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Archive for the ‘retro SF’ Category

November is usually a good writing time for me. The taxes are done. I’m gearing up for Christmas so I usually have that impetus to get things done before December hits. I can take that 30 days to focus and write.

Many years I wrote during November and I didn’t register for NaNoWriMo. I got into the spirit of the thing. Until recent years where I’m much more likely to register. I don’t always make the goal. A couple years I baulked, usually do to workload in the day job. I have partial drafts of books. One is a contemporary romance– at least so far. I’m tempted to put in a ghost or a vampire, but basically it’s a truckie story. The other partial I have is the sequel to The Sorcerer’s Spell, called The Changling Curse. I haven’t got back to it to finish it. There are a number of reasons for that. That I already have too many draft novels that need to be crafted, revised and polished is the main one.

So this year, I signed up for the NaNoWriMo thing. I hadn’t done any planning for the novel. November just sneaks up on me. Anyway I had this idea in my head for a year or two that I wanted to write another Love and Pirates story, this time about Opeia Gayens, the mother and head of AllEarth Corp.

I started drafting. I got 5000 words down but then I had to stop. I had to work on another novel, getting it ready for beta readers. I thought I’d just come back to the NaNoWriMo project. I ended up nearly losing two weeks but I did go back.

It’s quite hard to write a story without enough ideas. Sometimes they just come to me. So I started drafting and I was thinking this is a bit lame, I’m not sure where I’m going with this. I had that break from it (nearly two weeks) and reviewed the 5000 words I’d written to get me back into the story and went to bed. But obviously my subconscious was worried about the story because I had this amazing, comical scene unfold in the early hours of the next morning. I got up really revved, thinking this is it. And the resolution of this scene would skate me near to the end of the story. I was back on board. I had to write a lot to catch up, because I was way behind. But I didn’t let that worry me. I was on a roll.

This is the part that I love. Being so revved so in the story. I call it the zen zone where the creativity is sparking in the brain and the story cascades like it’s being downloaded. I walk around in a daze, send notes to myself as little ideas come to me. The ideas are flowing and writing 5000 words over the course of the day seems natural and easy. This is the buzz I live for. This is the orgasmic flow that is, lets face it, better than sex.

Often after experiencing the zen zone, I think I’ll never get it back. These days I know I can. Usually I get into the zen zone on  a writer’s retreat. This time I managed it at home, between uni, grandkids and other stuff. I caught up. I wrote 50,000 words! A complete story. I’ve even tinkered with some of those words. It’s a short novel, but longer than Rayessa and the Space Pirates and Rae and Essa’s Space Adventures.

Now the first cut is done, the harder work begins. Crafting the story I wrote. Opi Battles the Space Pirates is a SF romance. The most difficult part of a romance for me is writing the characters to sufficient depth. I’m queen of plot in comparison. My books tend to be plot heavy. The challenge now is to find out who Opi is and craft her better than she is now. I’d like to do that now rather than later…just in case it goes in the too hard basket.

NaNoWriMo for me then is not so much about how much I write, although I do find having a goal makes me sit at the computer longer than I really want to. I am an obsessive, goal oriented over achieving ADHD woman so that probably makes sense that I respond to a word count goal. But more than that it’s about writing, getting into the zone, giving myself permission to write and ignoring the housework and the DVD watching etc. Over 30 days you can achieve a lot. NaNoWriMo just reminds me of that.

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A fun part of my PhD is reading romances. Mostly I’m concentrating on retros–1970s and 1980s but I want to read up to and including current titles.

The President of the Australian Romance Readers Association (ARRA), Debbie Phillips, gave me four boxes of books. These were mostly Harlequin Silhouette novels from the late 1980s and early 1990s. I’ve read two so far.

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Then I unpacked the books!

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And then I didn’t have the heart to put them back in the box so I bought some bookshelves for them. (I’m not supposed to be doing that being frugal. Alas, the savings were attacked!)

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I’ve read one cowboy romance by Lass Small called No Trespassers Allowed and I enjoyed that a lot. I even sniffled a bit at the end. It wasn’t feminist but it did discuss gender roles and was almost entirely told from the male perspective. I noticed I have about 5 more of Lass Small’s titles. She’s deceased now but published a lot in her life time.

Cherokee Thunder by Rachel Lee was published in 1992/93 and is from the Silhouette Jasmine imprint. It appears to be slightly longer than the traditional category romance. I’m sure someone can tell me all about that line. I’ve not read Rachel Lee or heard of her before. A quick look on line tells me she is still writing and is using the same setting, Conard County. And she’s won awards etc. I’m not surprised.

For someone reading with an eye for feminist or social issues in these book like I am, there was heaps in this book to interest me. It’s main theme is domestic violence and the secondary theme is racism. There was also some discussion about being a working woman, being independent, being a wife and mother and liking housework. The kind of book this is-set in a small county in Wyoming- being a house wife is a natural aspiration.

