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Archive for the ‘Regency romance’ Category

A last minute cancellation. An offer of accommodation and lift to the event each day. That’s me. From 16th to the 18th of May, I was at A Regency Affair event in the small town of Exeter, just south of Sydney in the Southern Highlands. Just like a Regency House party only better. I got to use a real loo and go back to our accommodation.

I had an amazing time! Totally, absolutely, enjoyed it. Not only was in unexpected. I only just learned about the event after lamenting for some time that the Jane Austen Festival stopped before covid. I wanted to sew more dresses and things but wondered what for. Now I’m linked back in. As well as this event, there are balls, Historic picnics and other stuff going on. Because it was short notice, I only had time to dig out my gear. There were a couple of bonnets I couldn’t find but I had enough. No chance to make anything new, except I did find my very special soft bonnet only needed a few stitches to finish it so I did that. Sorry about the cross over bra showing. My stays had a malfunction as I have grown somewhat since I last wore them.

I went up on the Friday but there was a dress making workshop on the Thursday that I wasn’t quite in a mental space to sew. Friday I managed to get squeezed into a few workshops. Not all the ones I wanted but hey I was grateful to get the ones I did. First up was thread buttons and then I did historical stitching which was very cool. We learned edge stitch, mantua makers stitch and English stitch, with cartridge pleating as well. Friday night there were no tickets to the banquet but the organiser thought she might be able to squeeze me in. Bronwyn and I went back to the accommodation to prepare. I figured I should get dressed just in case they said ‘yes’. The plan was to drop Bronwyn and use her car to come back if there was space. However, the text came through that I was in so off to the Regency themed banquet we went.

There was music, dance exhibitions, poetry recitals and singing. So Regency. The food was spit roast and a lemony syllabub, which was so yummy.

I did a bit of shopping during the day on Friday. I bought a turban style headdress for the ball, a tea cup set and some lovely gloves. From Bronwyn’s stall I bought sewing notions of many kinds and some long socks. The cup and saucer are so lovely. I just love the green addition to my collection.

Saturday came and we were off again. I had a basket making workshop after lunch. The only downside is that it clashed with the guest speak talk by Caroline Jane Knight, a fifth great niece of Jane Austen who had lived at Chawton House until recent years. It is impressive that any family lives in the same house for generations and the Knights have lived there since her fifth great grandfather Edward Austen Knight inherited it. The cottage in Chawton where Jane, her sister and mother lived was on that estate in the village. It’s a must see if you get there. Next time I’ll go see the great house too. While I didn’t get to hear the talk I did chat to Caroline a bit and bought her book.

Other workshops that I eyed off jealously were the fletching workshop and theatrical sword fighting. I did do some dancing workshop but thought it best I not cause frustration by trying to dance. There were mustet firings and a duel and so many very impressive costumes. The numbers are limited so intimate and I made myself talk to people and made some lovely and interesting new acquaintances. Catering including morning and afternoon tea. Lunch on Saturday consisted of a pie or quiche, whatever you ordered.

We went back to the accommodation for ball prep. I did Bronwyn’s hair and turned her scarf into a turban.

My new turban head dress was so very cool.

Pre ball there was soup and bread and we all contributed something for supper which was around 9pm. To start off the ball they do a grand promenade. I was going to sit the dancing out and hang with Bronwyn to admire the general splendour. However, a lovely young woman came up to me and asked if I would be her promenade partner. She said our gowns would look very well together. So up I went. Then when the promenade finishes it becomes a dance. I tried to offer up a better partner given my fumble footedness in the dance lessons. However, my young escort said she would defend me from bodily harm if people got upset with me. I am pleased to say that we passed ourselves off creditably and after that five set dance, I introduced to a much better dancer that I met in the workshop earlier.

Supper was bountiful. There was Jane Austen birthday cake, in traditional style, fruit, marzipan and fondant. I had two small pieces. Then Bronwyn and I retired for the evening. Sunday was a picnic at a National Trust historic house, with carriage rides, archery, maypole etc. The weather by now had turned a bit brittle and cold. However, we were lucky and it didn’t rain while we were there. Picnic sorted at the hall we drove over to Goldhaven. I did a house tour, got my carriage ride in early and did one set of arrows. I haven’t touched a bow for many years and only had one lesson. I think I am better but the target was way too close! Hahaha.

