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Posts Tagged ‘Indie Publishing’

Recently, I’ve taken the Indie Publishing thing more seriously. I believe there is only two ways to go about this. Do it or don’t.

I’ve also learned that is also hard work and that it requires a different mind set from traditional publishing.

Traditional publishing you have the acceptance of the publisher etc and they (hopefully) have a strategy to market your books. If you have the print deal you get into books stores and launches and if the publishers are pretty good you’ll have some press releases and even a marketer selling your books, getting you press in various places. These days you have to do some of your own marketing, Twitter, Facebook Pages, Blogs, Instagram etc etc.

That is nothing like Indie Publishing. And I don’t even know the half of it. I’m at the bottom of the hill pushing the dung to the top.

So what have I learned so far?

Advice is out there. Ask. I have learned so much mostly from the generosity of Patty Jansen and her cadre of Indie Publishers. (I’ll put a link up her page at the bottom of this post). Believe me there is a lot to ask.

Putting your book up on Smashwords or Ingrams and expecting it to sell doesn’t work (except maybe in some fluke circumstances). Believe me I had a book up there and it didn’t do much. You have to write more books. I had to turn that one Indie Published book into a trilogy. And I have the rights  back to another series so by mid-year I’ll be playing with eight Indie Published books and that gives me more options marketing wise/promotion wise. This does not include my traditionally published works under my own name and my pen name.

New skill sets…administration, formatting, Photoshop, buying stock images, learning about newsletters, different places to market my books, cross-promotions, pricing etc.

That’s just a quick overview. You really don’t understand until you do it. For example, I buy my own ISBNs so they have to be registered, then I register them with the National Library Catalogue in Print, then there is listing the books with different sellers and distributors, writing blurbs (the hardest thing of all), hiring editors, proofreaders, cover artists and writing briefs for cover artists. There are the ebooks to format and upload and print files to prepare…yadda yadda

Yet, it is rewarding. This has been the most challenging thing that I have done. It’s scary. It’s empowering. But most important of all–it’s a business. That’s the biggest change in mindset for me. I want to make a living from my writing. I want people to read and enjoy my books. I have to get the books out there. I have to find my audience.

So big achievement of the week. There have been a number of them, but sending out my first newsletter is the star  moment.

I’ve called the newsletter Wing Dust. People who have read the Dragon Wine series will get the reference.

Here is my newsletter banner, which I put together on Photoshop. Thank you You Tube for the tutorial. (It’s a very complicated and powerful program btw).

Newsletter banner master amended

If you want to sign up to my newsletter click here. 

You can unsubscribe from the newsletter at any time.

Heartfelt thank you to Patty Jansen. I suggest reading a few of her posts on Indie Publishing. Great advice and good sense from her. You can find her here.

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I am taking the writing gig seriously and this year you’ll see a lot of output from me (I expect five books out by June). So I want to put together a newsletter mailing list.

I’ve signed up with Mailchimp and I have a very basic sign up form.

I was hoping some of you lovely people would test it out for me and also that some of you would be interested in being on the list.

The mailing list URL is here. Feel free to tell me if it doesn’t work.

Also feel free to tell me what topics you want to hear about.

There’s

  • the PhD study
  • Writing advice
  • Self-publishing tips (as I learn them!)
  • Retro romance reading
  • General stuff.

Also, today took a serious turn. I’ve book a proofreader for the books coming up. This saves me a world of angst and time. I can proofread, but it is hard to do your own books and it takes me several run throughs to reduce errors. So booking a proofreader is worth the cost and has been added to the book budget.

I expect two edits to come in around the same time. Egad! Not planned that way.

And I put my toe in the water folks. I submitted a request for a Bookbub promotion. I’ll let you know how that pans out. But I expect it will take a few goes.

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Some of you may recall my first long form publication was Rayessa and the Space Pirates, which was picked up by Harlequin’s Escape Publishing (digital imprint) in 2013. Rayessa had been languishing my hard drive for a number of years. It started as a short story, maybe way far back as 2002. I was writing the story for Elsewhere. At the time the first 7,500 were the longest short I’d written and it still wasn’t done. When the space pirates turned up, well I knew it wasn’t going to be a short story anymore. It ended up as a novella, then a slightly longer novella. It took it out and revised it a couple of times. I gave it to a couple of people to read with some positive feedback. I submitted it a couple of places. Once it was forwarded to the children’s editor at HarperCollins Australia. It was rejected but the rejection was along the lines of we already have stories along these lines and sorry to take  so long to get back to you. Then it sat in the hard drive a little longer. Then I went to my first RWA conference in the Gold Coast (2012) where Penguin launched their Destiny Imprint and Harlequin launched Escape. It was actually at the launch cocktail party of Destiny that I clued in that Rayessa was also a romance. Chinking champagne glasses with Nicole Murphy I said that I thought I had romance arc in some of my stories. She was like ‘Dah, why do you think I told you to come here?’ The clue people was the slideshow they had playing on the walls. Science fiction scenes at a romance conference.

