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Posts Tagged ‘Indie Publishing’

As some of you may have seen I’ve been in Europe for nearly two months (August through to end of September) and maybe you thought that I had no publishing results while I was away.

I did a few things before I left Australia to make sure things were ticking over and while I wasn’t fully engaged in the promotion or writing side of Indie publishing, things were happening and somethings are easy to do on the run or the fly so to speak.

It is a bit early in the game to talk of trends, but I’m happy to say that August outperformed July. Let me cast my mind back and check my notes for August.

I had my books still up on Instafreebie by the way and I wrote to my newsletter subscribers to tell them I might be quiet. Travelling meant that I couldn’t participate in a lot of cross promotions. I had had Argenterra for free on a Freebooksy promotion and I left it free when I left. There seemed to be a tail there and ‘shrug’ it couldn’t hurt to leave it for free.

My Freebooksy results were around 2500 thousand copies given away and I earned the cost of it I think with people buying the second and third books.

I had signed up for a number of promos on Kobo which didn’t do anything at all. However, I did make $19 in August from Kobo, mostly people buying from the Silverlands series box set and the Dragon Wine Box set.

The great thing about Kobo is that the promotions are really easy to sign up for. I could do them on my phone. If Kobo accepts your submission for a promo it makes the changes to your prices if required. Some of these promos might be 30% off a box set. I thank case you need to do nothing at all as the promo is applied at point of sale. Most of these promos are free and you pay through a cut in royalties. This is a good thing if a promo doesn’t work for example. There are paid promos and I’ve only ever applied for a cheap one for $12 but haven’t been successful in getting one of those.

Streetlib was a no earner for me in August, but some freebies did go through there via Google Play.

Draft to Digital, which for me is Barnes and Noble, gave me around $35 Australian in earnings. Biggest for me. They would have to be the Freebooksy follow through purchases.

Surprisingly iTunes/iBooks was a big earner for me in August with $82.33 in earnings. Again I think some of that is the Argenterra Freebooksy and other sales are just random or coming from my newsletter.

Smashwords also came through for me with someone buying a whole set of the dragon wine books so about $15 Australian there.

And the big earner for me was Amazon with around $135 Australian in sales.

That’s approximately $285 from sales in August.

I also had a lovely person who had bought the ebooks order the full set of Dragon Wine in print so I can safely say my earnings were $300. Still small bickies but a steady increase. I was also glad I didn’t just take a rejection for Argenterra from Bookbub and used Freebooksy instead. That’s $100 US but that was money that was refunded from previous promotions that didn’t work so well.

Instafreebie was still ticking over but giveways were slowing down with no active cross promotion going on.

That’s double July folks.

I also had help from Patty Jansen’s ebookaroo which lifted the tail on the Freebooksy for Argenterra.

And I got news that I had been successful in gaining a Bookbub, International Only, but that’s excellent.

September

I don’t have all the figures in yet but I can work it out. Seeing as some of this money doesn’t get paid for months.
I found out today that Draft2Digital did not have my payment details. However, their tax interview process is so easy it was done in a jiffy.

As I was travelling, the main promotion in September was the International Bookbub for Shatterwing, Part One of the Dragon Wine series. I was so excited by this but didn’t really have anyone to share it with who really understood how amazing it was to finally get one. I think it has to be the wonderful covers from Frauke at Crocodesigns and the cover blurbs from Craig Cormick and Glenda Larke that swung it for me.

The international Bookbub runs in Canada, Australia, UK and India. It was for 99 cents. It cost around $200 to run it. I put all the stores to 99 cents, or so I thought. I didn’t realise that Canada and Australia were listed on Googleplay for $1.99 so the emails from Bookbub said my book was $1.99  and the sales were pretty lame in those countries as a result. Canada wasn’t too bad, Australia maybe I had four sales. I don’t really know. I was devastated and had to work out what happened. I sorted it out but still what a way to blow a good chance. UK sales though were pretty awesome and I must say the sell through in both UK and Canada has been good. So I’m thinking that the Bookbub paid for itself or will do.

