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Archive for the ‘A writer’s life’ Category

November is usually a good writing time for me. The taxes are done. I’m gearing up for Christmas so I usually have that impetus to get things done before December hits. I can take that 30 days to focus and write.

Many years I wrote during November and I didn’t register for NaNoWriMo. I got into the spirit of the thing. Until recent years where I’m much more likely to register. I don’t always make the goal. A couple years I baulked, usually do to workload in the day job. I have partial drafts of books. One is a contemporary romance– at least so far. I’m tempted to put in a ghost or a vampire, but basically it’s a truckie story. The other partial I have is the sequel to The Sorcerer’s Spell, called The Changling Curse. I haven’t got back to it to finish it. There are a number of reasons for that. That I already have too many draft novels that need to be crafted, revised and polished is the main one.

So this year, I signed up for the NaNoWriMo thing. I hadn’t done any planning for the novel. November just sneaks up on me. Anyway I had this idea in my head for a year or two that I wanted to write another Love and Pirates story, this time about Opeia Gayens, the mother and head of AllEarth Corp.

I started drafting. I got 5000 words down but then I had to stop. I had to work on another novel, getting it ready for beta readers. I thought I’d just come back to the NaNoWriMo project. I ended up nearly losing two weeks but I did go back.

It’s quite hard to write a story without enough ideas. Sometimes they just come to me. So I started drafting and I was thinking this is a bit lame, I’m not sure where I’m going with this. I had that break from it (nearly two weeks) and reviewed the 5000 words I’d written to get me back into the story and went to bed. But obviously my subconscious was worried about the story because I had this amazing, comical scene unfold in the early hours of the next morning. I got up really revved, thinking this is it. And the resolution of this scene would skate me near to the end of the story. I was back on board. I had to write a lot to catch up, because I was way behind. But I didn’t let that worry me. I was on a roll.

This is the part that I love. Being so revved so in the story. I call it the zen zone where the creativity is sparking in the brain and the story cascades like it’s being downloaded. I walk around in a daze, send notes to myself as little ideas come to me. The ideas are flowing and writing 5000 words over the course of the day seems natural and easy. This is the buzz I live for. This is the orgasmic flow that is, lets face it, better than sex.

Often after experiencing the zen zone, I think I’ll never get it back. These days I know I can. Usually I get into the zen zone on  a writer’s retreat. This time I managed it at home, between uni, grandkids and other stuff. I caught up. I wrote 50,000 words! A complete story. I’ve even tinkered with some of those words. It’s a short novel, but longer than Rayessa and the Space Pirates and Rae and Essa’s Space Adventures.

Now the first cut is done, the harder work begins. Crafting the story I wrote. Opi Battles the Space Pirates is a SF romance. The most difficult part of a romance for me is writing the characters to sufficient depth. I’m queen of plot in comparison. My books tend to be plot heavy. The challenge now is to find out who Opi is and craft her better than she is now. I’d like to do that now rather than later…just in case it goes in the too hard basket.

NaNoWriMo for me then is not so much about how much I write, although I do find having a goal makes me sit at the computer longer than I really want to. I am an obsessive, goal oriented over achieving ADHD woman so that probably makes sense that I respond to a word count goal. But more than that it’s about writing, getting into the zone, giving myself permission to write and ignoring the housework and the DVD watching etc. Over 30 days you can achieve a lot. NaNoWriMo just reminds me of that.

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My son is working in Shanghai and I’m popping over for a visit. I’ll have to get up early, my least favourite part, but I’ll arrive tomorrow evening.

This will be my first visit to China. My son says it is still warm and muggy. Different from here which is rainy and chilly. I’m looking forward to chilling with my son. Apparently there is a number of public holidays this coming week so we will just hang out. He works in games development.

On the writing front, I had thought to get Oathbound off to my editor and Ungiven Land to beta readers but I was derailed by a piece of bureaucratic bullshit that gave me a nice dose of anxiety and the need to seek legal advice. I’m feeling better now, but I don’t think I’ve recovered my equilibrium. I’ve not touched my writing and have buried myself in Lois McMaster Bujold (Komarr and A Civil Campaign) for the last couple of days. This is probably a nice sanity space and Bujold writes to well and I love the series. I will learn something I hope.

I should get back to packing and try to decide whether I should take my laptop and work over there.

