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Archive for the ‘fantasy’ Category

So Argenterra, my YA/adult crossover fantasy is out there in the world. Fly baby, fly.

I have paid for some advertising,  and stuff, but essentially the only copies that have sold so far were friends buying the pre order. I’m very grateful to them! Thanks guys.

I have sent out a couple of review copies. All reviews help! I am waiting to see what the reviewers think. If you want to review it, please let me know.

It’s early days so I’m not going to stress about sales. From past experiences it goes in ups and downs. Discoverability is the biggest challenge with ebooks or small press or Indie publishing. The book is not sitting on a shelf in a book store waving hello to you as you walk in. (As an aside the print book is discounted to book stores at 40% and can be ordered via Ingrams.) For buy links click  here or see My Books Tab.

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Cover by Les Petersen

What I did want to say is that Argenterra is first in a series and I’m committed to putting the three books out. There should be a cliff hanger warning too! For that reason I’ve included the first chapter of book two at the end of book one.

As a self/Indie publisher I can make the commitment to publish the whole series. I may not put them all out in hard copy print, but we’ll see what demand is like. I’m currently revising/polishing book 2, The Crystal Gate. It’s written but I haven’t looked at the draft since 2009. My writing has changed a bit since then. I need to have it beta read, edited before I can layout etc. The proofing and stuff can take a couple of weeks too. I’m hoping to finish the revision by the end of May.

Book Three is partially drafted at 50,000 words. At the time I was writing it, I figured it wasn’t worth finishing a trilogy that hadn’t sold. Now the publishing world is completely different. Now it’s my trilogy and I’m in control so I will get it done and out there.Drafting book three to 135,000 words may take until much later in the year.

Control is so underrated.

As Dragon Wine was put out by Momentum, I had no say in the book being split in two, which people complained about. And as the books didn’t sell sufficiently well, they declined to publish the next book in the series.  A nice blow after working on it for ten years! Thousands were downloaded for free, but unfortunately that didn’t translate to sales. However, the next book is drafted and I will try to get it out later in the year. It’s a bit hard when I don’t have the rights to the first book and given it’s lack lustre performance and it’s very dark nature I can’t quite make up my mind what to do. It’s hard not to get disheartened and lose faith in your work. Alas, Momentum is no more, but Pan Mac have the rights. The Dragon Wine series is quite complex and dark. I may have to lighten it a bit before I publish the next installment. If I publish it.

Dragonwine

Dragon Wine Series

My previous post may have sounded a bit down on traditional publishers. It wasn’t meant to be. It’s just that the crisis in publishing is affecting everyone in the industry and it makes life difficult, particularly here in Australia. I have an agent trying sell a book to traditional publishers.It’s a good book-hasn’t sold but I’m not giving up yet on that. I’ve only half written the sequel to that.  I have more books written that I’d like to see get traditional publishing deals. It’s just tough out there and it takes a lot of time. With 15 years worth of writing behind me, I have a little bit of a back list of unpublished novels. I’m also working on new ones. I may be hyper active. Here’s hoping the PhD will keep me busy, too busy to write anything else but the PhD novel.

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Since my last post I’ve been reading and researching and then I took time out to attend the Jane Austen Festival in Canberra. I would have been doing this regardless of what else I chose to do. I’m just weird that way. I do cool stuff!

This is my second time at the Jane Austen Festival in Canberra. Last year I only attended two part days. One reason for that was that I was still working on my dress until late morning on the Saturday. For some reason I failed to enroll in any of the interesting sessions on at the festival, which meant I had to watch the dancing. I had hurt my foot so couldn’t participate. I met up with fellow writer Bronwyn Parry and her family and friends. I met some other people I knew too. I enjoyed it immensely then and took part in the promenade and carriage rides etc.

This year, I got my organization mojo going (I thought). I enrolled in a pre festival workshop to make a bonnet. This was a fab idea. I was interested in Aylwen’s method and I thought it was a good way to ease into the festival, maybe meet people. I failed, however, to enroll in any of the additional sessions. I couldn’t figure it out. Later I found a clue, an email had been sent in February with a password. Doh!