I think there is a sweet spot there at 99 cents and $1.99. People are willing to try a book at 99 cents if you are unknown. If you are known and they want your book they will pay $1.99 and up. So in Australia that has to be true, Canada less so because books actually sold there despite the $1.99 price tag.

Here’s the thing, with the international Bookbub you can apply for a US one within 30 days. I did that and was refused. Why? Because my book had been reduced for more that 14 days in the last 90 days. I had to have it explained to me as I was confused. I always thought that you couldn’t offer to Bookbub if you reduced your price in the previous 90 days, but it is actually discounted for more that 14 days, so it’s okay to have a week or a day special price and that doesn’t reset the Bookbub submission clock. I will master these Bookbub rules.

Anyway I was a bit down in the mouth as not only did I stuff my international bookbub, I had stuffed the chance at the USA deal. But lo, a light did shine on me and I put my book in for a free promo Bookbub USA. I figured they could only say no. Yet, I was accepted. This confirms what I’ve been told that there are two different decision processes, paid and free. So I will have a USA Bookbub for Shatterwing in October. This is very cool because that is what I have wanted from the beginning. You can get a massive amount of downloads via Bookbub for a free fantasy book. Shatterwing is currently free because I was advised that Amazon were having difficulties discounting. Yet, as soon as I discounted elsewhere Amazon price matched so I requested the price to zero there too. Fingers crossed this all goes to plan.

Meanwhile I had put out feelers for someone to pitch to iBooks Australia for both my series. First attempt was a no, then out of the blue I get an email saying I’d been accepted for Shatterwing. It was going to be later in the month but then changed to today. So Shattering in iBooks Australia free book of the week. Which is blowing my mind. I did not expect that. Thank you Patrick and iBooks Australia.

So my results for September while I was travelling and couldn’t do much but I had an international bookbub (slightly underdone due to silly me and book settings).

Let me see.

No sales at all through Draft2Digital. This makes sense as my main sales are for Barnes and Noble and I had an International Book Bub which excludes the USA.

Kobo (I had a number of promotions. Some worked. Some were other sales)  $90 (58 books sold). I’m using the raw figure here but that doesn’t account for Kobo’s cut or exchange rates.

iBooks $88 with 59 books sold. Again raw figure, not counting exchange rates etc. Edit. Corrected figure is $118 and a bit more for US sales.

Streetlib was about $3-$4 but I have no idea what currency and have to wait a very long time to be paid given I haven’t reached the payment threshold yet.

Amazon approximately $260. This is an estimate because it’s in different currencies. The bulk of this was books sold for 99 cents, which means I earned 35 cents or pence.

In September I had sales across all my books, the bulk, some 231 copies of Shatterwing at 99 cents or pence. The sell through I think is around 10 per cent for book two and then less for books three and four. I had a couple of sales of the Argenterra series too.

So ebook sales are around $440  $470 so an increase on August. This is also more than the biggest royalty cheque I received from my traditional publishers.

I also had a book launch and print book sales at Conflux at the end of September so I haven’t done the accounting on that yet. I think I made enough to cover the cost of the table and maybe the cost of the books, which is good I think.

That’s me. I may pop back after the Bookbub and the Book of the Week Promo and tell you the results of that.

I consider myself very lucky to have some upward movement so soon after uploading the two series. I’m very lucky to have got a Bookbub relatively quickly. I have been the person who checks the sales figures and sees no sales. Now I see sales. Modest sales but believe me that’s better than none.

Many thanks to Patty Jansen for her advice and guidance and to Facebook group for promotion that I belong too. Thanks to the buyers of books and for liking the stories enough to read the series.

Here is a pic of me from my book launch taken by Cat Sparks. I know I posted it in the previous post but hey! Different audience.

