing is my tally.

The Silverlands Series is out. Argenterra published April 2016. Followed by Oathbound (March) and Ungiven Land (May) in 2017.

Republished The Sorcerer’s Spell (under Dani Kristoff) 2017. Originally published by Harper Collins, Impulse Imprint.

Published Opi Battles the Space Pirates (written November, 2016 published February 2017)

Republished Shatterwing and Skywatcher, Dragon Wine parts one and two. Originally published by Momentum Books, Pan macmillan Australia). These were taken down before I was ready so I had to do a made scramble to get them re-released. So much pressure.

Published Deathwings, Dragon Wine Part three. Published in June 2017.

Soon to be published, Bloodstorm, Dragon Wine Part four. Due July 2017.

Indie published tally first half of 2017 EIGHT. (Original fiction Five  Re-released Three)

Indie published tally total NINE books.

In words, I have to estimate. Original fiction over half a million words. All up, three quarters of a million words, this year.

I also have a short fiction collection in progress, but I am not sure when I’ll get to that. Soon!

So now to the outlays. Editing, proofreading, file conversions and covers. These are the capital costs and I don’t expect to earn this money back unless the series takes off and then you know I will, but in the mean time they a like assets. They earn some return, or are expected to. But they can earn for years. The previously published works were edited and proofread by me. Opi was edited and proofread by me and a family member. The rest was professionally edited and proofread.

Scribbling on the back of an envelope, let me tally up the approximate outlays. Two editors, one proofreader and three cover designers. File conversions for Smashwords. I can do this myself but it aggravates the RSI so I paid for some titles to be formatted.

Editing —————$6,250

Proofreading——$1,650

Covers—————$3,500

File conversions– $300

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$11,700 Australian

Then there are some ongoing costs.

I use Instafreebie to gain newsletter subscribers (as well as this blog). Once past the free month, it costs $20 US per month.

Now that I have more than 2000 subscribers I had to choose an email management service. That is about $180 per year so far. I paid for a year in advance with enough room to grow my list.

Website $100

I sub to Creative Suite so that’s about $20 US per month.

I bought some deposit photo images about $39.99 for a year or for 100.

ISBN’s ($88 for ten)

File fees if I use Ingram Sparks (don’t have cash atm)

Paid promo. I’ve paid for a Bargain Booksy twice. I was refunded once to low uptake. So far that’s a negative ROI. I may have paid for something else but can’t remember and I’d have to go look.

I have used AMS ads on Amazon. I have found this has got me no returns at all. But I’m new to this. I’ve probably spent $20 US on this with zero sales. One person did buy a book then refunded straight away.

Facebook ads. A couple of ones that were crap (my fault). FB ads are pricey so it pays to research how to use them effectively. I figure I’ve spent maybe $50 but won’t be spending more until I learn some more about marketing.

I have put in for promo prizes. Probably around $20 US. I’m not sure that helps but I’m not adverse to it. I’d rather have email subscribers who want to be there on my list as much as possible.

Goodreads. I’ve only done Giveaways twice now. I don’t think it did anything for me. I did get a one star rating from someone. A four star on one book and a three star review that complained about Opi being riddled with errors. I checked and there were a couple but it was mostly because of US/English issues. I have heard Goodreads advertising is good but I haven’t tried it yet. The costs of the promo are the books and postage. So this year that was around $60 as I used Book Depository to post direct. Last year I used Amazon and it cost me around $120 for three books.

Bookbub. I’ve submitted three times and was rejected. I have one pending a decision. These are the top dog of book advertising and sales. I will keep trying. Once you are rejected you can’t apply with that title for a month. But I have been told you can apply with a price say 99 cents, then for free if it is knocked back. Having more than one series is helpful for that. If you are giving your book away for free, you need to have a pay off, hence a series and possible sell through. A single book you don’t have much to gain, I reckon. Costs vary but upwards of $500Au.