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Cutting out the bonnet- a buckram construction

 

Unfortunately this year I also developed pain in the spine, everywhere and that put a dampener on things. I was going to participate in the dance tutorials, but egads! They were at nine o’clock! So pumped with painkillers I made it in on Friday. I sat and sewed with Bronwyn. I was on a mission to hand sew a white muslin gown. In the evening I participated in a dance. Nothing vigorous. But it was good to get out of the chair and move about. The atmosphere was fab! So many beautiful gowns. Dymocks Civic had a book stall so I bought a number of books. I also bought a second hand sari for converting into a gown and some fluffy feathers for bonnet trim.

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Books purchased at JAFA -some for my sewing and one for research

 

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Feathers and Fabric

Aylwen and John Gardiner-Garden are the organisers with volunteer helpers. The festival was managed wonderfully. I have organized SF conventions so I know how hard that is to do. The catering was wonderful and I don’t know how either of them could stand by Sunday night. John’s energy with the dance instruction and calling was indefatigable. The music was divine.

 

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Sewing with Bronwyn, Lauren and Kate

 

Saturday I stayed home for the morning. I hurt a lot, but rested and sewed and finished my gown. (this was for two reasons. I’m writing a Regency romance where the heroine sews gowns and I wanted to see if I could)

More painkillers and I was at the festival again. More dancing (just a little) but mostly watching and talking to people. I also bought a new bonnet blank (a straw base in the shape of a Regency bonnet for later trimming). My attempt at frugal practices was dead in the dirt by this time. I stayed for the Grand Napoleon Ball until after supper. I was hanging out to try the Syllabub. I went home earlyish.

This is a shot of me in my trimmed bonnet. I did it in a hurry as I had it for a year and was too ashamed not to trim it and wear it. Turned out well I think.

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Lauren and Kate in their lovely gowns. The Grand Napoleon Ball

 

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Assembled for the ball. I finished the white muslin gown all by hand.

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The hem detail of my dress. I had some vintage lace. I need to extend the hem as I ran out of fabric in the front.

Sunday and I was pain free. I was so happy that I was out the door relatively early. I missed the breakfast but I did buy some Bingley Teas. Bronwyn was delivering a workshop so I hung out with another writer Beverley and we had some morning tea. The big event for me was the promenade to the Old Parliament House Rose Gardens (Senate) where we had a picnic.

 

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Picnic!

 

 

I was pretty exhausted but did a dance lesson then listened to a talk on Regency and tea, had seconds of syllabub and went home. There was another ball after that but I was done in. I don’t know how people do it. What a jampacked weekend. Next year I want my daughters to come and Matthew too. I have a fantasy with him wearing Regency costume and dancing with me. I should take a pill.

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Me in the bonnet I made at the workshop. (not 100 per cent finished) and wearing the dress I made last year.

 

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Today it’s back to the PhD study. I’m working on questionnaires for readers and writers of romance and in depth interview questions. I feel it is a bit early to develop these but I have to submit my research proposal with my ethics clearance. I can’t do any interviewing etc until I have ethics clearance at that can take months. The form! My god. It’s complicated. I am so glad my supervisor, Tony, knows what it requires. So I’m sitting here at my desk avoiding work! Not! It’s good to recap I suppose. Now it’s time to be diligent.

Now it’s time to read about Bourdieu and drink some tea.

 

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I feel naughty! I’ve put a book up on Amazon for pre-order (other retailers to come). I feel nervous, excited and liberated too.

It’s been an interesting experience, one of commitment and camaraderie. I had to commit to working on the whole series this year. I had to pay for an edit and a cover. Anything to do with spending money when I’m now retired is a BIG commitment. Then there has been the camaraderie, the network of writer friends who have or who are embarking on Indie publishing. So much assistance and advice freely given. It’s been wonderful. Thank you all.

Cover by Les Petersen

Cover by Les Petersen (lespetersen.com.au)

The cover does have a YA feel but that’s deliberate because it does have YA leanings for sure. Fish out of water, coming of age etc. It’s also about romance, though I’m told it’s not fantasy romance. This is mainly because there are three different relationships. I can’t spoil it though! After fifteen years, it’s amazing to see it out there. Only me and maybe a couple of old friends knew the early version– the rank beginner Donna. It wasn’t my first novel ever. I’ve not had that much commitment to Relic (SF romance, Feminist SF) my first novel attempt, which I haven’t given up on completely. (I was just advised to wait until I was a better writer as it was a worthy project). Argenterra was my first fantasy ever. My first Indie published book.