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Last month I posted about my Indie Publishing experience from a beginner’s perspective. That post is here.

There I discussed coming close to earning $100 in that month from my Indie publishing efforts. I did notionally make $100.

Well this month I’m over that amount. Earnings figures are notional by the way, because the money comes in at a different time. For instance Kobo calls them estimated earnings.  So this month notional earnings are around $140 $150.

Mind you I had to work hard for those few dollars!

I also gave away heaps of books this month but more on that later.

Sales

I used Kobo promotions a lot this month and that where I had most of my sales. Kobo are really easy to deal with and they offer a wide range of promotions, about half have no upfront costs just percentage of takings. I wasn’t successful in getting all that I bid for but I did okay. It takes time and I think getting my name seen will mean eventually people will buy. It also helps to have a number of titles.

Next biggest sales were iBooks, surprisingly. It is not easy to promote on iBooks. There is no easy way for Indies to promote on iBooks. I hope one day they will adopt the Kobo model.  Then Amazon was the next chunk of sales. Nothing earth shattering but better than a big fat zero! You cannot bid for promos on Amazon. Amazon put together their Daily Deals by themselves.

Promotion

As mentioned above I have a promo tab on Kobo. I directly list with them to access this. I had two or three promos with different books through the month: paranormal romance and dark fantasy.

I tried for a Bookbub a couple of times through the month with different titles and met with rejection so I decided to do something with another provider. It can be dangerous to put all your eggs in one basket, particularly when the basket holder is swatting your eggs away!

I used Freebooksy to get the word out that Argenterra was free on 28 July. I made it free earlier than that and it’s currently free. Interestingly, this means I won’t be able to tout for a Bookbub for this title for three months as Bookbub exclude books that have been discounted for three months. Freebooksy is not cheap. It was $100 US to list for a day. However, they are a great group to work with and they have been very considerate of my other efforts with Bargainbooksy.

I find it interesting that Amazon doesn’t let people promoted except by AMS ads which I don’t find effective at all because these email services are making heaps of money from marketing specials and freeboots to their subscribers.

Listing Argenterra for free is a loss leader tactic used by many vendors since forever. Technically I don’t like giving books away for nothing. I think it lowers the value of your work. On the other hand, giving away book one with the hope that:

  • the person downloading will read it (preferably sooner rather than later);
  • having read book one they will like it enough to buy book 2 and 3;
  • after reading books 2 and 3 will like my writing enough to try another series, and
  • after reading my work they become a fan of my writing and stick to me like spat gum to a shoe!

I don’t know if there are any figures out there, but from past experience and my own behaviour I know that free books downloaded may never get read, but as I said before I’m looking to find my audience so one must take a chance.

Before the Freebooksy promo I let people know it was free. Not in a big way. Patty Jansen put it on the Facebook page for Ebookaroo and I asked some people to include it in their newsletter. I don’t know if people did but about 60-70 copies had been downloaded before promo day. On promo day, I got about 1700 downloads on Amazon and about another 100 on iBooks. No figures from Kobo as their freeboot counter is out. But I had a tail, next day more books downloaded. This could have been due to late email opens and people clicking and finding the book still free, or because with the 1700 downloads I had reached #123 overall Amazon freeboots and #1 in three sub categories of Epic, Sword and Sorcery and Coming of Age. Then Patty Jansen included Argenterra in her regular newsletter and then more downloads happened. So far maybe an extra 300-400. I just had another look at the figures, maybe that’s closer to 500 downloads from a newsletter. That’s so fab. I’m so grateful for the little leg up.

I didn’t see a lot of buy through to the rest of the series. Maybe one or two. If only one percent of those 2400 people (maybe more) go on to buy the series that’s still 24 people who might go on to buy the series. The promo will pay for itself eventually. Also, people have my book so there is always a chance.