So Rayessa was published. Then I wrote Rae and Essa’s Space Adventures, which should have been titled, Essa Takes on the Space Pirates or better still. Essa Rescues Mum from the Space Pirates etc. Now Escape decided they didn’t want any more spate pirate stories from me when they took Rae and Essa’s Space Adventures (and also revamped the Rayessa cover). Not with this family at least. So I changed the ending to Rae and Essa’s Space Adventures so there wasn’t too much hanging. But I always had in mind to write Opeia’s story. Opeia (Opi) is the mother of Rae and Essa, the head of AllEarth Corp.

Now pesky ideas will keep bothering you until your write them down. I thought I’d dealt with Opi by writing some notes about the story in my ‘Notebook of Really Cool Ideas’ that Gillian Polack gave me when I started the PhD. It is meant as a place to park ideas so I can come back to them when the Phd is done. Well obviously Opi had other ideas.

Opi meets NaNoWriMo and viola! she is out there on paper! I tried to be more emotionally contemplative in Opi Battles the Space Pirates. My wonderful beta reader (who is a fan of the first two books) gave me feedback. I had to rewrite the beginning and the ending after that. That plot twist that I had come up with but abandoned because I was trying to address my plot addiction by being a bit more touchy feely, well I had to put the plot bit in. It’s just that type of book.

It’s fluff, it’s funny (I think so) and it’s light and possibly uplifting. (Complete opposite to the Dragonwine series). Opi Battles the Space Pirates is also longer than the first two books, just under 60,000 words, it’s adult, but not sexy, more sweet in keeping with the other two books. It features an older protagonist (42) and a space battle goddamit!

Stay tuned. Cover art is in progress. Proofreading is in progress. I’m going to self-publish this one for fun.

Just to refresh your memory, here are the covers of the first two books, which I adore. Not sure the wonderful covers sell as many books as they should, but they are pretty and swish.

Link to the Escape website here. The books are at all major e-retailers. You can also buy these books in large print format/hardcover for libraries I think. I can’t afford to buy myself a  hard back version. There are some copies in libraries in Australia and the USA. Here.

However, I plan to have a print version of Opi Battles the Space Pirates. Just for fun, for a laugh and maybe as giveaways. So watch out.

Oh and the moral of the story? Don’t throw anything out. Learn from rejections. Don’t give up. Keep writing. Follow your heart…and whatever!

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I look at myself lately and I think I’m doing a lot of fiction writing recently, or I seem to be. Fair enough I’ve just come out of a holiday break where I took two weeks off from the Phd. This week I have been head down on the Phd and I put some time in last week too. I have my big moment to prepare for-The dreaded confirmation seminar that I talked about yesterday.

So what am I doing writing fiction or appearing to write fiction?

Last year I finished drafting a trilogy. My first completed one if truth be known. Book two was mostly written so I was tidying up, revising etc. Some parts were rewritten after beta reader comments. Book three was a 50,000 word basket case so technically I did write that book like last year almost from scratch (130,000 approx.). Book two is with the editor. Book three I’m going to revise after beta reader comments (next week actually) and then put in the edit queue. Right now I’ve finished revising Dragonwine Book 3 and it’s waiting for its slot for its editor and currently I’m restructuring book 4, which required some revising, rewriting as I went. I still have a bit to do, but the restructure is complete (I cheated I put the last bit in this morning). Oh and I wrote a 50,000 word novel in November for NaNoWriMo-which needs to be revised (when?!!!).

Now I don’t want to give the impression that I’m slacking off on the PhD because I’m not. Nor do I want to give the impression that I’m some kind of writing machine. I’m not that either. While I’m not too much a stickler for routine, I have been aiming to do an hour a day while working on Dragonwine Book 4. It’s written, I’m just plaiting the narrative threads together different to how I originally drafted it. It was a draft and it’s drafty. Man I don’t think I’ve read book 4 for seven years or more. I’m also revising, polishing as I go. It will need another run through too.