Now for the outtakes….Sophy and Aria. Their names used to be Sapphire and Misty. However, while on a Writers’ Retreat, my very first, Russell Kirkpatrick and Paul Ewins said those names sounded like unicorn names. It was funny at the time but I did change the name. I always had trouble with Sapphire as a name. People found it odd. I couldn’t understand that because I knew a Sapphire. So Sophy and Aria it is.

Here is the pre-order link.

 

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I’ve joined Patty Jansen’s free book promo for first in a series. There are 66 books up there for free in the SF and F genres. Shatterwing is up there too.

book promo

Dragonwine

Dragon Wine Series

I’ll be back with a review post of the Ai Weiwei/Warhol exhibition!

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Gillian Polack is the author of many things fiction and non-fiction. She’s also a medieval historian, food history guru and a science fiction PHD, her second! I’m probably not doing her justice.

Anyway, I have Gillian here on my blog today to talk about her fab new book (Co-authored with Katrin Kania): The Middle Ages Unlocked- A guide to life in medieval England, 1050-1300.

Gillian and KatrinThis book is a fab resource for writers who want to write about medieval societies and for lovers of history.

How did you come up with the concept for the book?

I didn’t come up with the concept: my friends did. A group of people on a now-defunct email list said “We so need a book that tells us about the Middle Ages in an easy-to-read way that’s properly researched and can be used by writers.”  The friends were from the UK and US and Canada and Australia. Some of them were writers. Some of them were tired of writers not quite understanding things. They got me involved…

How did you two authors find each other?

In a pub! Seriously, we were introduced to each other by Shana Worthen at the big Medieval Congress in Leeds in 2011. It was an international conference, but it was one for Medievalists, and it always has at least one pub. For the record, I was drinking a rather nice English cider. Shana knew about the Beast and I asked her if she wanted to see it. I whipped out my trusty netbook and Katrin read over her shoulder and somehow ended up being drawn into being co-author! Since then, I have taken to carrying all my work with me, everywhere, just in case I meet someone who needs to share it.

Did it take a long time to develop the scope of the book?

It took years and years. Because writers and the general public said “We need this book” I had a good general concept about what kind of topic would be covered and that the approach needed to be easy to read but go into as much depth as was possible in a general work. We (the various people involved at different stages) played with several approaches and a wide range of subjects. Tamara Mazzei still has a timeline she developed for an earlier iteration, for instance, and I still have a list of plants and their uses. A couple of writer friends tested beta versions for their fiction and I could tell how effective different elements were by how they wrote and what further questions they need to ask. By the time Katrin came on board the topics were mostly settled but it covered both France and England. It focussed on England quite late, because it was a better fit for British publishers, but we refined approaches to the bitter end. The Middle Ages Unlocked wasn’t easy, but it was most definitely worth the effort, as I’ve already seen it being read and used by those same people who asked for it, all those years ago.

How long did it take from the concept to completion?

About fifteen years, all up. I’m still surprised when I see it in bookshops, because it’s had the longest development and most work of any of my books. Given how prone I am to research, this is worrying.

At 384 pages it looks to be quite an undertaking! Did you have to  leave stuff out?

We left out more than we put in.  Several times the amount that went in, in fact. The perfect version (from my point of view) would have been enormous. We followed our publisher’s guidelines, however, for those guidelines were there with much good reason behind them, and we wrote the best possible work that was actually publishable.

How did you go about finding a publisher?

We approached publishers that we had contacts with and that were a really good fit for our project. One of them suggested Amberley, for they felt that Amberley was an even better fit than they were: if ever I meet that editor I will buy her a drink, for she was both generous and correct.

I  notice a lot of writers gave you cover quotes. Do you see the book as a resource for writers only? Did all that bad fantasy drive you to spend years of your life developing this book?

It was first designed for writers, but it’s grown to be a volume that’s for the general public. And bad fantasy had nothing to do with it! I’ve taught history to writers for two decades and so it was quite natural for writers to say to me “Why don’t you pull together a book that presents this to a wider audience?” This means the demand came from writers who wanted more, not writers who were lazy about their world-building. I find this very reassuring.