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Yesterday, just by happenstance, the ability to lose myself in a story and the loss of my university access cards, I finished drafting Book Three of the Silverlands, Ungiven Land. 8,000 words yesterday. I was knackered. I haven’t pulled one of those in ages. (A massage, hot pack,  hot shower, more hot pack was required to recuperate).

It’s not finished per se. I have to tidy the draft up a bit before sending to beta readers. There is probably a few talking heads and some scenes that need to be moved around plus other tweaking. I was fairly pumping out the words and the scenes unraveled in my head. I get all excited near the end and I plough through. I think I read in the same way. Also, I lost track of time. Didn’t eat dinner. Didn’t prepare dinner. Looked up and Matthew was home.

But damn. I got the story out. I did it. I finished my first trilogy. (picture me hands in the air, dancing on the spot) I have written in series format before say for the Love and Space Pirates series (I want to write another one) and under Dani Kristoff I’ve finished the third book in the Spellbound in Sydney series. But a trilogy is a whole new ball game. You start out thinking what’s going into those three books that make up the ONE story and time and lack of note taking can seriously derail that.

As an aspiring writer, I had lots of advice about whether to write the whole series or just the first book. The prevailing advice was don’t invest in a series you haven’t sold. So I devoted myself to a number of first books in series hoping to sell them. Lucky for me I also did writers’ retreats where I could devote myself to writing for two weeks. And in the past I had drafted second books or parts of books. I have 153,000 words of the second book (or second two books) in the Dragon Wine series btw.

That may be good advice, on the other hand, if you haven’t got notes and it’s a big complex story and you do sell the first book, the pressure would be immense. I’m not a fan of working on one book for ten years. I’d rather work on ten books over ten years. It’s all learning and I love ideas and exploring story and genre. If I had my time again, maybe I would have at least drafted the remainder of the trilogies I worked on while it was all fresh in my head and concentrated on selling the first one. It would have made this year easier.

You may recall that The Silverlands Trilogy is my self-publishing/indie publishing investment. Argenterra came out in late April. That book had been revised and edited etc many times over many years. Basically, the crafting of a load of crap into something worth reading over 15 years. I hope so!

Book Two was drafted but probably only ever a tidied draft. It was a much better draft than Argenterra was originally as I had progressed as a writer. No one had read it except me. I’m about to do a final revision, tweak and polish before sending it for an edit. You might ask why I haven’t already done this. Well, I was working on book three. I had thought I had 50,000 words of the third book written. Gah! I did but the words were shit. They had to be rewritten and most of it chucked out. I was in despair. Somewhere around 70,000 words the draft felt like it was coming together. Now at 121,000 words I’m pretty pleased. It’s done. The story works…well for now .Beta readers may bash me in the head.

This probably doesn’t answer the question. Why work on book three when two was waiting for a revision? Because finishing book three allowed me to work out all the kinks and to see if it was going to work before I went back to book two. I could still change things in book two before I set them in concrete by publishing it. Rescue a character who had sunk beyond redemption, for example. Set up things in book two that I had brought to a head in book three. I guess it’s a form of cheating. But hey, it worked. This is probably why I’m advocating writing the whole series in one go. Why I wish I had. But my best advice is just write what you want, how you want. I figure this book three is better than any I envisaged say ten years ago. Totally much better. I’m a better writer than I was. Ideas just smashed together well this time.

This week and maybe part of the next I’ll be tidying it up ready for beta readers. Then I’ll be back on book two, Oathbound.Now I’m ready to push forward. I believe the next two books will come out pretty close together. I have the covers. I just need the edit. I do my own laying out and book packaging. The cover layout I get help with. Technically I could do that I just have to buy Photoshop!

Then I guess I’ll get serious about marketing. My main goal so far has been to get reviews of Argenterra while I’m working on the other books. Reviews will help me if I want to do some paid promotion, such as Book Bub. If you read Argenterra and liked it please leave a review somewhere. It helps!

What have I learnt so far? I already knew writing well is hard work. Self-publishing/indie publishing is hard work if you want to do it well, but it has bells on. I’ve been stressed. I’ve had sleepless nights. I’ve invested my capital in my indie publishing gig. I have not spent time in promoting or whatever magic these successful indie writers do. My hat goes off to them. But I will when I get these books out.

The other thing successful indie writers do is they keep writing and keep producing. It sounds exhausting. I mean I do that too, but it’s driven by what stories interest me and my own creative practice. Maybe I should be more business like in my approach.