I’m spending my day on the PhD writing this damn proposal and researching and running my surveys and hassling writers etc. I’ve been going home and vegging in front of Netflix for hours (the heat mainly)  and then I put my hour in on the MS before I go to bed. I’m not usually so good at doing this. I’m marking this on my calendar this year so I can gauge how consistent I am. Technically, I could put more time into writing when I get home. I don’t want to overdo it on the computer due to RSI and arthritis issues so I’m pretty good at sticking to the hour. I’ve been at the computer at Uni most of the day too.

When I’m mostly reading, I can spend more time writing fiction. Reading takes place not at the computer you see. Sometimes it happens in bed or on the deck. I usually take a day off on Friday’s to write fiction (and do housework) and that gives me a good go at things. As Matthew is busy writing at the moment I’ve also spent some weekends, say Saturday afternoon and Sunday afternoon on task. Two Dweebs in adjacent offices pounding on keyboards!

I also have a backlist of works that I can either revise, write sequels for etc. I have to prioritise! So I don’t consider them to be new writing as such.

As well as the PhD this year I want to start on Dragonwine book 5 & 6 to finish this trilogy too. I don’t even have notes for this so it will be all new work! Approximately 170,000 words I estimate. However, I also have to draft my PhD novel and that takes priority. Lucky I touch type!

I probably look like I’m doing a sweep out of my brain, getting these stories out of there and onto paper. I also see it as me refining my creative practice. Finishing a trilogy presents many challenges and each time I work on one I’m learning about my craft. I can’t write as much as I want or work on as many things as I would like while doing the PhD.  That constriction will last for about two more years, but I can manage to do some stuff, particularly if the damn thing is already drafted. I also need a part time job because I have no support for my living expenses. I’ve thought about this and writing is my part time job. I hope in 2017 it will bring in some dollars but I am hoping that I will continue to progress as a writer as well as learn more through my PhD.

What is really doing my head in is the edits. They are coming! Over 400,000 words of edits. And I’ve set myself up for four book edits in the first part of the year. That work load I will have to be careful of. Then as they are going to be self/indie published, I have the dreaded laying out to do, proofing etc, which takes time but isn’t too hard. Covers to source? Egads. 2017 is going to busy.

The message is I guess is that even an hour a day can get you somewhere.

Below are the covers for the Silverlands Trilogy. The only set of covers that I’m organized for. Damn.

three-books

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Yesterday, just by happenstance, the ability to lose myself in a story and the loss of my university access cards, I finished drafting Book Three of the Silverlands, Ungiven Land. 8,000 words yesterday. I was knackered. I haven’t pulled one of those in ages. (A massage, hot pack,  hot shower, more hot pack was required to recuperate).

It’s not finished per se. I have to tidy the draft up a bit before sending to beta readers. There is probably a few talking heads and some scenes that need to be moved around plus other tweaking. I was fairly pumping out the words and the scenes unraveled in my head. I get all excited near the end and I plough through. I think I read in the same way. Also, I lost track of time. Didn’t eat dinner. Didn’t prepare dinner. Looked up and Matthew was home.

But damn. I got the story out. I did it. I finished my first trilogy. (picture me hands in the air, dancing on the spot) I have written in series format before say for the Love and Space Pirates series (I want to write another one) and under Dani Kristoff I’ve finished the third book in the Spellbound in Sydney series. But a trilogy is a whole new ball game. You start out thinking what’s going into those three books that make up the ONE story and time and lack of note taking can seriously derail that.

As an aspiring writer, I had lots of advice about whether to write the whole series or just the first book. The prevailing advice was don’t invest in a series you haven’t sold. So I devoted myself to a number of first books in series hoping to sell them. Lucky for me I also did writers’ retreats where I could devote myself to writing for two weeks. And in the past I had drafted second books or parts of books. I have 153,000 words of the second book (or second two books) in the Dragon Wine series btw.

That may be good advice, on the other hand, if you haven’t got notes and it’s a big complex story and you do sell the first book, the pressure would be immense. I’m not a fan of working on one book for ten years. I’d rather work on ten books over ten years. It’s all learning and I love ideas and exploring story and genre. If I had my time again, maybe I would have at least drafted the remainder of the trilogies I worked on while it was all fresh in my head and concentrated on selling the first one. It would have made this year easier.

You may recall that The Silverlands Trilogy is my self-publishing/indie publishing investment. Argenterra came out in late April. That book had been revised and edited etc many times over many years. Basically, the crafting of a load of crap into something worth reading over 15 years. I hope so!