I scrurried out of there as fast as I could and walked about the beautiful garden, ate my lunch, chatted and watched the Maypole dancers.

I will definitely do this event again.

I did not take a lot of photos as I didn’t want to walk around with my phone spoiling people’s fun but I hope I captured enough. I have this is in my calendar for next year.

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The knee surgery was nowhere near as bad as I expected. I had definite ideas about the amount of pain I would be in because I had surgery on my knee for a tumour 14 years ago, which was excruciating. This was different. The pain management was brilliant. Not being in excruciating pain makes recovery so much better. I had partial knee replacements and they are far less brutal than total knee replacements, if my recovery is anything to go by.

What type of pain relief did I get? I had an epidural, I had nerve blocks in both thighs, I had Palexia slow release, panodol and also if I needed Endone or Parlexia rapid release. I think getting the epidural and the nerve block was the ouchiest part prior to going into theatre. Moving too, also, was not entirely comfortable post-surgery but basically I was surprised at how little pain I was in. And the staff had me up and walking the next day. The nerve blocks lasted for four days and by then I was over the worst apparently. I think the hardest thing was coming off the high grade opioids like Palexia slow release. I didn’t even notice I was taking them until I stopped. After two weeks on them I had withdrawals and felt like crap for a few days.

Other issues besides getting used to the legs and what they could and couldn’t do, was being restless at night without the meds. These days though I’m not restless at all or on meds much. Sometimes I take panodol and more often just heat packs. I went to rehab and that helped a lot. It was an outpatient rehab program at the hospital twice a week-one hour in the gym and one hour in the pool doing hydrotherapy for five weeks after week 3. I also had to take a trip across the ditch to New Zealand to see family.

Anyway, close to normal now and I’m in week ten. The scars take time to mature and I have swelling around the knees, but a big thumbs up to partial knee replacements. I would have to have waited years for total replacements, while I marked time for the other parts of my knee wear out. Now I feel kind of spritely again and I’m able to write a lot sooner than I thought I would.

I’ve been writing short stories. Two.

Revising a Regency romance I drafted before I started the Phd so last looked at in 2016. I’ve been revising this for a while.

Drafting a new paranormal romance, featuring Gene Cohen from the The Cursed Ones series and a new witch called Lily DeVere. This kind of makes it a cross over between the Spellbound in Sydney series.

I’ve got lots on my plate in the drafted to be revised, restructured to the yet to be drafted categories. Once I have my head in the right space I’ll work out a timetable and commit some time, particularly the Phd novel and research. The catch is I’m back at the day job and there is only so much time I can spend on the computer due to back/neck issues.

In other news too, Matthew and I are heading to Tasmania in October for Terror Australis, including a week’s writing retreat, workshops and the festival featuring Ann Cleeves and Gary Disher. Website here. This is after we come back from Bali and Singapore so a busy time ahead. I’d like to write some crime fiction-it’s one of my favourite genres. Let’s face it I love all genre fiction.

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Since my previous post I’ve mulling over the so-called ‘passive’ heroine in romance novels. The stories I mentioned that didn’t have passive heroines in the previous post are fairly recent, say from the 1990 onwards. Also, the heroine I believe must be considered in context. The heroine in the Barbara Cartland novel discussed was an historical heroine. Would that account for her apparently passivity? Maybe. Then I thought of Georgette Heyer’s work and thought not so.

I have a weakness for Georgette Heyer’s Georgian/Regency romances.(Heyer died in 1974 so her works are much earlier than 1990s)  They don’t have sex scenes all, but they evoke a period in time reminiscent of the great and wonderful Jane Austen. A fantasy world, I suppose, with particular tropes. (I am equally weak at the knees for Scottish historials with Lairds in them. Totally non-realistic. Yes, I know it’s all fantasy, right?).

So four books that I have been listening to on Audible a lot lately are, Venetia (abridged), Sylvester (abridged), The Quiet Gentleman and the Grand Sophy. I have lots of Heyer’s books in print, but these just happen to be on my Audible account and I replay them a lot. Venetia and Sylvester are read by Richard Armitage. Enough said. He does a brilliant job. Those two books got me breaking my Audible rule. I set out not wanting to buy books on Audible that I own in print. I confess I spanked myself thoroughly when I broke the rule, but you know…Richard Armitage!!%$$$###???