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Buy link for Argenterra, Book One-Silverlands

Print copy from Book Depository here

Amazon.com Here

Amazon.com.au Here

Kobo Here

ibooks Here

Print (Amazon.com) Here.

Print elsewhere. Available from Createspace and Ingram Sparks.

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I can’t believe it is six months already.

I’ve been at this gig for six months!

Do I miss work? No.

Do I miss the money? Yes, a bit, but not as much as I thought I would. I keep telling myself I will get a part time job, but I’m not desperate enough yet.

Do I miss my work mates? Yes, I do. The social scene at uni is different. You come to the study centre and you study. Occasionally you chat to people. It takes time.

As a PhD is self-directed research it can be difficult to judge your progress. If I sat around at home and did nothing, then I’d have the guilt meter out. But I’m on campus usually four days week and if I don’t then I’m working from home. If I consult my guilt meter it’s pretty good actually. No falling into the red zone there.

Actually, I’m just getting to the part of my study where I’m calming down. I won’t call it slowing down. Looking back I can see I approached this PhD like a bull charging a red flag. I was anxious. I was stressed. I was working like a maniac at times, dreaming up papers in my sleep. There was so much to know and I wanted to know it all. But that’s been settling down now for a few weeks.

I think there came a point that I thought I can do this. I can understand. A bit earlier than that I knew I had to dial it back as I couldn’t sustain the pace over three years. I was studying on my day off. Technically my day off is my writing day. My fiction not related to PhD writing day. It also doubles for catching up with friends day, which means I usually don’t get to write much when I do the social thing.

I’m enjoying it though and it can be absorbing. Some days on campus, I look up and see the time and think what am I doing here at 6.00 pm? Then I scurry home.

I’m coming up to my six months study. I am going to be doing my introductory seminar next week. That’s where I get to stand up and talk about my research topic, methodology and my creative project. I think my supervisor is optimistic that I won’t flubber, blubber…splat. This is a compulsory seminar, but it is not assessed. I have a bit of work to do before my first year is up as I have to do my confirmation seminar. Yes that’s right. I can be booted. I can’t see that happening but you know I have to get things up to scratch.

I’m heading for the Romance Writers of Australia Conference in Adelaide this week. We are driving down because we’ve not driven to Adelaide before. We are driving over two days. I’m doing a signing there. Waves! There is an academic stream for the conference. I put in for a paper but didn’t get chosen. Apparently there was an over supply of papers. But I believe it is a truncated stream. I am putting in a paper for the conference proceedings. Well I will. I’m just waiting on some final comments from my supervisor. I’ve been working on this paper since March. But as it is my topic area, none of it’s wasted. It was probably a good way to get across the topic, having that paper to write.

When I get back from Adelaide, I’ll be reorganizing myself. I want to start working on my creative project. So far I’ve thought about it and drafted a short outline. However, I think I have to write it and see if it works, then change it if it doesn’t. This is a fiction piece I’m giving myself time to draft. I think I might have mentioned it will be SF with romance. The other task I have to complete for my confirmation seminar is my literature review. I still have stuff I need to read, most stuff I will read two or three times before I’m done. Then I have to read romances! This means dividing up my time so that I get things done. I like to be flexible of course, but still…Would you believe I’ve been tidying my desk today? I’m sorting my journal articles into alphabetical order and putting flags on them as to why I think they are important. I feel saintly and so unlike me. I think it’s because I’m treading water. I’ve done my prep for the seminar. I’m heading to a conference and I’m waiting for comments on a paper so I can send it off.

I also have a romance readers survey and a romance writers survey as part of my PhD and it’s ready to go. Give me a hoy if you want an invite. I’m going to kick that off in September post introductory seminar.

 

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Recently, I was offered the opportunity to drive to Victoria and pick up a collection of Mills & Boon books. These were Grace’s books, her romance collection. Grace died about a year ago. This collection consisted of six 80 litre tubs of Mills & Boon. I couldn’t even lift one of these tubs. They are like gold to me for my PhD studies of feminism in popular romance fiction.

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This collection is so exciting for me. So many books. I had so much fun just looking at what was there, discovering. Grace’s collection as originally larger, but some were given away before they ever came my way. However, what I did get held amazing variety.