Book Two was drafted but probably only ever a tidied draft. It was a much better draft than Argenterra was originally as I had progressed as a writer. No one had read it except me. I’m about to do a final revision, tweak and polish before sending it for an edit. You might ask why I haven’t already done this. Well, I was working on book three. I had thought I had 50,000 words of the third book written. Gah! I did but the words were shit. They had to be rewritten and most of it chucked out. I was in despair. Somewhere around 70,000 words the draft felt like it was coming together. Now at 121,000 words I’m pretty pleased. It’s done. The story works…well for now .Beta readers may bash me in the head.

This probably doesn’t answer the question. Why work on book three when two was waiting for a revision? Because finishing book three allowed me to work out all the kinks and to see if it was going to work before I went back to book two. I could still change things in book two before I set them in concrete by publishing it. Rescue a character who had sunk beyond redemption, for example. Set up things in book two that I had brought to a head in book three. I guess it’s a form of cheating. But hey, it worked. This is probably why I’m advocating writing the whole series in one go. Why I wish I had. But my best advice is just write what you want, how you want. I figure this book three is better than any I envisaged say ten years ago. Totally much better. I’m a better writer than I was. Ideas just smashed together well this time.

This week and maybe part of the next I’ll be tidying it up ready for beta readers. Then I’ll be back on book two, Oathbound.Now I’m ready to push forward. I believe the next two books will come out pretty close together. I have the covers. I just need the edit. I do my own laying out and book packaging. The cover layout I get help with. Technically I could do that I just have to buy Photoshop!

Then I guess I’ll get serious about marketing. My main goal so far has been to get reviews of Argenterra while I’m working on the other books. Reviews will help me if I want to do some paid promotion, such as Book Bub. If you read Argenterra and liked it please leave a review somewhere. It helps!

What have I learnt so far? I already knew writing well is hard work. Self-publishing/indie publishing is hard work if you want to do it well, but it has bells on. I’ve been stressed. I’ve had sleepless nights. I’ve invested my capital in my indie publishing gig. I have not spent time in promoting or whatever magic these successful indie writers do. My hat goes off to them. But I will when I get these books out.

The other thing successful indie writers do is they keep writing and keep producing. It sounds exhausting. I mean I do that too, but it’s driven by what stories interest me and my own creative practice. Maybe I should be more business like in my approach.

three-books

 

Buy link for Argenterra, Book One-Silverlands

Print copy from Book Depository here

Amazon.com Here

Amazon.com.au Here

Kobo Here

ibooks Here

Print (Amazon.com) Here.

Print elsewhere. Available from Createspace and Ingram Sparks.

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It is still very early days in my hybrid/self-publishing venture for the Silverlands series. Book one is out and my main focus is on gaining reviews for the book. Why is this important? Bookbub. When I have all three books out I want to submit to Bookbub. You need reviews for that. Good reviews. So far so good. I don’t have a lot of reviews but what I have I’m very pleased with. There is a lot of retweeting of a review prefaced with How Not To Write Distopian YA. I thought that rather amusing. I wasn’t writing dystopian YA, but epic fantasy with a YA feel. Yet it might have some dystopian elements, of course. My main sin is a cliffhanger ending. Apparently cliffhangers are to cause people to buy the rest of the series. Hell everyone wants their readers to buy the next book. Mine wasn’t for that purpose. I started Argenterra when I was a newbie. I’ve thought long and hard how to move the ending…before the cliffhanger….after the cliffhanger…and nothing seemed to work. To top it all off, book two has a cliffhanger too. I guess I have to own that I’m evil.

My woes! Would you believe I have had the most difficult time with book 2? Firstly, I have to revise it a little and polish it before it gets edited. That’s sort of sitting there while I finish book three. Book three is totally rocking btw. However, I need to finish the draft before I go back to book two so I can align some things. Issues with agency, pulling back in some places so I can redeem a character in book three. The usual stuff.

The cover and the name of book two has been a real issue. I believe this problem crops up for authors in traditional publishing. I know I had to face it with Dragon Wine. Changing the name of the book (s). For example, in my original thinking there were three books in the Moon Fall Trilogy, Dragon Wine, Dragon Wing and Dragon Wane. Then Momentum took Dragon Wine. The editor wanted to split the book, call the series Dragon wine and I had to come up with two names for the first two parts. That was hard work and eventually I came up with Shatterwing and Skywatcher. It’s going to be a real bugger with Dragon Wing when I get around to publishing that. If I publish it in two parts what the hell and I going to call them. Barrahiem and Deathwings??? Your guess is as good as mine.