Then I decided I didn’t like the abridged books, so I bought The Quiet Gentleman (almost romantic suspense) and The Grand Sophy because they were heaps longer and I could go away into another world while driving long distances.

I thought about the heroines and about whether they were passive or not. There is definitely a spectrum here. Sophia Stanton-Lacey is the strongest, least passive and positively feminist heroine, in some regards. She is the centre of a whirlwind. The first time I read this book I quite missed that it was a romance, or meant to be. I had to read it again. I missed something. It’s quite a wonderful satire. Now more recently listening to it many times. I can’t  count them. I’m weak. What can I say? Sophy stands up for herself. She locks horns. Charles her cousin gets quite riled with her. He is probably the most aggressive out of the heroes in these four novels. Mind you he has to be or he’d be pulp on the bottom of Sophy’s shoes. I could go into the plot a bit more but why spoil it for you. Just read the damn thing or listen to it.

Venetia on the other hand has lived a very retiring life. She pretends to be passive but she’s got steel in her, resisting the boring neighbour who wants to marry her. She falls in love with a rake. Who might be a libertine but is not overly aggressive. They form a lovely friendship until they are separated by interfering relatives. But when she finds out about her past, which has been kept for her, she just goes for the goal. She makes the rake propose to her, against his will. I wouldn’t call that passive.

Sylvester features Phoebe, who runs away when she thinks she’s going to be forced to marry Sylvester, a duke, who snubbed her. I wouldn’t say she was feisty exactly but she’s very unusual and when they are thrown together her magic explodes. She laughs at the duke, tells him what she thinks (a bit like Margaret in North and South) and she’s quite clever. They have an accord. Sylvester is not aggressive at all. He’s a gentle man, but very capable of fixing mishaps. Phoebe also has courage and gets into scrapes trying to do the right thing, to right the wrongs she has done.

In The Quiet Gentleman there is no aggressive hero. He’s so laid back, he’s almost effeminate. In fact, he doesn’t think much of Drusilla at all. She’s quite plain, short and plump. She isn’t trying to win him either. There’s is a slow and gentle coming together.Drusilla is practical and also quite determined to prevent, St Erth being murdered. It is really quite interesting really. I have listened (as well as read) this story and I don’t know when the transition occurs. It’s just a slow warming of him to her. Apparently he’s so gorgeous he was out of her league in the romance stakes and yet…without trying in any way to fix him, he falls for her. While Drusilla seems a bit laid back, she rears up at the end and tells them all what’s what. I don’t consider Drusilla passive, but realistic. This story is also an excellent satire and Heyer is great with her character descriptions. What a gifted writer.

So I don’t think historical heroines in romance novels are passive either. Of course, there are some. But don’t say they are all PASSIVE. You’re wrong!

If you are a romance reader or writer, please consider taking my survey. It’s for my PhD on Feminism in popular romance fiction. Just click here for more details.

 

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I feel good to be writing after a bit of a drought. The Regency Romance I’m drafting is continuing a pace. I’m past the half way mark. It’s a great feeling when a project gets its legs and you know it is going to work out. I thought this story would be 90 000 to 100 000 words. It might end up being in that range as there is still a bit of story to go and there has been a major blow up and I’m still writing all of the fall out from that.

I have quite a bit of tidy up to do but at this stage I’m just focussing on getting the draft down and being in the mental space where the story is sitting in my head and new ideas are floating to the surface.

I am hoping that this new found energy will last me into the revisions of other MSs I have stacked and waiting for attention. Revision can be hard work, but drafting something you really, really enjoy is fun, hard work but fun hard work. Revisions can seem to take longer and they do if you have structural issues. The trick is to get the structure right beforehand.

Anyway, I’m waiting for some workmen to finish up so I can get to my day job. But we have a writing date planned tonight so I’m so looking forward to writing some more.

PS. If you don’t know what I mean about a writing date. It’s where I get together with my partner and a couple of writing friends and we join together to write for a few hours. When life is busy, sometimes the only time I get to write is on a writing date, and I do that because I’ve committed to the time and made an appointment with others. We meet at each other’s houses, but sometimes  I’ve just had dates with Matthew in a cafe in town.