Kobo promotions

I see this as a really positive thing. If you are listed on Kobo you can ask them for a promotions tab and then check out their offers for promotion. Some are pay up front and give your book for free, but others are 30 per cent off (applied at the check out) so you don’t put your book down in price and you share your royalty with them. Others you can do price knock downs. I use the last two. I haven’t had a big success but I have had sales. I figure if you don’t promote no one knows you are there.

Newsletters and Instafreebie

I figure that I’m building audience. So Instafreebie, I have three books up there at the moment for free and two email lists, one for Dani Kristoff called Spellcaster featuring paranormal romance and one for fantasy/dark fantasy called Wing Dust. I have about 1000 subs on Spellcaster. I found my paranormal romance had a faster download rate from Instafreebie, than the fantasy. I have around 1200 on my fantasy list. I’ve given away 3000 books so far. People download your book and you ask them to sign up to your newsletter. They can unsubscribe and they do but not all of them. Doing newsletters was hard at first, but there are people on the end of that email. Some write back to you and it’s nice. If you give away the first book in your series then potentially that person will read it and maybe like it. I find Instafreebie good because people who are on it want books to read. Whereas in my previous experience it can be hard to give your book away and if it is downloaded it may never be read. With a newsletter you can reach out to people who have your book, some of them read it and go on to read more of your work.  See my bottom line. I’ll put it here again.

I love writing stories and I’m looking for people who like to read them.

So newsletter wise I am small and I have to grow my list. I think newsletter are good for all writers because it allows you to keep in touch and let them know when books are coming out etc. I include recommendations of books I’ve read, also freebies and cross-promotions from other authors. I’m probably too chatty but I’m learning.

Free cross promotion. Mostly I participate in these to reach more subscribers with my Instafreebies, but I have also had excellent help from Indie gurus like Patty Jansen who has a newsletter ‘Ebookaroo’ for announcing new releases and special deals. Other people will cross promote you too if you are organised. I’ve done more promoting of other people than they have of me, but that’s because I’m a bit disorganised. It works though.

General Twitter and Facebook etc is still normal for me. As I am addicted to these I only use them for promo sparingly. Facebook groups dedicated to indie publishing and instafreebies are where I get a lot of help and information. My experience FB and Twitter promo don’t help you sell books. I use them to let people know about my publishing but my friends aren’t my audience. Friends will buy your first book but then it is only those that like your work that will continue to buy books. If you try to hard sell them you lose your friends. I’d rather have my friends. Ditto other authors. You just annoy them. You have go find your audience elsewhere.

Results!

Well for the first time I will make over $70  $90 $96 in a month (will I make $100). I think that’s the Australian dollar equivalent. My biggest month previously was around $20. But now I have all the books up and out bar one. My last two traditional publishing royalty statements have been zero!

Where have my sales come from?

Amazon, Kobo, iBooks and Google Play. Nothing from Barnes and Noble since earlier this year.

What’s hard and what’s easy?

The hardest things for me have been commissioning and commenting on cover art, newsletters and anxiety. (Anxiety about my work being good enough and how it will be received-normal for any author)

Newsletter content is easier for me than it was, once you do it, then it is easier. That first one was a hurdle. But I need to do more work on learning code, presentation etc.

The administration side is pretty heavy. It was really stressing me out until I woke up to myself. I was a public servant. Admin is my thing. So I stopped stressing about it. Now I don’t mind it at all and I get to do things when I’m not feeling creative, including formatting books for print, proofreading, checking out cross promotions, researching indie publishing and so on.

The easiest things? Spending money! I’ve run out now so I have books that I could be working on but no money for editing, proofreading or covers. Unless I get a job. But as I’m going away I will have to try for a day job in October, part time that is. Or my books start earning. If books start selling then I can think about reinvesting that money into more books. I have an SF romance and a steampunk series, plus more dragon wine and loads of other ideas. I have to be positive that something will allow me to keep publishing and to a good quality with editors and proofreading and covers.