Initial S: The Lord Appearing to David in the Water; Bute Master (Franco-Flemish, active about 1260 - 1290); Northeastern (illuminated)  France Paris (written)  France; illumination about 1270 - 1280; written about 135 - 1375; Tempera colors, gold, and iron gall ink on parchment; Leaf: 17 x 11.9 cm (6 11/16 x 4 11/16 in.); Ms. 46, fol. 92

Initial S: The Lord Appearing to David in the Water; Bute Master (Franco-Flemish, active about 1260 – 1290); Northeastern (illuminated) France Paris (written) France; illumination about 1270 – 1280; written about 135 – 1375; Tempera colors, gold, and iron gall ink on parchment; Leaf: 17 x 11.9 cm (6 11/16 x 4 11/16 in.); Ms. 46, fol. 92

What was the favourite thing you did in this book?

I was really happy to pull together what was known about dance. I’d been meaning to do this for myself and the book gave me an excuse.

What was the hardest section for you? (I noticed at the Q&A you said there were areas where you had a lot of research and some was more general)

The hardest section as the one that dealt with all the bad things in society. It could have had a lot more detail, but neither Katrin nor I could deal with any more detail about people being hurt!
I guess there are things we will never know about the past.  How does that you make you feel as a historian?

Perfectly normal. Historians are always aware we can’t know everything: it’s part of the job description.  History is an interpretative discipline, not one where absolute knowledge is possible.

Do you have other historical projects in the pipe line or is it fiction for you from now on?

I’m nearly finished a book specifically about how writers use history in their fiction. it will be published next year. And I’m starting work on a novel set in the seventeenth century. I’ve already sifted through hundreds of primary sources (over 800) to sort out how I will  deal with various aspects, but the real work on it will hopefully take place next year. I’m also doing work on other peoples’ writing: there’s an article by me in the next issue of Foundation, for example.

Where can people buy the book?

In Australia, ask your local bookshop to get it in: since it’s only just been released here, most shops don’t know about it yet. Online, almost every shop stocks it. In the UK, try Blackwell’s or ask your local bookshop to get The Middle Ages Unlocked in. In the US, either online shops or wait until October, for it won’t be released in the US until then. If you can’t wait, online shops in the UK will sell it to you.

Easiest way is to buy from Book Depository Link here.

Gillian book cover
Thank you for visiting the blog today, Gillian. Mazel Tov!

Thank you for having me!

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It is my pleasure to have Jane here today. When I first met Jane I was an aspiring writer with more zeal than talent or craft. Jane made an impression on me as an author who was happy to share her experience and was very gracious and friendly. Jane is a prior winner of the Aurealis Award for fantasy novel and remember thinking when we me met, wow, just wow. I managed to talk her into coming to Conflux in Canberra… maybe more than once.

Jane Routely

Jane Routley

Jane has provided some wonderful and insightful answers to the interview questions. Some of her habits I can totally relate to.

Your new novel is coming out. Can you tell us a bit about it?

In The Three Sisters, a woman warrior and a mage, who refuses to grow up, traverse an oppressed land in order find a kidnapped sister. Elena, the missing sister, has the curse of Fatal Beauty which means those who see her desire to own her. Unbeknowst to the sisters hidden powers are manipulating their destinies.

The Three Sisters was published some time ago by Harper Collins U.S. under a pseudonym. Clan Destine Press have been kind enough to bring it out as an ebook under my own name so that it can be read in Australia.

There is an unpublished sequel called The Melded Child which I very much hope Clan Destine will bring out in the next year or so.

Jane tell us a bit about yourself (where you live, how long you’ve been writing, previous publications etc)

I’m from Melbourne although I spent seven years in the 90’s living in Frankfurt and Copenhagen. I was a trailing spouse when I lived in Europe so I started writing then. I’d always wanted to be a writer so I figured it was time stop making excuses and knuckle down. I’ve published 4 novels and a number of short stories. Two of the Dion Chronicles won Aurealis Awards for the best fantasy novel in the year they came out.

Print edition from Ticonderoga Publications through Indie Books Online and

Ebook edition.

I had a big slump in the early naughties. Changes in the publishing world made it very difficult for a while and I completely lost my confidence. I never stopped writing but I’m back to finishing things for publication again.