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Grace’s friend, author Lisa Ireland, told me she didn’t know Grace was a such a huge romance reader until after she died, but her family were well aware. Lisa said that Grace had a wicked sense of humour and a quick laugh. And she was determined. She defied her diagnosis for a very long time.

This collection spans the mid 70s until 2012-13, with lovely gems from the past with lots from the future. I believe Grace loved books, her books as much as I cherish this collection. I hope I’ll get to read them all. I believe Grace grew this collection because she loved the genre, loved reading and a bit like me, a bit of a hoarder. The hoarding baton has passed to me.

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Her brother John said of Grace.

What can I say about Grace Fastuca? How to sum up her life? Grace many Aunty a universal word. The fun Aunty, the wise Aunty. Whether you were or weren’t family.

Grace didn’t judge anyone. Many people have said how she helped them be a better person and this wasn’t just about staring death in the face. It was about taking a person a face value. Not talking down to people, really hearing what they say. About being in and making the most of every moment.

Ten years ago Grace was told she had six months to live and would miss her 40th birthday. So what did Grace do about that? She organized a very memorable 40 minus 3 party to be enjoyed with family and friends.

When Grace wanted to enjoy moments away from the hustle and bustle she went to Anglesea. Nothing can be said that will do justice to the connection she felt for the area, not to mention the amount of Mills & Boon books she bought at second hand stores there.

Grace knew as much about your life as you wanted her to know and vice versa. She was and will continue to be a great inspiration to everyone who knew her.

Grace was one of the funniest people I have ever known. As time passes we all realize how much we miss her laughter, her voice and her ability to cut through it all.

Everyone deserves an Aunty Grace.

Thank you Grace for this lovely collection which means so much to me. I must say that this collection complements the one started by Doreen Watt, from a gift of a selection of retro Mills & Boon to start my reading, which was augmented by Lifeline Book Fair purchases again assisted by Doreen. And also a collection given to me by Debbie Phillips, mostly of Silhouette romances. It is also amazing!

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It took me a few days to sort through this amazing collection. First I just had to look and get excited as I looked at each one. Touched it, wondered over it and then reached for the next one. Then I started roughly sorting the books.

IMG_6500There were many double Harlequin Mills & Boon and I just didn’t know how to file these as they were two different authors and there were so many books. These found their way back into the tubs for later sorting. Then there were a handful of non-genre books and single title books that were more historical romance. These I’ve put aside. I filled one tub with medical romances as I’m not focusing on them. Matthew argues that I should look at them too. I might just not now. Not enough shelves for starts. Then I put them in alphabetical order. I found books from authors I knew about but didn’t have books for. I found I had piles of books from particular authors who I didn’t know but where obviously quite popular, like Sara Craven, Sandra Kendrick, Anne McAlister,  Lindsay Armstrong etc. I also gained a few from authors I did have books for like Charlotte Lamb, Robyn Donald, Daphne Clair and Penny Jordan. My collection of these authors has expanded.

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I had just collected two new book cases so the books went straight in there. My lovely partner, Matthew, lugged the books inside. To my surprise I found them in the lounge and then I was a lost woman and all my plans for the day went out the window. Although they don’t all fit in the shelves atm.

I had to take a break from the sorting as it was physically demanding. All that crawling around on the floor, squatting, crouching, leaning over etc. I scored some Helen Bianchin and then I realized that she was an author I read when I was 19 when living in New Zealand. When I looked through the books I  saw that I had that book. THAT BOOK! And then when I looked up Helen’s bibliography I realized it was her first. It is a great book too. I love it. So I lay back on the couch and read The Willing Heart by Helen Bianchin, then Vines of Splendour and a more recent one, The Marriage Arrangement. I do note though as I’m collecting books in Australia, that there is a bias towards Australian and New Zealand authors. No problems there.

In amongst the Mills & Boon were some older Harlequins, and quite a few Silhouettes. These I have merged with my Debbie Phillips collection in the other book cases. I think there’s a thousand books there. I don’t know. But it’s awesome and the collection will be put to good use in the PhD reading and for enjoyment and my hoarding genes are well aligned.

 

 

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I’ve done a series of blog interviews on the topic of beta readers previously. Recently though, I’ve had some thoughts on the timing, or better still at what stage of your drafting/writing/revising process it works best. This was sparked by receiving some excellent feedback on a work in progress.