Newsletters and Instafreebie

Technically sending newsletters and listing books on Instafreebie are promotion too. Shatterwing was included in a group Instafreebie/Bookfunnel promotion and wow! It was the best yet. Probably 700 new subscribers who downloaded Shatterwing, Dragon Wine Part One over four days. I think the covers have something to do with that.

I think some of my sales come through my newsletter subscribers. Not heaps as yet, but I get a lot of people checking out the buy links on my website.

I also had a few deals going for newsletter subscribers. Not exclusive to them but being a subscriber allows them to find out about it.

Escape Publishing kindly discounted Rayessa and the Space Pirates and Spiritbound (Dani Kristoff) to 99 cents. The announcements for these were included in my newsletter and there were some sales. I don’t know how much because I can’t see because the books are controlled by the publisher. These books were included in Ebookaroo (Patty Jansen’s general newsletter) and there were some sales as a result. I was happy to give something to the newsletter subscribers and I don’t often get discounts from my traditional published books.

Also, to broaden things a bit and have something new to keep my subscribers interested, I published Beneath the Floating City, a sci fi, short fiction collection and put it on Instafreebie, mostly with a private link for my subscribers but it is also there for anyone to download. All bar one story has been previously published over the 17 years of my publishing life. I’m going to put together other collections. The next will be Compost Juice, magic realism and fantastical tales. I won’t do that until I get back from overseas. Maybe for Christmas. I also published this collection to all the eretailers.

Print versions

A major suck for my energy, time and dollars this month has been laying out books for print. Indesign gave me a kick up the butt and my photoshop skills are Neanderthal level, but I managed.

Shatterwing, Skywatcher, Deathwings, and Bloodstorm are out in print with the new covers. These are available on Amazon through Createspace and elsewhere as distributed by Ingrams. So yes, technically the library or your books store can order them in.

booksAlso, Oathbound and Ungiven Land join Argenterra, in print.

The Sorcerer’s Spell is in print too, but just through Createspace. It will appear in bookstores as well as Amazon over time, such as Book Depository. Opi Battles the Space Pirates was already in print, same deal through Createspace. You can buy a copy on Book Depository no problems.

This means that for the book launch at Conflux over the long weekend, 29 Sept to 1 October, I have books all to hand.

I have done all the things!

Phew!

Now to take off on Friday for nearly two months. Worldcon 75 and Helsinki here I come. I am the GUFF delegate, taking Australian fandom to Europe. See previous post for where I’ll be.

 

 

 

 

 

 

 

 

 

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I have an exciting blog interview planned but it’s not ready yet. I am waiting for some answers to come in. In the meantime, I thought I’d post something about what is happening with me.

I’ve been experiencing a lot of stress lately due to an external issue. This has been hard on me. I’ve had to take sick leave from my PhD and I’ve had awful stress and anxiety symptoms and I find it hard to concentrate. High stress and anxiety increase my overall pain levels so it can be rather debilitating. I haven’t been able to read much at all, or invest in watching a movie or write fiction. I do walk a lot and I’m losing weight.

We live in an ableist society and so we are brought up thinking that we should be able to do everything and when we are not we get over critical of ourselves and also stress about how people view us. For me, I hate labels. I was sent to a psychiatrist last year to assess my stress and anxiety after a panic attack at work. I wasn’t sent to the psychiatrist until about four or five months after the attack. By then I’d been on meds and had two different lots of counselling and was feeling much better. I didn’t want to have a label and so was pleased that the psychiatrist said I wasn’t suffering from any psychiatric disorder. Even though this attack was brought on by an injury at work that I was having trouble adjusting to and workplace shenanigans. But shrug.

I believe my inherent ableism affects my outlook on my physical disabilities as well. The RSI and arthritic conditions limit me. I hate to be limited. I am a doer. I am an ablelist. It is part of who I am. There is so much I can’t do now and I hate it. I try not to think about it. No wonder I’m stressed. So I hate to acknowledge that these things make me less than I want to be. I know I should just suck it up right. I’m getting older. Well I’m 56 not 76!