Writing. It’s easy as I’m writing for me and for the readers too, but I’m free. It’s a mental thing. I still have an agent and I’ll still keep trying the traditional publishing route, but PhD means I have other stuff to do, like writing the PhD novel. Once past the PhD I will be focused solely on the writing.

Hanging out on the internet! Easy to spend time on that.

Anyway, I hope this was useful to some of you.

I’ll finish up with the covers of the Dragon Wine series because they are so awesome.

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What the hell! the reader exclaims. This writer can’t spell! She’s written travelling instead of traveling and centre instead of center and realisation instead of realization. Colour instead of color.  This book is crap! It’s riddled with spelling errors and grammatical problems. It’s a bloody one star from me.

No. It’s not riddled with spelling errors and grammatical problems. It’s not written in US English. Believe it or not English speakers from different countries have different spelling conventions as well as different idiom. The USA adopted their own spelling conventions, I believe based on some rational thinking, but…the rest of us are pretty much following the queen on this.

Arse instead of ass! And also different terms for things like lift and elevator, pavement and sidewalk, garbage and trash, crockery and flatware, scones and biscuits, have a shower and take a shower, yadda yadda… Also, I’ve noticed things like towards and toward (the latter being the US convention), onwards and onward etc. And even things like practise and practice. In the US there is only practice for both the verb and the noun and the same with defence and defence.

It is a reality for a lot of writers being smacked down for something that’s not quite right, it’s just a tad strange to the reader but is not wrong or bad.

Some traditional publishers put out a US version of a book and ‘other’ English version. Sometimes, in Australia we’ll get a book that is by an Australian author and it’s in US English. It doesn’t matter much to me as a reader. I see it’s the US spelling but I don’t think it’s spelt wrongly. But I’m trying hard to put myself in US readers’ shoes, particularly if they don’t often encounter British or Australian writing in its native English. I try to understand this reaction, this dismissal of work not following US spelling conventions but can’t quite do it.

The Silverlands series and the Love and Space Pirates series are written in Australian English. The Dragon Wine series is in US English because that’s the way the publisher went and I’m sticking with that spelling convention on my re published versions and the next instalments. It’s not too hard to do it that way, but being a non-US person I don’t think everything I write should be written as if a US person wrote it.

Of course, typos exist and mistakes, too, in manuscripts. With the best intentions errors can creep in. Most publishers and authors try very hard to minimise and exclude them if possible. I’ve seen typos in books from traditional publishers as well as Indie published books. Hell I’ve made them! Some come from poor proofreading. I had some recently that a proofreader didn’t pick up and neither did I until now. Not my professional  proofreader. He’s amazing. In fact, a good proofreader is worth their weight in gold and the nit pickier they are the better. They enforce your style guide, pick up weird word usages etc. Things me and my editors don’t particularly notice.

So I had things that a spellchecker wouldn’t pick up-a homophone,  for example, lead instead of led. A name spelt wrong that my dyslexic brain didn’t pick up. But if I get feedback that something is wrong, the book will go back for proofreading by me in the first instance. If it has never been professionally proofread then I’d consider saving up to have it professionally proofread. Other errors can creep in when the proof corrections are taken up. Actually any time you open a manuscript and change something you are introducing the risk of error so it pays to be very careful and not rush. (Listen to your own advice Hanson!). A space that doesn’t register between words, a wrong letter. Sometimes these also get missed in a spellchecker because the wrong word is still a real word. I found one in Oathbound on the weekend. ‘Would’ instead of ‘wound’. That had to be a error made when making a correction to the document. It’s a bloody nightmare I tell you and it occurs in the first bloody chapter!