Jane what do you find so attractive about the fantasy genre? In what ways do you find it fulfilling?

I’ve always loved history but I find historical fiction a bit limiting. You’re stuck with an already set out world and if your characters are well known to history you know how they’re going to end up. I’m interesting in travelling in new worlds. At the moment I’m interested in exploring a world in which wealth is passed down through the female line, which is does happen in our world too, but not on a state level. I thought it hadn’t been explored enough in fantasy. I’ve also always loved fairy tales – the sense of wonder that comes from magic. You can do that in fantasy. I do like the way people like Kate Forsyth are combining history and fantasy in books like Bitter Greens.

What are you working on at the moment?

I’m working on “Shadow in the Empire of Light” at the moment. “Shadow” is about an orphan without magical gifts in a powerful family of mages stuck in the country managing the family estates with only an eccentric aunt and a telepathic cat for company. It’s about her breaking out to find her own way in the world.

What is your writing process? (planner, panster, write every day, write sporadically, writers block etc).

As a writer I’m more of a panster than a planner. I know what I’m interested in writing about and I usually have some idea of where I want to go, but I never have much idea of how I’m going to get there. Every book I start I try to be more of a planner. It must save so much time and angst. I always get to a point where the book goes dead and I’ve learned that that’s because I’m trying to make the characters do something that doesn’t work. Gee it’s miserable when it happens. I wish I didn’t have to go through it. On the other hand I get bored easily, so perhaps it’s best if I don’t know how things are going to go.

As a panster, I know I write stories and books to see what’s going to happen if… What if a woman was irresistibly beautiful as Elena is in The Three Sisters. What is it like to colonized? This is a big theme in Australia History. So I set up these conditions, invent these characters and just keep asking what if… until I get closer and closer to the story that feels right for me. It’s a bit like being an archaeologist or painting an oil painting.

I try to write most days for at least an hour, two preferably. I work part time so it makes that easier. I don’t wait for inspiration. I just sit down at the computer and stay there until my time is up. If I can’t write I sit there and feel bored. Sometimes I get stuck but even then I sit down. I’ve never had writers block really badly though I have had some really miserable times sitting at my desk. If I can’t think of anything to write I write in my diary (usually a sadly neglected file)

Elizabeth Jolley once said that one way to avoid getting stuck was to leave the previous day’s work slightly unfinished so that you’ve got something to go on with when you sit down next. I find that always works for me.

What part of writing do you find hardest?

Despite the fact that I’ve set up my life to be a writer, I still find sitting down to do it the hardest thing of all. Almost anything is easier than writing. There are still those little voices in my head saying that I’m wasting my time and that nobody wants to read this stuff. I’m very achievement orientated and signs of achievement come very slowly when you’re a writer.

There’s much more instant gratification to be had from doing the garden or having morning coffee with friends or watching eight hours of Buffy the Vampire Slayer. And much more fun chatting on social media. That why I make myself sit down for a couple of hours on a computer that’s not on-line (yes such things do exist.) Otherwise I probably wouldn’t write at all and I’d get very down and grumpy and not know why. I regularly need to remind myself that if it makes you happy, it’s worth doing even if nobody else thinks it’s worthwhile. But I write to be read which is why I finish things.

What do you prefer, drafting the story or revising and reworking?

I find the drafting really really hard work and as I said earlier I sometimes get stuck. Plotting is the hardest part of a story. I really enjoy the reworking and the revising because you have the certainty of knowing where you’re going and you have the pleasure of adding texture to the world that can really make it sparkle. I actually go through each novel three times at least. Once to do a very detailed first draft and the second time to add the flesh to the bones and the third time to polish the prose.

What do you plan to work on next?

I’d like to do a sequel to Shadow in the Empire of Light though ideally I should try and find it a home before I start. I’m also half way through a man on man time travel romance which I started years ago and have been working on on and off for years. I’d love to finish that.

The Three Sisters book cover

The Three Sisters book cover

Here is the blurb!

“A captivating read” Sara Douglass

Three sisters, estranged from the Society they are destined to save. Elena, more beautiful than any man can resist, is kidnapped, her destiny controlled by the men who desire her. Yani, warrior woman, brave, strong, able to pass as a man, who will do anything to find Elena. Marigoth, powerful female mage, determined never to grow up, equally committed to finding their missing sister. In a country oppressed and cruelly ruled, the fate of many people lies in the unsuspecting hands of these three women.