But here I am again. Sigh. Having symptoms and it sucks.

My approach to Indie publishing has been to publish books that have been previously published and that I have the rights back to and books that I’ve already written that made it to acquisitions but weren’t bought by publishers. (This doesn’t include the book that is/was with my agent as we still have hopes). Last November, I wrote the short novel, Opi Battles the Space Pirates because that was just fun. However, while I’m not actively writing new stories, there is a bit of work in getting the books back out there and the new ones published.

The rights to Shatterwing and Skywatcher have been returned to me. This meeans they are no longer available. Before they can be relaunched they need to be proofread. Shatterwing is done and I’m just waiting on the map and the new cover. Skywatcher is still in progress in proofreading. My approach to this was work from hard copy that way I can use my tilt board and make it as ergonomic as possible. However, it’s still hard work! Concentration people!

My apologies to Dion who bought Shatterwing and then found he couldn’t buy Skywatcher as Pan Mac took it down. He wrote to me to say : Wing dust! It ended in a cliffhanger. In my defence, I had asked for the books to come down in May 2017 so I could have time to prepare but something went missing in the communication and I had no notice of when they would or did come down. They just disappeared from the Internet.

As per above, concentrating has been hard. Deathwings copy edit is done. I was a good way into it before the external stress causing business came back and overwhelmed me. But as I was nearly done, I managed a few more hours. Deathwings is now with the proofreader.

The new covers are in progress too. And I have Russell K looking at the maps. I’ve outsourced as much as I can. I have three weeks to finish revising Bloodstorm before it’s due at the editor. I think that’s doable, even if I only do an hour per day. However, if I don’t make the deadline, it will take longer to get Bloodstorm out.  No great dramas, except for readers because a lot happens in Bloodstorm.

For more of the Dragon Wine series, you guys will have to wait. I have a PhD to do. Although if this external stress thing doesn’t resolve I will probably go part time on the PhD for a little while.

The Silverlands series. Argenterra and Oathbound are published. I have to do a little bit of stuff to get the print file of Oathbound ready. I also need to pay someone to do the formatting for the Smashwords edition of Oathbound. I can do it, but it’s a bit difficult on the physical side of things. (Oh I hate admitting that–it’s the ableist in me!).

The edit of Ungiven Land is in progress. I may have a bit of work to do when it comes back to me later in the month. I had a chat to the copy editor this afternoon. Apparently I’ve developed new bad writing habits and may have my work cut out for me. My editor wanted to know if it was okay if she picked me up on things, suggested new scenes etc. I said go for it.

That’s what I want. That’s what an edit is for. Make me sweat. I want a better book.

This week I heard that I have the rights to The Sorcerer’s Spell back. That’s a sexy paranormal novel that is published under the Dani Kristoff name. That needs the same treatment. New cover, proofreading, new ISBNs etc. I have a half started sequel somewhere. If I’m to work on that then it will be dictation software! If I can concentrate. A lot depends on what happens over the next few weeks and months. However, finally I might get a male torso on the cover! A first for me.

There is administrative stuff that is done and heaps not done. Just registering ISBNs and Catalogue in Print stuff takes time and energy. I wished I earned enough to pay an assistant! Hahahahahaha!

Fun is over. Back to work.

And just for fun I’ll put a cover image of Argenterra here. It’s new low price is USD 2.99. I also revamped the blurb for this.

Sophy is not looking for a talisman: she is the talisman!

Sophy is snatched from our world during a ghost tour. Landing in the lush world of Argenterra, she’s the odd one out. She can’t use the land’s native magic, the given, even though her friend Aria, and everyone else, can.
Worse still, she’s a faded version of herself and doesn’t fit it at all.

Abandoned by Aria who marries a handsome prince, Sophy travels the land with Oakheart, the high king’s ambassador, to explore the mystery of why there is a crystal leaf growing inside her.