Not everyone uses a beta reader, but if you look in the author comments or acknowledgements in your favourite books you will see people who  have been thanked, usually as first reader etc. For myself, I need beta readers like I need air. God forbid that a published work of mine was raw and that my first feedback was from a reviewer or a bunch of readers. Thankfully, mostly everything except my blog posts have had a reader, editor etc before being published. Even my Indie published fantasy, Argenterra, had beta readers and an editor before being published. I also beta read for author friends. Not all of them return the favour them being busy with contracted deadlines etc, but I get something out of it. I get to read their books before everyone else and sometimes I get a present of a nice shiny book! I also learn!

I have also used the services of a manuscript appraisal service when I first started out, also I have workshopped a novel with Envision (a fantastic program that no longer exists), that was Argenterra BTW! I also won a Longlines Fellowship to Varuna Writers’ House for Dragon Wine back in 2006 and part of that was feedback and also sharing with other writers there. For Dragon Wine I used the services of a continuity editor which was really useful too.

The ideas and the words are my own but feedback help shape ideas, perspectives etc which are all valuable. Even reading your book aloud to yourself will pick up stuff. Really! Read it to someone else and then heaps of things will jump out at you even when you’ve proofed and polished the text within an inch of its life.

Maybe because I’m an extroverted thinker that beta reader comments work for me. I need a sounding board and I work fairly quickly too, which means I can’t play with one story for ten years with no fertiliser from other people. I usually have several novels or short stories going.

An important consideration in having a beta reader is to have someone who gets what you are doing, who has some interest, sympathy, knowledge, way of thinking etc that gels. Your mum is probably not the best person. Even your kids…although mine usually pick up typos etc after the fact. You need some distance, someone you can trust to be honest and helpful at the same time. More importantly, you need to be ready for feedback. You need to be able to accept criticism because that’s what it is all about. If you want a beta reader to say “OMG! This is the best book on the planet ever!” Give it to your mum. Not that it is not great to get positive feedback, it is…

So it is hard to get good beta readers. If you write a lot it is even harder to share the work around them. Also, you need to return the favour, unless you are paying for a service. If you are paying for a service expect a detailed report and expect to pay upwards of $500 (more these days). Remember you want to be a beta reader that your reader buddies can respect. This means you have to give feedback on things like structure, character, pacing, setting etc too. Your beta reader doesn’t have to be another writer. A reader who likes the genre you write in can be very helpful. I mean they are a sample of your audience right? Your feedback might be a lengthy document, an annotated MS, an email or even just a conversation. It all goes into the mix.

Also different readers have different strengths. You might get a reader who is instinctively good with pacing. Another with character development. So having more than one is helpful. I was going to say essential but we can’t have everything.

I have trusted beta readers for a range of stories. I probably have one who reads anything I write and I read hers. I believe we trust each other, although we have different perspectives.

Timing! Finally I get to the point. This is interesting. The timing varies for me. I might send my MS off just before I send it to submission, when I think it’s fairly polished, but not finally polished just to check that it’s not fatally flawed. Or I might send a tidied up first draft. I never send a story with a gaping hole in it (unless I didn’t see it). I may have a few x in place of names, but usually the story is fully formed. At a minimum a tidied first draft. My older work needs a few drafts before they are ready for beta readers. I’m finding that with The Crystal Gate, the sequel to Argenterra. The third installment is an incomplete rough draft and a nightmare!

You see, Argenterra has been worked on over many years, had many revisions, cut backs etc. The sequel has sat in the hard drive minding its own business and stagnating. Essentially it is a tidied first draft, maybe a tidier second draft. More recent work for me means that the first drafts are much better. I used to be a panster! Now I straddle the fence and plan a bit. Older drafts can be a lot of work, especially if you didn’t make notes!

So the minimum I believe is a tidy, good first draft, where you have  a full story etc and there is something to comment on. I sent The Crystal Gate for a beta read and it’s a tidy second draft. Why?