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A while ago, we formed the idea, Nicole Murphy and I, to go to the South Coast (Bateman’s Bay) to write with two CSFG pals, Cat Sheely and Marisol Durham. We had to find a weekend that everyone was free and then I counted down the says.  Nicole dropped out at the last minute but I made my way down here last night from Canberra.

We are sitting here right now in cosy armchairs writing away. We erupt into conversations occasionally. Cat talking time dilation and space travel. There were a few hiccups with a power outage and that took a while to sort out. It explained my cold shower (which I managed quite well as the weather here is divine). Toasting my sandwich for breakfast was a little harder but we did manage to melt the cheese.

I’m working on a Regency romance, one that I started on the Australia Day weekend. It’s going well. I’ve outlined it briefly on a piece of paper in pencil. I found that important bit of paper on the floor in the games room the other day with granddaughter scrawl on it. I knew I should have typed it out…sigh.

Anyway, I’m going for roughing the story out first. I know how long I want the story to be, but I need to know if the event are sufficient for that before I make the next decision. I’m quite nervous about writing this kind of story. I’m a fan of Regency romance but I’ve not tried writing it before. I have written a paranormal Victorian (more like steampunk, Victorian gothic romance/horror) but this story has no paranormal elements. A challenge you might say.

Cat is working on a science fiction short story featuring a female space freighter captain. Marisol is working on novel on a spy retelling.

We may even get into the pool later! Cat’s house is lovely and spacious and modern.

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This Australia Day weekend Russell and Kylie hosted a writing retreat. We usually  head off in January for a couple of weeks for a long writing retreat but events (work, $ and availability) conspired against us this year. I managed to get a day off so we could have a four day weekend.

Since my mother passed away on January 5 I have been flat emotionally and haven’t engaged in my usual activities. I’ve not cleaned Dweebehiem in a while and I’ve not really written anything either. I was able to put a few revisions through on book 3 of the Dragon Wine series as I had already marked them up on hard copy. So it was with delight that I headed to Double K ranch (Russell and Kylie’s house) to write.

At the last minute I decided to work on a dream project, something that had been at the back of my mind for more than ten years. It is a Regency Romance tentatively titled Tainted Lady. There is a lot of Regency Romance out there so I wanted to come at it with my own angle.

The heroine of this story, Matilda is a respectable widow, who has some issues in her past. She’s been a recluse since giving birth to her daughter at aged sixteen. Her daughter Sophia is now sixteen and ready for the marriage mart. Although her lovely sister-in-law is going to chaperone Sophia, Matilda must socialise as well at her brother’s home. Enter the hero, Sir Richard, who is a widower and a man who likes passionate women, particularly French ones. Now they get to make the sparks fly, as the nieces and the daughter are all angling for the eligible widower.

The issues I want to look at in this novel are to do with the results and issues left behind from indiscretions, particularly where the girl is not at fault and how a traumatic event can shape a life and deprive someone of their liberty, even if it is only socially. So Matilda has a history that she wants to keep private, whereas Sir Richard wants to discover it. Somewhere along that ends up in a love story.

I had hoped to get 20,000 words done. I could have aimed higher than that but I do have issues with RSI and I have a busy week at work from tomorrow. I’m set to meet my goal! I’m so excited about that. I have a scene to do that will take me past that so as it is still early in the day I may exceed my goal.

The rest of the year will be focusing on finishing the Dragon Wine Series but I think I’ll be able to tinker with Tainted lady in my spare, spare time. I have no idea if I can pull of the Regency Romance novel and I know I have a bit of research gaps in there, but I am going to try it anyway.

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I’ve been wondering why certain romance novels really thrill me and why I read them again and again. I could admit to be a pathetic romantic but I’m not alone. Is it the hero? The heroine? The setting? The story itself that drags me in?  I’ve listed a few favs so maybe you can tell me.

Here is a bit of summary of some of what I think are the greats and I’d be happy to hear your thoughts too. Most of these are old and well known.

I can’t recall when I started loving Scottish historical romances. It was either before Crosstitch by Diana Gabaldon (Outlander in the USA) or around that time. I’ve been reading speculative fiction (science fiction, fantasy and a bit of horror) from an early age. I think I had a major dive into reading the genre when I was 19 and it hasn’t let up since.