Then the accidents start to happen and she realises a dark force wants her: alive or maybe just dead…Argenterra with subtitle

For more information on The Silverlands Series and buy links, click here. Have you got your copy of Argenterra yet?

Also if you are interested in signing up for my Newsletter. Click here.

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Recently, I’ve taken the Indie Publishing thing more seriously. I believe there is only two ways to go about this. Do it or don’t.

I’ve also learned that is also hard work and that it requires a different mind set from traditional publishing.

Traditional publishing you have the acceptance of the publisher etc and they (hopefully) have a strategy to market your books. If you have the print deal you get into books stores and launches and if the publishers are pretty good you’ll have some press releases and even a marketer selling your books, getting you press in various places. These days you have to do some of your own marketing, Twitter, Facebook Pages, Blogs, Instagram etc etc.

That is nothing like Indie Publishing. And I don’t even know the half of it. I’m at the bottom of the hill pushing the dung to the top.

So what have I learned so far?

Advice is out there. Ask. I have learned so much mostly from the generosity of Patty Jansen and her cadre of Indie Publishers. (I’ll put a link up her page at the bottom of this post). Believe me there is a lot to ask.

Putting your book up on Smashwords or Ingrams and expecting it to sell doesn’t work (except maybe in some fluke circumstances). Believe me I had a book up there and it didn’t do much. You have to write more books. I had to turn that one Indie Published book into a trilogy. And I have the rights  back to another series so by mid-year I’ll be playing with eight Indie Published books and that gives me more options marketing wise/promotion wise. This does not include my traditionally published works under my own name and my pen name.

New skill sets…administration, formatting, Photoshop, buying stock images, learning about newsletters, different places to market my books, cross-promotions, pricing etc.

That’s just a quick overview. You really don’t understand until you do it. For example, I buy my own ISBNs so they have to be registered, then I register them with the National Library Catalogue in Print, then there is listing the books with different sellers and distributors, writing blurbs (the hardest thing of all), hiring editors, proofreaders, cover artists and writing briefs for cover artists. There are the ebooks to format and upload and print files to prepare…yadda yadda

Yet, it is rewarding. This has been the most challenging thing that I have done. It’s scary. It’s empowering. But most important of all–it’s a business. That’s the biggest change in mindset for me. I want to make a living from my writing. I want people to read and enjoy my books. I have to get the books out there. I have to find my audience.

So big achievement of the week. There have been a number of them, but sending out my first newsletter is the star  moment.

I’ve called the newsletter Wing Dust. People who have read the Dragon Wine series will get the reference.

Here is my newsletter banner, which I put together on Photoshop. Thank you You Tube for the tutorial. (It’s a very complicated and powerful program btw).

Newsletter banner master amended

If you want to sign up to my newsletter click here. 

You can unsubscribe from the newsletter at any time.

Heartfelt thank you to Patty Jansen. I suggest reading a few of her posts on Indie Publishing. Great advice and good sense from her. You can find her here.

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I am taking the writing gig seriously and this year you’ll see a lot of output from me (I expect five books out by June). So I want to put together a newsletter mailing list.

I’ve signed up with Mailchimp and I have a very basic sign up form.

I was hoping some of you lovely people would test it out for me and also that some of you would be interested in being on the list.

The mailing list URL is here. Feel free to tell me if it doesn’t work.

Also feel free to tell me what topics you want to hear about.

There’s

  • the PhD study
  • Writing advice
  • Self-publishing tips (as I learn them!)
  • Retro romance reading
  • General stuff.

Also, today took a serious turn. I’ve book a proofreader for the books coming up. This saves me a world of angst and time. I can proofread, but it is hard to do your own books and it takes me several run throughs to reduce errors. So booking a proofreader is worth the cost and has been added to the book budget.

I expect two edits to come in around the same time. Egad! Not planned that way.