I have trouble listening to the little voice in my head that says things like “You’ve said that twice now. Maybe cut that.” or “You’ve written the action but what is the character feeling? What is the character’s emotional journey?” Or “That’s all well and good but could there be too much going on in that scene?” But because I’m focussed on my end goal of getting through the revision I don’t stop to deal with those things. I need a second opinion. (Insert LAZY here). I need a kick up the bum. I need to know what’s working and what’s not before I invest too much, before I make a wrong decision. This is where beta reading comments come in. I got some this morning. Some were the kick in the pants stuff-the stuff where I should know better but didn’t. Other comments point out flaws I didn’t notice or thought I could get away with, others highlighted aspects that I hadn’t thought of at all. I know that in addressing these comments I’m going to make the work better. I don’t have to agree with everything that my beta reader says. I’m going to wait for the other beta reader’s comments before working on the MS again.

Essentially the comments have filled me up with enthusiasm, ideas and identified trouble areas where I need to do more thinking. I love this.

I think I would be less likely to be accepting of feedback if I had polished the story to the nth degree and thought it was amazing and gorgeous and nothing could be improved. Nothing could be worse that having someone say-this is fatally flawed, you need to restructure this. You might take that from an editor maybe if you could see their vision. So far I haven’t had to restructure anything majorly at all. For this reason, I think getting feedback on a good draft is better than a polished draft you have no brain power to accept feedback. It can be done. I’ve worked with someone who had been edited and a reader picked up something which meant it had to be edited again and the issue addressed.

Of course, the timing is individual. Some people I know won’t let me read for them until they think their MS is perfect. Naturally enough I don’t get to read for them very often at all.

Now I wrote this post because I’m working on a rough draft of The Ungiven Land, Silverlands book 3. It’s hard work even thinking about this story so procrastination helps. This blog post is brought to you by procrastination!

 

 

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I say this quite a bit these days. Maybe it’s because I’m getting older and I want to learn so much, do many more things that I can see that I won’t do all of them. It’s not possible. I would need many lifetimes to do that. Even then the world is ever changing. Is that what living forever is like? No wonder I love reading and writing science fiction and fantasy and paranormal romance. Within fiction there are no boundaries.

I thought I’d having something interesting to say. This last week with the PhD has been about admin and also trying to work out how I can talk about the fiction I’m reading. I have to learn to be more academic, pick a position and analyse with that mind set. That’s hard. Not too hard, but requires some mind bending. I can no longer just be enthusiastic! Also, there’s that paper I’m working on…

I finished the revision of The Crystal Gate and sent it to beta readers. I fear I have some more hard work ahead of me to make this novel all that it could be. A kick up the bum from beta readers usually galvanizes me, particularly when they tell me things I know I think is a problem but I’m not listening to the little voice that told me so. I thought I would rip into The Ungiven Land straight up…but alas…I’m a slacktard. There’s 50,000 words sitting there and I haven’t even read them through let alone drafted more words. I guess I’ve been resting my brain…maybe…actually I’ve finally finished listening to The Magician (Raymond E Feist). This was an Eighties’ classic that I’d never caught at the time. It’s high fantasy, elves, dwarves, dragons etc, but it  has something else too which caught my interest. My main problem is that I didn’t like the narrator. I can’t pinpoint why. It made the 35 hours of listening a bit hard, not impossible though. It was Audible and my first time really not enjoying the experience amazingly.

On the Argenterra front. I ran a Goodreads giveaway for the print book. I have no idea how that translates into book sales, but I think not many. However, five more people are following me on Goodreads. Waves! Thank you. Hundreds of people have added Argenterra as a ‘want to read’. I’ve sent three books out, one to Canada that should arrive quite soon and two in the UK, which Amazon says will take a few weeks to organise. Book  Depository haven’t got Argenterra listed yet as it can take 6 weeks for them to get it up. Maybe if the readers are generous they’ll do a review. Totally worth it for the possible reviews and exposure.I thought it would be nice if 500 people entered the Goodreads giveway and 866 people did and that’s awesome.

I joined Kindle Boards. Lots of advice and information there. It is possible that if you spend too long there you might grow a beard and find the world has moved on a hundred years.

Other bits of procrastination this week includes seeing X-Men Apocalypse. I really enjoyed that despite missing Days of Future Past. It was massive in scope. I liked the action and I also liked that it stopped for the emotional stops. I ate more chocolate this week than in the last year I’m sure. I re-watched North and South  (BBC 1975) starring Patrick Stewart’s hair. It was a nice way to pass a wet weekend with my niece visiting.

Now back to the PhD.

 

 

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This morning I went to the dentist to get my chipped tooth fixed. I now have my smile back. It was a small chip to my front tooth, but it happened just after I gave up my extras health cover. Anyway, the damage wasn’t too bad financially. I will have to be careful about what I eat in future. Given my weight gain, I could probably stand no eating!