There can be missing full stops, missing speech marks, missing words (usually small ones like ‘a’ and ‘the’ and ‘to’ and they are hard to spot. I’ve seen all these in traditionally published books some times worse things, like wrong character names but…

Hopefully, the book you are reading doesn’t have seven to eight errors on a page, but seven or eight errors in a whole book, is probably not too bad. A colleague told me that she read a book that had so many errors, about eight to ten per page but the story was so good she still gave it five stars. I think that might be an exception to the rule. When you read a book and find a typo consider writing to the author or the publisher and let them know so it can be fixed. Preferably with a page number or chapter reference. It is so appreciated. Really it is. I’m hoping errors don’t disrupt your enjoyment of a book too much. People try. I try, but sometimes stuff happens.

 

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Well it’s been a long wait!

The reversion of rights process did not go as planned. Shatterwing and Skywatcher were taken down early (I had requested May) and I had a mad scramble to get covers and get the books prepared etc. I’m so lucky that Crocodesigns were able to do the whole series. Don’t you think Frauke did a great job? There is more to come. She’s working on the covers for final two parts (not actually written yet) and box set covers.

I can’t decide which cover is my favourite. I really love the meteors and the depiction of the observatory in Skywatcher and I love the colours in Deathwings and I love the dragon in Bloodstorm. Overall, I think the covers portray the darkness and the space elements of the stories. Shatterwing and Skywatcher are out now everywhere! iBooks should flow through today. I uploaded them this morning.

Deathwings I think I’ll put up next week (maybe). I’m so nervous about releasing this part three. It’s been edited and proofed and it’s waiting to go. But holding on to it seems like a good idea. I’d like to be able to release Bloodstorm, Dragon Wine Part Four soon after. That’s due back from the editor next week. Still I’m nervous. Stupid I know…but I can’t help it. I had ten years to work on Shatterwing and Skywatcher. Although I drafted Deathwings and Bloodstorm a while ago it is only recently that I’ve picked them up again. Hopefully there will be some good reviews. I need to work on the final two parts.

These books are retailing around $3.99 US per book. I’ll be putting links up in my book section later on. I need to drink some French Champagne just now and eat chips and dip and chocolate and veg in front of Netflix. Sorry duty calls. I presented my confirmation seminar for the PhD today and it went well! So celebration.

 

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And I’m going to release Part One and Two together as a ebook box set. Maybe next week. Estimated price is $5.99 USDragonWineVolOne-3D

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I have an exciting blog interview planned but it’s not ready yet. I am waiting for some answers to come in. In the meantime, I thought I’d post something about what is happening with me.

I’ve been experiencing a lot of stress lately due to an external issue. This has been hard on me. I’ve had to take sick leave from my PhD and I’ve had awful stress and anxiety symptoms and I find it hard to concentrate. High stress and anxiety increase my overall pain levels so it can be rather debilitating. I haven’t been able to read much at all, or invest in watching a movie or write fiction. I do walk a lot and I’m losing weight.

We live in an ableist society and so we are brought up thinking that we should be able to do everything and when we are not we get over critical of ourselves and also stress about how people view us. For me, I hate labels. I was sent to a psychiatrist last year to assess my stress and anxiety after a panic attack at work. I wasn’t sent to the psychiatrist until about four or five months after the attack. By then I’d been on meds and had two different lots of counselling and was feeling much better. I didn’t want to have a label and so was pleased that the psychiatrist said I wasn’t suffering from any psychiatric disorder. Even though this attack was brought on by an injury at work that I was having trouble adjusting to and workplace shenanigans. But shrug.

I believe my inherent ableism affects my outlook on my physical disabilities as well. The RSI and arthritic conditions limit me. I hate to be limited. I am a doer. I am an ablelist. It is part of who I am. There is so much I can’t do now and I hate it. I try not to think about it. No wonder I’m stressed. So I hate to acknowledge that these things make me less than I want to be. I know I should just suck it up right. I’m getting older. Well I’m 56 not 76!

But here I am again. Sigh. Having symptoms and it sucks.