And I put my toe in the water folks. I submitted a request for a Bookbub promotion. I’ll let you know how that pans out. But I expect it will take a few goes.

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Some of you may recall my first long form publication was Rayessa and the Space Pirates, which was picked up by Harlequin’s Escape Publishing (digital imprint) in 2013. Rayessa had been languishing my hard drive for a number of years. It started as a short story, maybe way far back as 2002. I was writing the story for Elsewhere. At the time the first 7,500 were the longest short I’d written and it still wasn’t done. When the space pirates turned up, well I knew it wasn’t going to be a short story anymore. It ended up as a novella, then a slightly longer novella. It took it out and revised it a couple of times. I gave it to a couple of people to read with some positive feedback. I submitted it a couple of places. Once it was forwarded to the children’s editor at HarperCollins Australia. It was rejected but the rejection was along the lines of we already have stories along these lines and sorry to take  so long to get back to you. Then it sat in the hard drive a little longer. Then I went to my first RWA conference in the Gold Coast (2012) where Penguin launched their Destiny Imprint and Harlequin launched Escape. It was actually at the launch cocktail party of Destiny that I clued in that Rayessa was also a romance. Chinking champagne glasses with Nicole Murphy I said that I thought I had romance arc in some of my stories. She was like ‘Dah, why do you think I told you to come here?’ The clue people was the slideshow they had playing on the walls. Science fiction scenes at a romance conference.

So Rayessa was published. Then I wrote Rae and Essa’s Space Adventures, which should have been titled, Essa Takes on the Space Pirates or better still. Essa Rescues Mum from the Space Pirates etc. Now Escape decided they didn’t want any more spate pirate stories from me when they took Rae and Essa’s Space Adventures (and also revamped the Rayessa cover). Not with this family at least. So I changed the ending to Rae and Essa’s Space Adventures so there wasn’t too much hanging. But I always had in mind to write Opeia’s story. Opeia (Opi) is the mother of Rae and Essa, the head of AllEarth Corp.

Now pesky ideas will keep bothering you until your write them down. I thought I’d dealt with Opi by writing some notes about the story in my ‘Notebook of Really Cool Ideas’ that Gillian Polack gave me when I started the PhD. It is meant as a place to park ideas so I can come back to them when the Phd is done. Well obviously Opi had other ideas.

Opi meets NaNoWriMo and viola! she is out there on paper! I tried to be more emotionally contemplative in Opi Battles the Space Pirates. My wonderful beta reader (who is a fan of the first two books) gave me feedback. I had to rewrite the beginning and the ending after that. That plot twist that I had come up with but abandoned because I was trying to address my plot addiction by being a bit more touchy feely, well I had to put the plot bit in. It’s just that type of book.

It’s fluff, it’s funny (I think so) and it’s light and possibly uplifting. (Complete opposite to the Dragonwine series). Opi Battles the Space Pirates is also longer than the first two books, just under 60,000 words, it’s adult, but not sexy, more sweet in keeping with the other two books. It features an older protagonist (42) and a space battle goddamit!

Stay tuned. Cover art is in progress. Proofreading is in progress. I’m going to self-publish this one for fun.

Just to refresh your memory, here are the covers of the first two books, which I adore. Not sure the wonderful covers sell as many books as they should, but they are pretty and swish.

Link to the Escape website here. The books are at all major e-retailers. You can also buy these books in large print format/hardcover for libraries I think. I can’t afford to buy myself a  hard back version. There are some copies in libraries in Australia and the USA. Here.

However, I plan to have a print version of Opi Battles the Space Pirates. Just for fun, for a laugh and maybe as giveaways. So watch out.

Oh and the moral of the story? Don’t throw anything out. Learn from rejections. Don’t give up. Keep writing. Follow your heart…and whatever!