Published by Clan Destine Press link here.   Ebook format. Available also in kindle or mobi

Price AUS $6.79

ISBN  9780992492595

Thank you so much Jane for elaborating on your writing processes.

You can find Jane online at www.janeroutley.com.au and

https://www.facebook.com/jane.routley.5

https://www.goodreads.com/author/show/333390.Jane_Routley

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One of the topics I thought was interesting was the types of characters one sees in fantasy and science fiction, that is that they are mostly white. While I’ve not read ‘all the fantasy’ out there, there are a number that I’ve read that do. Some exceptions to this are NK Jemison and Earthsea by Ursula Le Guin among others. My Dragon Wine series features people of mixed race. This is because it’s a post apocalyptic world and because of the destruction people intermarried to survive, so only a very few people would be all white or all black or Asian etc. My main protagonist Salinda is brown skinned and of mixed race. I didn’t consciously try to make my characters non-anglo it was just the result of the world setting.

Today I’ve invited Patty Jansen to the blog to talk about her use of non-anglo characters. Take it away Patty.

Patty Jansen

Patty Jansen

When Donna asked me to blog about what inspires me to use non-Anglo characters, my first thought was: do I need inspiration for that? They’re part of society, part of my life. They have pasts, and because I write SF, I’m interested in their futures. They’re people.

If we can say one thing about the future, it’s that it won’t be “more of the same” of what we have today. It has never been that way in all of humanity’s messy history. History is made up out of interwoven strands that sometimes don’t make sense until you understand the context.

Far too often, science fiction tells the author’s view of the future from a one-sided perspective, usually American, white and male. In my fiction, I strive to make it less monolithic. There are many segments of society whose histories deserve to be pondered on, extrapolated and told.

The majority of people in the world are non-Anglo. I use them in my fiction in hopefully the same way they are used in Harry Potter. For example, nowhere in all of the seven Harry Potter books is it mentioned out loud that the Patel twin sisters are Indian. Of course you can see that they’re Indian. Their name gives it away. So why point at it when it’s not a plot point, as if saying “Hey, LOOK! I’m using a non-Anglo character!!” That sort of pointing out, when done to any minority character, just annoys the crap out of me. As if minority characters are only allowed in a book when they’re a plot point. What rubbish.

Non-Anglo characters play an important role especially in my ISF-Allion interlinked series of novellas and novels. In this world, the future goes like this:

When various problems (disaster, wars, lack of money) forces western countries to scale down the space program, a group of normally disenfranchised people picks up the ball and runs with it: a conglomerate of applied sciences students who study in western countries, but who come from the poorest and most repressive/repressed countries and societies in the world. This group would never have gotten off the ground without two people: the brains and drive of Fatima “Ally” Al Alamein and the financial backing of heiress Marion Gluck. The company they form is Allion Aerospace, the name a combination of their names. They are the first to put a person on Mars. That person is Chandra Lee, a woman, half Indian, half Chinese, not a drop of western blood in sight. The company with a 90% female workforce operates on a shoestring budget (relatively speaking) and makes huge strides because it attracts smart people for whom even the risk of dying in a Mars mission is better than their current lack of opportunities. Within a short time span, Allion has a huge work force, space bases and some ingenious hardware.

Meanwhile the western countries and their International Space Force are forced to do a huge catch-up mission. Their mantra is big and cumbersome, and when they can’t find enough people to crew their huge space stations, they resort to “resettling” people from the poorest, dilapidated cities in the world at that time. They are the people from low-lying areas (Jakarta, Bangladesh) and victims of desertification in India/Pakistan and Africa. Parts of the world that, even today, white men in power do not care about. Here we have colonial behaviour all over again.

These two groups of non-Anglo characters end up on opposite sides of the spectrum. The Allion women, mostly Africans, Indians, Chinese and Arabs and their high-controlled, high-tech environment, versus the raw hardship of the displaced mining workers. While the ISF methods sound akin to slavery, Allion has some very “interesting” ideas (not in a good way) about what constitutes a human being and also about free choice and privacy. There are no angels in this world.