I’m not sure how politically correct the half-Cherokee character/heroe, Micah Parish, is but I found him to be represented in a very positive way.This is a character who is solitary, cut off from family, both his white and his First Nation side. He is honorable and emotionally amoured and very gentle.  I ‘heart’ him very much.

Faith, the heroine is a battered wife. She’s not ordinary, run of the mill, battered wife either. She’s seriously battered, stabbed, brutalised…you name it and her ex husband is a crim and an ex cop and a psycho!. Six months pregnant and her ex has even tried to carve the baby out of her. Seriously, scary, stuff!

She’s the frightened kitten, small, petite and hurting. Micah is a big man and he’s got a soft spot for strays. She may be battered but with his caring way, she’s able to find her spirit and over come her timidity. Never though is her abuse trivialised. It is discussed throughout that she’ll have flashbacks (she does) and that it will take time to heal.

As I read this I could see that there could be other stories in this setting. There were some interesting male characters but I haven’t looked up to see if this was a first or a third in a series.

Faith in her reminiscence about life reflects that she’s been betrayed. She was brought up to be a wife and mother and all she got was  abuse. Her stepfather had conditioned her to have low self esteem and told her she deserved a beating. The representation of the abused woman in this story was very accurate to my mind. It takes someone very special to help her. And man does Micah do that.  As I read this I was thinking this is really good. This would make a great movie.

The story seemed to me to be predominantly from the male point of view, except it wasn’t. It was a shared point of view, slipping between Micah and Faith within scenes. It was smoothly done. The only other time I’ve seen this style was in Cory Daniels The Last T’en. It is certainly different from the pseudo omnicient/weird quasi from the male perspective that some of the other retro Mills & Boon had. (apparently before the 1980s they couldn’t use the male PoV)

What I loved about this book (and being a victim of abuse myself) is that it’s so positive. The message here is that there not all men are the same. That even a big, hard man can be tender and kind. It’s such a powerful message. I know Micah is a constructed male. A hero drawn from a woman’s imagination. But I can’t understand how something like this can be denigrated, the way romance fiction, is generally denigrated. It’s a healing story. So there are so romantic foibles-some things the hero says a man probably never would, but still…

I recall JD Robb’s In death series and I remember being so impressed that (Nora Roberts) discussed child abuse in the story line. The unspeakable trauma that the main character, Eve Dallas, went through as a child is revealed slowly over the series and I was so heartened that she discussed that topic. It’s not a nice topic but it happens and it’s important.

I’m still at the beginning on my retro reading. It’s been an interesting and enjoyable experience so far.

Cherokee Thunder was a touching tale. Thank you Rachel Lee for the lovely piece of fiction.

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Time just flits by so quickly. I’ve had a nasty bout of RSI this week and lots to do. I’m still in Audible mode as well as reading print and e-books. This not quite review is of Ender’s Game and Speaker for the Dead. Older SF but still good. When I started on Audible I wanted to use it as a vehicle to read those books that I don’t already own and that I’ve wanted to read but for some reason haven’t. These books were recommended to me by a work colleague.

The Audible files for these two books were good. I haven’t seen the movie btw so I’m basing this on my listening experience.

Ender’s Game for me was an interesting book. I can’t say that I found it easy to identify with Ender’s situation or character. He is a six year old genius sent to military school to be carved into a tool. This doesn’ t mean I didn’t enjoy the book. I enjoyed the idea of the story, of the boy and his experiences. I enjoyed the craftmanship of the story. I enjoyed Card’s depiction of working in micro gravity and how it changes perceptions. We work in a space that has sideways and up but rarely do we conceive of down or no up. I believe the book had a profoundness to it, particularly the ending. If you haven’t read it I recommend you do.

In comparison though, the next book, Speaker for the Dead moved me greatly. Card says in his interview on Audible for Ender’s Game that he wrote Ender’s Game to set up the book he wanted to write, Speaker for the Dead. You wouldn’t necessarily have to read Ender’s Game to understand the next book or get the message, but after being on Ender’s journey it adds to the poignancy of Speaker for the Dead if you do.

What stood out for me with Speaker for the Dead was those elements of realness in there. Card did his Mormon  mission in Brazil and he used that experience to layer Lusitania, with a Portuguese, catholic culture. Despite him not being catholic himself, he used it quite sensitively and knowingly. The economic workings of the colony were very well thought out and solid.

The depiction of the Piggies, the alien race and their alienness was intriguing and fully- fledged. He’d really thought about this. No wonder that both books won Hugos and Nebulas.

The strength of the book for me was the characters. I felt them. They were very three dimensional. Something I admit I wasn’t expecting from an 1980s SF story. I’m not sure why but it was streets ahead of Ender’s Game on this point. I cried in parts of the book. I had to sit in my car and compose myself before going into my office.

The Piggie called Human touched me. I’m getting teary just writing this blog post.

Anyway, if you were thinking of some retro SF then try these books. I’m going to read/listen to the next one, Xenocide soon (after Robin Hobb’s Farseer trilogy gets its claws out of me).

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