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I look at myself lately and I think I’m doing a lot of fiction writing recently, or I seem to be. Fair enough I’ve just come out of a holiday break where I took two weeks off from the Phd. This week I have been head down on the Phd and I put some time in last week too. I have my big moment to prepare for-The dreaded confirmation seminar that I talked about yesterday.

So what am I doing writing fiction or appearing to write fiction?

Last year I finished drafting a trilogy. My first completed one if truth be known. Book two was mostly written so I was tidying up, revising etc. Some parts were rewritten after beta reader comments. Book three was a 50,000 word basket case so technically I did write that book like last year almost from scratch (130,000 approx.). Book two is with the editor. Book three I’m going to revise after beta reader comments (next week actually) and then put in the edit queue. Right now I’ve finished revising Dragonwine Book 3 and it’s waiting for its slot for its editor and currently I’m restructuring book 4, which required some revising, rewriting as I went. I still have a bit to do, but the restructure is complete (I cheated I put the last bit in this morning). Oh and I wrote a 50,000 word novel in November for NaNoWriMo-which needs to be revised (when?!!!).

Now I don’t want to give the impression that I’m slacking off on the PhD because I’m not. Nor do I want to give the impression that I’m some kind of writing machine. I’m not that either. While I’m not too much a stickler for routine, I have been aiming to do an hour a day while working on Dragonwine Book 4. It’s written, I’m just plaiting the narrative threads together different to how I originally drafted it. It was a draft and it’s drafty. Man I don’t think I’ve read book 4 for seven years or more. I’m also revising, polishing as I go. It will need another run through too.

I’m spending my day on the PhD writing this damn proposal and researching and running my surveys and hassling writers etc. I’ve been going home and vegging in front of Netflix for hours (the heat mainly)  and then I put my hour in on the MS before I go to bed. I’m not usually so good at doing this. I’m marking this on my calendar this year so I can gauge how consistent I am. Technically, I could put more time into writing when I get home. I don’t want to overdo it on the computer due to RSI and arthritis issues so I’m pretty good at sticking to the hour. I’ve been at the computer at Uni most of the day too.

When I’m mostly reading, I can spend more time writing fiction. Reading takes place not at the computer you see. Sometimes it happens in bed or on the deck. I usually take a day off on Friday’s to write fiction (and do housework) and that gives me a good go at things. As Matthew is busy writing at the moment I’ve also spent some weekends, say Saturday afternoon and Sunday afternoon on task. Two Dweebs in adjacent offices pounding on keyboards!

I also have a backlist of works that I can either revise, write sequels for etc. I have to prioritise! So I don’t consider them to be new writing as such.

As well as the PhD this year I want to start on Dragonwine book 5 & 6 to finish this trilogy too. I don’t even have notes for this so it will be all new work! Approximately 170,000 words I estimate. However, I also have to draft my PhD novel and that takes priority. Lucky I touch type!

I probably look like I’m doing a sweep out of my brain, getting these stories out of there and onto paper. I also see it as me refining my creative practice. Finishing a trilogy presents many challenges and each time I work on one I’m learning about my craft. I can’t write as much as I want or work on as many things as I would like while doing the PhD.  That constriction will last for about two more years, but I can manage to do some stuff, particularly if the damn thing is already drafted. I also need a part time job because I have no support for my living expenses. I’ve thought about this and writing is my part time job. I hope in 2017 it will bring in some dollars but I am hoping that I will continue to progress as a writer as well as learn more through my PhD.

What is really doing my head in is the edits. They are coming! Over 400,000 words of edits. And I’ve set myself up for four book edits in the first part of the year. That work load I will have to be careful of. Then as they are going to be self/indie published, I have the dreaded laying out to do, proofing etc, which takes time but isn’t too hard. Covers to source? Egads. 2017 is going to busy.

The message is I guess is that even an hour a day can get you somewhere.

Below are the covers for the Silverlands Trilogy. The only set of covers that I’m organized for. Damn.

three-books

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