I’m at the stage of my PhD where the more I read the more stupid I feel. There is so much to know about the world and I know I haven’t even touched a 0.000001 per cent of it. I feel like if I open my mouth something stupid is going to come out. Or does come out. I know this is untrue of course! I’m not entirely stupid! (just marginally or slightly stupid, lol) It’s just that I’m dwelling in some emotional gutter where PhD candidates fall after the first splurge of excitement. I want to know everything about my topic! I can only do a small portion of what I’m aiming for. Live with it!

Writing/drafting an academic paper was like sliding a stiletto around my insides while singing the national anthem. A relief when it is over. I will be getting comments from my supervisor to get it to the next stage so I’ll just put the stiletto over here so it’s ready for when I need it.

I had a wonderful long series of dreams/thoughts about my creative piece for the PhD. It was the most rounded piece of imagination in relation to it, that I might even draft a rough outline. Today, I’ve printed out an article that the lovely Russell Kirkpatrick recommended to me after I was whining about how hard Gender Trouble by Judith Butler was to understand, particularly when she starts dissecting the psychoanalysts. Butler’s book inspired lots of creative thoughts for my fiction piece. I may not get it all into my head, but it was thought provoking. The article is Taking Butler elsewhere: performativities, spatialities and subjectivities by Gregson, N and Rose, G, 199. It’s right here in front of me.

Another issue I find is that I have to reread articles and books. I take notes, of course, but then on rereading I see other things that I’d missed before. This is because the reading expands your understanding and then you read something else and make further connections until you get an ‘aha’ moment.  I have a lot of reading done, heaps more to do but the thought I may have to read it again. Eep! Add to the that the suspicion that my reading mojo is not quite up to par yet. Retention is difficult at times. I need to find the right balance of stress and relaxation so that my retention is better.

I have a few retro romances waiting for me to read them. I find I am developing preferences and dislikes. I don’t think movie star love stories thrill me much. The lifestyles of the uber rich likewise, unless written by Roberta Leigh because she excels at that stuff. The stories with  a young, ignorant nanny employed in the Bahamas doesn’t do it for me either, but there might be exceptions. I don’t mind the cowboy romances. Usually the dude is not a rich guy, machoing over someone. This is based on only limited number of books so far. Marriage of convenience stories are usually not bad. A lot of my selection appears to be Australian and New Zealand romances (funny that) and they are usually different from the English ones. It appears I have no Helen Bianchin so I’ll have to get some of those.

In other news, I went to listen to Dan O’Malley being interviewed by Colin Steele last night about his new book, Stiletto. The theatre was packed. Dan was amusing (as ever) and the signing queue long.

The Goodreads giveaway for Argenterra is progressing well. I’ve not ever done one before. I will post back here and let you know how it goes and what it means in the wash.

The link to the Giveaway is here.

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I saw a post from Hodderscape, which recently held a open submission call, providing writing tips from editor, Anne Perry. I thought her approach was very useful and simple. Reading slush opens your eyes to lots of things.

I also saw recently some tips on developing character from the amazing Angela Slatter, which I thought were useful too.

A while ago now I did a series of posts based on my observations on slush pile reading and the things that I saw there. These posts are probably a bit more indepth and perhaps a bit more muddled than the two recent posts I saw on the web.

Below are the links to these.

Anne Perry here.

Angela Slatter’s post here.

And a few posts from reading for Angry Robot and their first open call.

Blog post one here

Blog post two here

Blog post three here  (which is on common issues with manuscripts)  thoughts on blog post three here. Wherein I elaborate on issues with MSs.

Blog post four was on query letters and synopsis here.

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So this week has been busy!

My son who works in China developing computer games was visiting this week. So there was him and grandchildren and daughters and stuff.

I read mostly romances this week and following on from my previous post, most had no social issues. The Charlotte Lamb I sampled were full on Bronte channeling with a rampaging Heathcliff in one. However, at present I am reading a Love Swept title featuring a deaf hero so of course it deals with discrimination. So I have a happy face.

My academic paper will be back in front of me on Monday. I was taking a breather and waiting for comments from my supervisor.

As for Canberra, it was chilly this week although today is glorious!

And for the other me, Dani Kristoff, this news.

 

 

 

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