Shifting Reality is a novel that takes place on a giant space station at Epsilon Eridani, amongst second and third generation forced migrants from the slums of Jakarta. Seventy years after their forced departure from Indonesia, they’re no longer Indonesian, but they’ve morphed into something else through circumstance and the tyranny of distance.

I did a lot of reading to construct this society. It is not faithfully cultural and was never intended to be. But there are plenty of weird, quirky and mostly just plain different customs that have morphed into a multi-pronged, diverse Indonesian-based cultural melting pot. There are the political groups, the gossipy block associations where ground-level politics happens between men who want power and old women who hold said power, there are the gay and transvestite bars, there are the religious hypertechs, where men and women both wear face veils, who abstain from “pleasure” and who are a fertile breeding ground for unusual technological, uhm, solutions, including hacking, spyware and other illegal stuff. While the cliché has us see Indonesians visit temples, Indonesia is the largest Muslim country in the world, and my characters adhere to the Indonesian brand of Islam which is fairly relaxed and has a good deal of traditional stuff thrown in. Did you know that the spread of Islam to Indonesia dates back to the 1400s?

I wanted to construct a possible future culture that was not based on western ideology and western values. Because often when writers use non-Anglo characters, they still operate in an Anglo cultural framework. I’d encourage other writers to think beyond their borders. Not only is not every person who matters in the world Anglo, not all cultures aspire to be Anglo either.

Patty Jansen is an author of 15 novels and numerous short works of science fiction and fantasy. Find out more about Patty’s fiction here. Find out more about the novel Shifting Reality here. Patty is also on twitter and Facebook and talks about writing, photography and other random things on her blog Must Use Bigger Elephants.

ShiftingRealityprint

 

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As a follow on from my Loncon 3 report, I thought I’d do a post on London. We arrived Tuesday 12

September. We were sharing an apartment in Limehouse with Kim and Shauna. It was a lovely place and close to the DLR, which we needed to get on the metro and to the Excel where Loncon 3 was being held.

I thought a self catering apartment would have advantages. We could could meals, wash clothes and hang in the sitting room. This was a good plan except Kim and Shauna discovered the cafe on the corner and once I went there I wasn’t keen on cereal for breakfast. We think it might have been Polish but we don’t really know. We went there everyday and when we left popped in to say goodbye. Limehouse is in the East end of London, closer in to the river from Whitechapel (Jack the Ripper fame). I wanted to walk to Whitechapel, but as it was Matthew and I walked into Gracechurch Street and cheapside on day.

The walk in was interesting because of the ethnic mix of people and the sort of poorer area. We went to a market and had a look around. Along Commercial Road there were numerous direct to public clothing warehouses. I was sorely tempted but I had a goal to walk into the city. We could see the Gerkin for most of our walk.

Gracechurch street is where Lizzie’s uncle lives in P&P. It’s in Cheapside. We also found a patch of river and I picked up some pieces of pottery, which satisfied the archeologist in me. On the way back we got some fab shots of the Tower of London.

Tower of London, exterior, taken August 2014

Tower of London, exterior, taken August 2014




Banks of the river Thames with bits of the past washing up

Banks of the river Thames with bits of the past washing up

Under London Bridge

Under London Bridge

Gracechurch Street, Cheapside, London, August 2014

Gracechurch Street, Cheapside, London, August 2014

 

During our time in London we went to the Victoria and Albert Museum and we have some lovely photos. We went to the Wedding Dresses exhibition but no photos were allowed. I really enjoyed just walking the streets and soaking up the feel of the place.

You will see from the photos that I concentrated on the Regency and Victorian fashions. Be prepared for a photo fest.

Victoria and Albert Museum taken from the quadrangle

Victoria and Albert Museum taken from the quadrangle

Bonnet

Bonnet

Focus on bodice, Regency gown V&A

Focus on bodice, Regency gown V&A

Catalogue for fashions Victorian era

Catalogue for fashions Victorian era

Victoria era dress showing rear view of draping V&A

Victoria era dress showing rear view of draping V&A

Crinoline petticoat V&A

Crinoline petticoat V&A

Top and fabric for dress, Victorian era V&A

Top and fabric for dress, Victorian era V&A

Male dress, Regency era, V&A

Male dress, Regency era, V&A

More historic male clothing

More historic male clothing

Bodice close up of black and white Victorian dress V&A

Bodice close up of black and white Victorian dress V&A

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Regency dress coat

Regency dress coat

We ate in the V&A cafe, which was very Victorian.