My faves:

The Secret by Julie Garwood. Oh boy. The actual set up for this novel is a bit far-fetched being a friendship between an English girl and a Scottish one in a time when travel was difficult and expensive. However, I was swept away with Judith’s story, particularly her reactions to Iain Maitland. He was particularly interesting in the sense that he was aloof but also passionate. The cast of secondary characters were lots of fun.

That leads me to a second favourite, Ransom by Julie Garwood. This novel stars the gorgeous and pig-headed Brodick, who is brought to his knees by Gillian, a brave English girl that saves Iain Maitland’s son. It is part of the series. Gilian is a girl out of her time, I suspect, braving the unbravable, but I love her and I love Brodick’s stubborn humour. I’ve read both these books a number of times and I have kept my copies.

I read a number of other Garwood books, but these are the standouts for me. I’m not sure why.

Moving on from Scottish historicals and moving to Johanna Lindsey’s, Warrior’s Woman. OMG! This is a book that was before its time. Erotic SF. I liked the SF in the story, though there is some borrowings from Star Trek (but hey who cares). Challen is an awesome hero and Tedra, what a match. I read a lot of Johanna Lindsey on the strength of this book, including the two sequels in the series, but for me nothing beats, Warrior’s Woman. You could say this book inspired me to try my hand at writing.

Cross Stitch by Diana Gabaldon, blew me away. I read quite a lot of the series. The first book is my favourite and the latter books just too long and bloated and there was only so many ways to almost kill the hero before it became tired. James Fraser is a stand out hero for me. I have been thinking why this is. He’s Scottish, funny, brave, sexy, tall, clever and sensitive. Claire in the first book was great as a semi-modern view in the historical period. There are parts of Cross Stitch I can’t read without laughing, always in the same spot. When I reread I skip the torture scenes. I was so influenced by this book that I went to Scotland and Culloden etc. I saw horizontal rain and I wished I had found Lallybrook. I also dabbled in learning Gaelic. (I know I’m a sad case).

Until recently the only Australian romance writer I had read was Anne De Lisle, who had three books out by Bantam and then she sort of slipped out of view. I did she that she had an agent trying to sell a paranormal series and kept my eye out but to no avail. Her first book was Clementina, a Scottish historical. This story had a lot of energy. Her next book, Isabeau was also Scottish and then Tabitha was Regency. I believe Tabitha was my first foray in Regency romance and I was a bit astonished that the hero, Dominic, behaved in a very un-Darcy-like manner.

Later Regency romances that I’ve read by Anna Campbell and Anne Gracie. Anna Campbell introduced me to Regency Noir in Claiming the Courtesan. Obviously I got over my ‘he doesn’t behave like Darcy syndrome’ because I loved this and bought Captive of Sin, which I haven’t read yet. I picked up the Perfect Rake, by Anne Gracie and became very antisocial until I finished it. This has humour and laughter and romance so I’m thinking it’s in the ‘to be read again’ pile.

Escape Publishing’s first Scottish historical was The Chieiftan’s Curse by Frances Housden (NZ author I think). It’s done so well it’s going into print. I loved it and it was what started me wondering about what made a block buster romance novel.

I don’t think I’m extensively well read in the genre as I’ve been concentrating a lot in the speculative fiction spectrum, but now I’ve dived back into the romance reading. I’m not normally a fan of contemporary romances but I’ve been indulging, ostensibly to research the market so I can write romance. I had been writing some paranormal romance and I’ve read a bit of urban fantasy too. Love it!

However, a goal is for me to write at least one Scottish historical and at least one Regency romance. You see the first time I ever tried to write in 2000 was a Scottish historical piece, which after 700 words I said was crap. Later on, when I’d been writing for a bit, I started a Regency romance and wrote the first kiss scene. I’ve matured a lot as a writer since then so maybe I’ll just go for what turns me on.

Please if you think I’ve missed a few classics then leave a comment. I certainly read the two books that Anne Gracie recommended in her talk at the Romance Readers Conference in March. Fierce Eden by Jennifer Blake (so rich in detail it was amazing and very sensual)  and Mackenzie’s Mountain by Linda Howard (Shiver! I loved that),

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