My approach to Indie publishing has been to publish books that have been previously published and that I have the rights back to and books that I’ve already written that made it to acquisitions but weren’t bought by publishers. (This doesn’t include the book that is/was with my agent as we still have hopes). Last November, I wrote the short novel, Opi Battles the Space Pirates because that was just fun. However, while I’m not actively writing new stories, there is a bit of work in getting the books back out there and the new ones published.

The rights to Shatterwing and Skywatcher have been returned to me. This meeans they are no longer available. Before they can be relaunched they need to be proofread. Shatterwing is done and I’m just waiting on the map and the new cover. Skywatcher is still in progress in proofreading. My approach to this was work from hard copy that way I can use my tilt board and make it as ergonomic as possible. However, it’s still hard work! Concentration people!

My apologies to Dion who bought Shatterwing and then found he couldn’t buy Skywatcher as Pan Mac took it down. He wrote to me to say : Wing dust! It ended in a cliffhanger. In my defence, I had asked for the books to come down in May 2017 so I could have time to prepare but something went missing in the communication and I had no notice of when they would or did come down. They just disappeared from the Internet.

As per above, concentrating has been hard. Deathwings copy edit is done. I was a good way into it before the external stress causing business came back and overwhelmed me. But as I was nearly done, I managed a few more hours. Deathwings is now with the proofreader.

The new covers are in progress too. And I have Russell K looking at the maps. I’ve outsourced as much as I can. I have three weeks to finish revising Bloodstorm before it’s due at the editor. I think that’s doable, even if I only do an hour per day. However, if I don’t make the deadline, it will take longer to get Bloodstorm out.  No great dramas, except for readers because a lot happens in Bloodstorm.

For more of the Dragon Wine series, you guys will have to wait. I have a PhD to do. Although if this external stress thing doesn’t resolve I will probably go part time on the PhD for a little while.

The Silverlands series. Argenterra and Oathbound are published. I have to do a little bit of stuff to get the print file of Oathbound ready. I also need to pay someone to do the formatting for the Smashwords edition of Oathbound. I can do it, but it’s a bit difficult on the physical side of things. (Oh I hate admitting that–it’s the ableist in me!).

The edit of Ungiven Land is in progress. I may have a bit of work to do when it comes back to me later in the month. I had a chat to the copy editor this afternoon. Apparently I’ve developed new bad writing habits and may have my work cut out for me. My editor wanted to know if it was okay if she picked me up on things, suggested new scenes etc. I said go for it.

That’s what I want. That’s what an edit is for. Make me sweat. I want a better book.

This week I heard that I have the rights to The Sorcerer’s Spell back. That’s a sexy paranormal novel that is published under the Dani Kristoff name. That needs the same treatment. New cover, proofreading, new ISBNs etc. I have a half started sequel somewhere. If I’m to work on that then it will be dictation software! If I can concentrate. A lot depends on what happens over the next few weeks and months. However, finally I might get a male torso on the cover! A first for me.

There is administrative stuff that is done and heaps not done. Just registering ISBNs and Catalogue in Print stuff takes time and energy. I wished I earned enough to pay an assistant! Hahahahahaha!

Fun is over. Back to work.

And just for fun I’ll put a cover image of Argenterra here. It’s new low price is USD 2.99. I also revamped the blurb for this.

Sophy is not looking for a talisman: she is the talisman!

Sophy is snatched from our world during a ghost tour. Landing in the lush world of Argenterra, she’s the odd one out. She can’t use the land’s native magic, the given, even though her friend Aria, and everyone else, can.
Worse still, she’s a faded version of herself and doesn’t fit it at all.

Abandoned by Aria who marries a handsome prince, Sophy travels the land with Oakheart, the high king’s ambassador, to explore the mystery of why there is a crystal leaf growing inside her.

Then the accidents start to happen and she realises a dark force wants her: alive or maybe just dead…Argenterra with subtitle

For more information on The Silverlands Series and buy links, click here. Have you got your copy of Argenterra yet?

Also if you are interested in signing up for my Newsletter. Click here.

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