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V&A ceiling of the tea room

V&A ceiling of the tea room

Shauna O'Meara, V&A tea rooms, August 2014

Shauna O’Meara, V&A tea rooms, August 2014

Kimberley Gaal, V&A tea room, August 2014

Kimberley Gaal, V&A tea room, August 2014

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Because I’ve been travelling and haven’t had much opportunity to blog, I haven’t blogged the cover of my new book, Shatterwing (Dragonwine book 1). So I’m going to do that now because…the cover of Skywatcher is going to be revealed on Wednesday so it makes sense to do Shatterwing now.

Shatterwing is also up on Netgalley and if there are reviewers out there please let me know because it would be fab to have a book I’ve been working on so long reviewed.

Shatterwing will be available from major e book retailers and will be able to be ordered in print from bookshops. I am planning to have print books available for my book launch at Conflux in Canberra in October. I am also planning some bookshop visits, but more on that when I return to Canberra. And without further ado, Shatterwing-the cover!

Shattering cover

Shattering cover

 

I particularly like the look and feel of this cover. Fantasy covers are hard to convert to ebooks as thumbnails are important. I think this cover does the job and I love what Momentum books, my publisher has done. It stands out and coveys the fantasy genre as it is meant to.

It evokes Game of Thrones, which is kind of cool and there are dragons in it, more particularly dragonwine.

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I have let out hints on Twitter and Facebook about contracts! Yes, plural. I’m so excited and I’ve been dying to tell but a few things happened. One, I hadn’t signed the contracts yet. Two, my laptop fell off my bed and broke. I’m afraid I was traumatised. But it’s now fixed and all is right in my world again.

If you have been following me for a while, you would know about my novel Dragon Wine. It’s the work of the heart, my major work, my first glimpse of writing something good way back when (2005). It was a massive  door stopping beginning to a trilogy, which I started in 2005. It wasn’t quite as good then as it is now. If it wasn’t for the Varuna MS development awards it may not have been written. I was encouraged by being long listed for the first 25 000 words (all I’d written at the time) of this first imaginings of Dragon Wine in 2005. At the time, I had a little vineyard so I did think a lot of it up while I was out there working on the vines, pruning them, caring for them. I wrote more in 2006 and it made the long list again, then I submitted again finally making the shortlist.

I did a quite a lot of posting a while back about how I cut it back after some feedback and also to make it eligible for some slush piles. However, I hadn’t quite got it where I wanted it to go. And those slush piles. Shrug. Publishing is a different place from when I started writing way back when.

I was thinking to do another rewrite of Dragon Wine this year, as you do with a work  you never give up on, when I had a chance to submit it to Haylee Nash at Pan Macmillan Australia. The wonderful thing was she read it straight away and loved it. I was offered a deal with Momentum Books and I took it. All very quick. It felt amazing to have an editor read it and love it. You can’t imagine how it felt. I’ve been working on this book for 9 years.

So Dragon Wine is coming out really soon. It is coming out in two parts. Dragon Wine is the name of the series and the first book is Shatterwing, which is the name of the remains of the shattered moon above Margra, the planet where Dragon Wine is set. The second book is called, Skywatcher, which is the name given to the people who watch the skies and shoot down meteors. Alex Adsett, my literary agent, coined the term-post-apocalyptic dragons when she read it.

You can probably tell that this is a weird sounding fantasy as it seems to have science fiction elements. It does! It’s also a pretty dark fantasy in that the world is not nice and is inhabited by some pretty nasty and desperate people. Of course, my story is about the people who are good and want to change things. Anyway, you will have to wait for the blurb! Then not very long after for the books. I am hoping to launch them at Conflux in October in Canberra.

Meanwhile, I post things as I hear or see (like the covers!). I’ve just got the copy edits for the first part. And I’m going to get the next ones when I’m in the UK in August, eep! There is more to the story of course, but being a commercial world we need to see how these two go before decisions are made about the next installments. But I do have the next two drafted!

And I have good news for Dani K too, but that’s another blog!

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