So back to the Silverlands…Book Two was called The Crystal Gate. Getting the cover together for this was proving to be hard. We tried a couple of combos but they weren’t working, particularly as I wanted the series’ covers to have some consistent feel across them. I’ve been stressed. I’ve been anxious. I’ve had sleepless nights. Then I realized I had to change the name of book two and think up a new concept for the cover. I tossed and turned and then it came to be: Book Two should be called Oathbound. That way I could have Sophy on the cover and used symbolism to denote the chaos of the oaths have brought round in the story, not just for Sophy but for others.

Yet I was so stressed because I was mucking the artist around. I like to be very straight, say what I want so all this indecision was like killing me. I know it’s a bit silly, but the responsibility for this is all mine. The cover, the content, the marketing…and I want it to be good, not crap…not just another ebook flung into the ether…I’m proud of this production. So there’s the woe. It is really tough.

I consulted with the lovely Aiki, who had beta read book two. She totally agreed with Oathbound being the best name for the book. I think I gave her a sleepless night. She’s arty, you know, not like me. She came up with the idea of binding or chains. You can find out about Aiki here. She’s multi talented and an author of an amazing SF YA story that’s coming out soon. Also she has been so supportive. High five, Aiki.

So anyway, I bit the bullet and emailed the lovely Les Petersen. I sent him my horrible sketch, some photos of my model with different expressions and he sent me this like within an hour or so.

Oathbound

I think this is amazing. I love it so much. It was just what I was picturing. Thank you Les for not sending the hit men after me.

Now I’m going to show you book one and two together. Les added the subtitle to book one (somehow I forgot that originally). Anyway, let me know what you think.

 

I should add that the cover for Book three is going well. Book three is called, Ungiven Land. I believe Sophy has a sword!

So if you are interested in checking out Argenterra. Here are the buy links. It’s available in ebook from your favourite ebook retailer.

Print copy from Book Depository here

Amazon.com Here

Amazon.com.au Here

Kobo Here

ibooks Here

Print (Amazon.com) Here.

Time to go back to work on the PhD. It’s creative project work today.

 

 

 

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Today marks the end of my working life in the Australian Public Service. It’s my last pay day. I can’t begin to express how big a change this is for me at this time of my life. I gave up my big paying job, my ‘social capital’ as an educated woman and well-paid over spender/consumer. I gave up building my nest egg and putting heaps of money into my house, or using it to go traveling or just buying shit. I’m sure this will bother me in future, but now I don’t have regrets. (I’m pretty scared about not having money but its’ not like I’ll have none just less! Okay a lot less. A $100,000 less on paper.)

The bottom line was my arthritic spine was making my life pretty miserable and I wanted to spend what productive time I have doing what I want, while I can.

Upside, I can now talk about politics and stupid things that bother me without being threatened with the sack.

I think doing the PhD allowed me not to think about anything but the Phd. It gave me something to put my mental claws in. I am enjoying it. Now, I didn’t get a stipend so that makes things tougher financially. Not that stipends are huge, but it would have helped. Needless to say I’m going to apply again (and fill out the forms correctly this time) at the end of the year. But I have to face the fact that this is it. It’s me, my superannuation and my mortgage. I have the lovely Matthew but I don’t want to impose on him at all, so I’ll be paying my way on the household stuff. My life decisions shouldn’t be reducing his quality of lifestyle.

Then there’s the writing. Still a big part of my  life. The self publishing/Indie publishing thing well I have to see where that takes me.

My previous post I spoke about Print on Demand publishing. I have made my first stupid mistake that cost me money. Not a lot of money, but still I already paid that bugger and had to pay it again. And today is when the money just stops!

You see I found a typo on the very last line of my acknowledgements. It was one letter on a page that maybe no one would read. So I changed the files (I haven’t done iBooks yet as I need a Mac!). For everything it wasn’t a problem, except of Ingram Sparks. I didn’t realise they were going to charge me for the set up fee again, even for the epub file. They charge US $25 to upload your epub file and another $25 for the print. I think other places like Smashwords (which I didn’t use) doesn’t charge.  So fingers burnt. If I waited until other people reported typos then I could have done a lot at the same time, but no I had to change this one letter for about $60 Australian. So lesson learnt.

I’m not complaining that people have to be paid to do their job. Fair enough. I’m complaining that I was stupid, didn’t even think about it and got my fingers burnt.

Createspace hasn’t charged me to reload the print file but I have to go through the review process again. Lesson make sure the file is typo free (it’s really hard) and if you find a typo and it’s a wee thing live with it. That’s what you had to do in the old off-set days.

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